A Raisin in the Sun is a classic American play: a groundbreaking 1950s civil rights drama and has a strong claim to be the greatest play of the black American experience. Deeply committed to the black struggle for equality and human rights, Lorraine Hansberry's brilliant career as a writer was cut short by her death when she was only 34. A Raisin in the Sun was the first play written by a black woman to be produced on Broadway and won the New York Drama Critics Circle Award. Hansberry was the youngest and the first black writer to receive this award. She was also the first person to be called 'young, gifted and black'. The play is set in south side Chicago, where Walter Lee, a black chauffeur, dreams of a better life, and hopes to use his father's life insurance money to open a liquor store. Humane and heart-rending, the play depicts characters and a whole society with complexity and reality. This Student Edition features expert and helpful annotation, including a scene-by-scene summary, a detailed commentary on the dramatic, social and political context, and on the themes, characters, language and structure of the play, as well as a list of suggested reading and questions for further study and a review of performance history.

This is the definitive book about the biggest changes in education, schooling and teaching since the school classroom was invented almost 300 years ago. The vision and power of the original "Learning Revolution" remains, but the authors now address current developments such as: how instant information and interactive technology are finally forcing a complete rethink of everything we've ever believed about education; how new interlocking networks are creating dramatic new models for learning; and how new teaching methods are revolutionizing schooling in pockets around the world. Dryden, the award-winning television and radio talk show host, is just completing a series of television programmes on new methods of learning and Vos is putting the finishing touches to a seven-year doctoral research project into the same subject. The combined power of these two dynamic authors is highly compelling!

I can tell the difference between who I am and a side effect. The Effect is a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course, much to the frustration of the clinicians involved. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction. Following on from the critical and commercial success of Enron, The Effect offers a vibrant theatrical exploration into the human brain via the heart. It received its world premiere at the National Theatre's Cottesloe Theatre in November 2012, starring Billie Piper and Jonjo O'Neill. It is published here in the Modern Classics series alongside an introduction by Miriam Gillinson.

International Communication examines the profound changes that have taken place, and are continuing to take place at an astonishing speed, in international media and communication since the beginning of the new millennium.
Building on the success of the first edition, the second edition maps out the expansion of media and telecommunications corporations within the macro-economic context of liberalization, deregulation, and privatization. It then goes on to explore the impact of such growth on audiences in different cultural contexts and from regional, national, and international perspectives. Each chapter contains engaging case studies on topics that exemplify the main concepts and arguments, including Al-Jazeera, the global reach of Bollywood, and the globalization of "reality television." International Communication, Second Edition, is essential reading for all communication and media studies
Features
* The only single-authored volume that deals coherently with the complex global, political, economic, and technological contexts in which media and culture operate.
* Fully updated to include developments since the beginning of the new millennium.
* New case studies throughout, including the "Murdochization" of media, the Al-Jazeera phenomenon, mobile communication, and China and global media.
* New pedagogical features, including discussion questions, suggestions for further reading, and notes on key terms.

The science of the future of the physical universe has been transformed since the discovery of the accelerating universe in 1998. Overall science paints a picture of a future of futility and therefore poses question to a Christian theology of hope. This book argues that the Christian understanding of new creation, when applied beyond the life of the believer or indeed the church, speaks powerfully into this context, giving resources to both theologians and scientists to engage fruitfully with the questions of the end of the Universe. This book explores the future of the universe in the light of modern science, popular culture such as movies and science fiction, and "pop eschatology" such as the best-selling "Left Behind" series. The book argues that Christian theology can learn and contribute in a dialogue with the scientific picture of the future of the Universe. Using a Wesleyan approach to theology, the biblical narratives are explored in conversation with the scientific discoveries. If Christian eschatology is to have a fruitful dialogue, then it must take seriously the relationship between creation and new creation. In particular this relationship, modelled by the resurrection, must be represented by a tension between continuity and discontinuity. In this way the movement to new creation is seen as tranformation rather than destruction of this creation. Indeed, there are pointers to this new creation which may be part of a revised natural theology. The action and faithfulness of God are both key elements in this tranformation working both in process and event. Contemporary theologians including Moltmann and Pannenberg either ignore this tension or fail to relate it to the physical Universe. At the same time the "scientific eschatologies" of Dyson and Tipler, and the eschatological speculations of contemporary fundamentalism are shown to be inadequate scientifically and technologically. This tension leads to the suggestion that space and time are real in creation and new creation, and a multi-dimensional view of God's relationship with time is proposed. Further, speculation on the tranformation of matter in new creation needs to reflect its relationality and context. The consequences for the relationship of Christian eschatology to the biological world, providence, hope, ethics, and Christian apologetics are explored. In particular such a robust Christian eschatology engages constructively with questions of hope in contemporary culture.

The reader is taken on a journey from the earliest roots of Christianity to its near acceptance as religion of the Roman Empire. The reader is taken from the very first generation of Christians in Rome, a tiny group of Jews who acknowledged Jesus as the Messiah, down to the point when Christianity had triumphed over savage persecution and was on the verge of becoming the religion of the Roman Empire. Rome was by far the biggest city in the Roman world and this had a profound effect on the way Christianity developed there. It became separate from Judaism at a very early date. The Roman Christians were the first to suffer savage persecution at the hands of Nero. Rome saw the greatest theological movements of the second century thrashing out the core doctrines of the Christian faith. The emergence of the papacy and the building of the catacombs gave the Roman Church extraordinary influence and prestige in the third century, another time of cruel persecution. And it was in Rome that Constantine's patronage of the Christian faith was most evident as he built great basilicas and elevated the personal status of the Pope.

This study of the early church is written from a new religious and theological studies perspective. It builds on recent research in ancient history, archaeology, classical and oriental and cognate studies and also takes account of recent developments in reception studies, in particular in the area of popular literature, fiction, film, art and new religions. One of its aims is to demonstrate how certain perceptions of the early church still dominate the western cultural discourse and how important it is for a fruitful development of that discourse to inform it with a well grounded, well (historically) informed, notion of 'the early church'. The book falls into seven chapters. Chapter I discusses the concepts of 'the early church', 'early Christianity', its wording and history, including wider aspects of reception. Chapter II deals with concepts of history, memory and cultural origins in early Christian thought. Chapter III outlines varieties of religious traditions in the wider context of 'the early church', including 'heresies' or other religions like Gnosticism, Montanism and Manichaeism. Chapter IV introduces religious practices of early Christians and their perception in history, especially in western art. A fifth chapter deals with the emerging separation of religion and society in Late Antiquity. In a sixth chapter we outline the formation of orthodoxy, including the developments of creeds and the phenomenon of councils, and in a seventh chapter we will look at the phenomenon of 'De-Hellenization' and the formation of 'national' 'christianities' on the fringes of the old Mediterranean world.

This is an introduction to feminist and gender-critical perspectives on the New Testament and other early Christian writings.In this introductory book, Vander Stichele and Penner outline a gender-critical approach to the New Testament and discuss the issues involved. Building on feminist analysis, gender-criticism explores the place of both women and men in, behind, and in front of the text, but also understands sexual identities as part and parcel of the study of gender identities in both text and context, assessing the relative configuration of such identities through their broader, rhetorical, ideological, and socio-cultural contexts in the ancient (and modern) worlds.The authors clearly set out the methodology and hermeneutical issues and then give concrete examples of how gender-critical exegesis affects the reading of texts. The New Testament is not considered in isolation, rather the book deals with early Christian Literature in a more general sense, in that the issues discussed are related to the study of that broad body of literature and concrete examples either come from those texts or tackle issues at stake in them. This book is unique in terms of its range as well as in the explicit methodological focus that is fostered. Furthermore, it is a joint project of scholars from different cultural backgrounds, but with a similar interest and complementary skills.