This extraordinary account of imprisonment shows with exacting clarity the awful injustices of the system. Sylvia Neame, activist against apartheid and racism and by profession a historian (see the three-volume, The Congress Movement, HSRC Press, 2015), has not written a classical historical memoir. Rather, this book is a highly personal account, written in an original style. At the same time, it casts a particularly sharp light on the unfolding of a policedominated apartheid system in the 1960s.

The author incorporates some of her experiences in prisons and police stations around the country, including the fabricated trial she faced while imprisoned in Port Elizabeth, one of the many such trials which took place in the Eastern Cape. But her focus is on Barberton Prison. Here she was imprisoned together with a small number of other white women political prisoners, most of whom had stood trial and been sentenced in Johannesburg in 1964–5 for membership to an illegal organisation, the Communist Party. It is a little known story. Not even the progressive party MP Helen Suzman found her way here.

Barberton Prison, a maximum security prison, part of a farm jail complex in the eastern part of what was then known as the Transvaal province, was far from any urban centre. The women were kept in a small space at one end of the prison in extreme isolation under a regime of what can only be called psychological warfare, carried out on the instructions of the ever more powerful (and corrupt) security apparatus. A key concern for the author was the mental and psychological symptoms which emerged in herself and her fellow prisoners and the steps they took to maintain their sanity. It is a narrative partly based on diary entries, written in a minute hand on tissue paper, which escaped the eye of the authorities. Moreover, following her release in April 1967 – she had been altogether incarcerated for some three years – she produced a full script in the space of two or three months. The result is immediacy, spontaneity, authenticity; a story full of searing detail. It is also full of a fighting spirit, pervaded by a sharp intellect, a capacity for fine observation and a sense of humour typical of the women political prisoners at Barberton.

A crucial theme in Sylvia Neame’s account is the question of whether something positive emerged out of her experience and, if so, what exactly it was.

Welcome to the SuzelleDIY Recipe Book! These pages are full of my favourite recipes that I have gathered and created over the years, from my Ouma’s old classics to my own creative recipes that will get everyone talking at your next dinner party! You will find scrumptious desserts, easy dinners, fun and delicious twists on South African favourites (bobotie balls anyone?) as well as a few wonderful recipes from special guests who also wanted their recipes in the book, shame.

This cookbook is for everybody! If you are a master chef or a mini chef, if you only know how to use the microwave or even if your meals always come out looking a little bit rustic, there’s something in this book for you.

So pop on your aprons people! It’s time to use your own creativity and make some delicious kitchen magic happen. DIY? Because anybody can!

Welkom by Resepte! Hierdie boek se bladsye is propvol geliefkoosde resepte wat ek oor baie jare versamel en opgetower het; van my Ouma se ou klassieke resepte tot my eie skeppings wat almal gaan laat gons y oor jou volgende feesmaal!

Jy sal heerlike nageregte ontdek, maklike aandetes, asook prettige en smaaklike afdraaipaadjies van Suid-Afrikaanse gunstelinge (enigeen vir bobotieballetjies?), sowel as paar ongelooflike resepte deur spesiale gaste wat ook, ag, shame, so graag in die boek wou wees. Hierdie kookboek is vir almal! Al is jy bobaaskok of beginner; al weet jy kwalik hoe om mikrogolfoond te hanteer of dink dat jou maaltye altyd so bietjie verroes lyk: daar sal iets in hierdie kookboek wees vir jou.

Strik jou voorskoot aan, liewe mens! Dis tyd om jou eie kreatiwiteit te volg en die kombuis in gastronomiese betowering te omskep. DIY? Want almal kan!

Rehana Rossouw’s unique voice gives life and drama to this family saga. It is the story of the Fourie family, residents of Hanover Park in the Cape Flats during the height of the struggle era. The main characters include Magda, the churchgoing mother, who doesn’t see what’s going on in front of her; Neville, the concerned and loving but not always effectual father; Suzette, the oldest daughter, who is bound and determined to get away and make a better life for herself via a career in modelling; Nicky, the smart and sensitive middle child, who proves herself capable of making unselfish choices; and Anthony, the naive and doomed son, who gets caught up with a gang and meets a sad end. In What Will People Say the setting is everything, and the author doesn’t stint on the details of the world her characters inhabit. Readers who have never set foot in Hanover Park will feel they are there, and those who know the place will nod in recognition of the sensory details the author loads into her writing. Nor does the author shy away from the difficult issues faced by those living in this marginalised and disadvantaged community, which came into being as a result of the forced removals from Cape Town. How these issues affect the members of a particular family and their relationships with one another are the focus of the author’s close-up lens. Generously spiced with Cape Flats slang; lots of vivid and gritty description that give an authentic feel to the story; plenty of plot – the writer draws us in and makes us curious about what will happen next; and very human characters we come to care about.

South Africa never was, nor ever will be the Rainbow Nation we believed Mandela dreamt about. But we’ve woken up and grown up and we’re trying to come to terms with this reality.

Kopano has also grown as a writer in the last few years. In Period Pain she has poignantly captured the heartache and confusion of so many South Africans who feel defeated by the litany of headline horrors; xenophobia, corrective rape, corruption and crime and for many the death sentence that is the public health nightmare. Where are we going, what have we become?

Period Pain helps us navigate our South Africa. We meet Masechaba, and through her story we are able to reflect, to question and to rediscover our humanity.

In this beautifully written work, Bonnie makes a remarkable transition from actress to author with ease and flair.

Eyebags & Dimples is Bonnie’s shockingly naked account of how her depression almost robbed her of her shine and how she continues to fight this darkness. In this searing, unflinchingly honest, book Bonnie recounts the intricate journey that her life has taken her on. But most importantly how her entire life she lived in constant fear of this darkness that made her feel uncertain of whether she was walking towards something or walking away from it.

After Bonnie unsuccessfully tries to pursue her acting career in Hollywood she is diagnosed with clinical depression. At last her darkness has a name, and there is a way to overcome it. With the failed Hollywood adventure as her lowest point, Bonnie begins the painful climb back to a life of health and mental stability. In her adulthood, Bonnie meets herself for the first time. She begins forgiving, first herself and then her mother, who she now realises wasn’t abusive because she didn’t love her but because she was also depressed.

This memoir will have you cheering, crying and falling in love all at the same time.

Anxious about her prospects after leaving a stagnant job, Tambudzai finds herself living in a run-down youth hostel in downtown Harare. For reasons that include her grim financial prospects and her age, she moves to a widow’s boarding house and eventually finds work as a biology teacher. But at every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point.

In This Mournable Body, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival.

As a last resort, Tambudzai takes an ecotourism job that forces her to return to her parents’ impoverished homestead. This homecoming, in Dangarembga’s tense and psychologically charged novel, culminates in an act of betrayal, revealing just how toxic the combination of colonialism and capitalism can be.

On 22 November 1977, 40 years ago, Robert Smit and his wife Jean were brutally murdered in their Springs home. They were shot and stabbed several times. The words RAU TEM were spray-painted in red on the walls. A high-ranking member of the National Party, Robert Smit was involved in probable sanctions-busting activities through a front company, SANTAM International.

Told by Liza Smit, daughter of Robert and Jean, who was 13 years old at the time of the murders, this is a book of two stories, the story of the life-long and destructive impact the murders had on the lives of those left behind, and particularly and very poignantly on that of Liza’s own life.

It also tries to unravel the mystery of the murders. We follow Liza as she gathers evidence to present to the Truth and Reconciliation Commission and meets with a wide array of those who might help solve the crime, from ministers to shady conmen. Despite Liza’s efforts and the huge public interest in the murders, despite the numerous conjectures on who might have murdered this high-ranking politician and his wife, despite the complicated reasons put forward as to who might have given the orders to have them killed, 40 years later we are no closer to a conviction and trial.

The Olami cookbook from Nirit Saban of the popular deli on Bree Street, Cape Town is all about simple, nourishing, wholesome food. Olami, a word used in Israel, means global, universal and worldly, and Nirit's recipes open the door to many fusions and intermingling flavours from the Middle East to South America. A book that keeps in mind the local, the recipes with easy-to-source ingredients make it accessible to everyone. 'There is something magical that happens at Olami every day, whether it be the flavours we combine, the music that streams through the sound of sizzling and steaming and bubbling, the voices of our customers and friends and family, the arrival and departure of our suppliers - the consistent flow of work and production all adds up to a melting pot of powerful elements that nourish the team and the customers in the most inspiring way. The intention behind Olami and my life is to be as connected to nature as nature is to us. We at Olami are incredibly humbled at this opportunity to share the food we love with everyone.' - Nirit Saban In the book one will find classic recipes with a twist, the focus being on using original flavour bases with different combinations to create meals with flair and flavour. One can roast butternut with a glaze of honey and sprinkled toasted sesame seeds or one can mash the butternut and top it with loads of parsley, lemon, olive oil and a dusting of sweet paprika.

Waking up to roaring lions near her doorless dung hut; encountering elephants while walking with other women to fetch water from a distant spring; realising that older Himba people saw themselves as part of nature, not as separated from it nor at its apex ... These were just some of the experiences that would change the way Margaret Jacobsohn thought about wildlife conservation – and our modern deficiency in ecological intelligence. So, the Capetonian journalist and environmental writer turned researcher became a Namibian and helped pioneer an African way of doing conservation and tourism.

Famed for its spectacular landscapes and gloriously unclad geology, Namibia is a country that wears its skeleton on the outside, the author says.

Similarly, her story is as gritty and real as Namib sand. The conflicts and mishaps, the triumphs and breakthroughs – what it takes to break paradigms and do decades of community based conservation in remote and inaccessible places, earning some of the top international environmental awards along the way.

A book that will make you think.

Set a Table is Karen Dudley’s newest offering, following in the footsteps of her ground-breaking and much-loved Week in The Kitchen books.

The recipes are carefully selected to showcase exceptional flavour, but are easily achievable at home. Many of the recipes are well-loved signature dishes from The Dining Room that have been developed for home cooks to share. The Duck Salad with Cashews or the Seared Salmon Sashimi with Vietnamese Caramel are as triumphant as the Asparagus Avgolemono and the Indian-Spiced Cauliflower with Coconut Coriander Relish. These are recipes that are loved by makers and tasters alike.

In addition to the splendid recipes, Karen considers the importance of inviting people into your home to eat around your table. The photographs are rich and beautiful, shot by the extraordinarily talented Claire Gunn, who manages to convey the intimacy and sumptuousness of actual dinner parties thrown by Karen in her home and at her restaurants, The Kitchen and The Dining Room.

This is a beautiful book which will draw people in with its visual allure, win their hearts with Karen’s entertaining and insightful observations and have people buying extra copies to share with their friends for its irresistible originality.

Tal Smith, owner of the much-loved Cape Town deli Sababa, is back with new recipes in Sababa: More Middle Eastern and Mediterranean Food. This follows the incredible success of the first book Sababa: Middle Eastern and Mediterranean Food, and the constant request for more recipes. The recipes continue to be simple to follow and the ingredients are always easy to find. Sababa encourages home cooking and are all based on family recipes not only for cooking everyday suppers but for celebrations too.

Winner of the Dinaane Debut Fiction Award for 2019.

When 11-year-old Chimuka and her younger brother, Ali, find themselves orphaned in the 1990s, it’s clear that their seemingly ordinary Zambian family is brimming with secrets, from HIV/AIDS, to infidelity, to suicide. Faced with the difficult choice of living with their abusive extended family or slithering into the dark underbelly of Lusaka’s streets, Chimuka and Ali escape and become street kids.

Against the backdrop of a failed military coup, election riots and a declining economy, Chimuka and Ali are raised by drugs, crime and police brutality. As a teenager, Chimuka is caught between prostitution and the remnants of the fragile stability that existed before her parents’ death.

The Mourning Bird is not just Chimuka’s story, it’s a national portrait of Zambia in an era of strife. With lively and unflinching prose, Kalimamukwento paints a country’s burden, shame and silence, which, when juxtaposed with Chimuka’s triumph, forms an empowering debut novel.

This important book brings together the previously unpublished letters of three women, Lilian Ngoyi, Bessie Head and Dora Taylor. While Ngoyi, Head and the lesser-known Taylor each made vital and perhaps under-appreciated contributions to the southern African struggle, these letters record their ordinary, domestic lives as well as touching on the socio-political struggles which they conducted from within their homes.

Bessie Head was a writer of novels, short stories and social history, and towards the end of her life was celebrated internationally. Dora Taylor, a white woman who was an early member of the Non-European Unity Movement (NEUM), was also a writer, but her longer work, was not published until after her death and she is still not a widely known public figure. Lilian Ngoyi was an ANC leader and one of the organisers of the 1956 Women’s March to the Union Buildings in Pretoria and she was repeatedly arrested for her involvement in trade union and political matters.

Each woman writes to one trusted friend or relative. Ngoyi, Head and Taylor did not know each other but are linked by their political sympathies, their comparable vocations and practices, and by the fact that each had to endure her own version of exile as a result of her activities. These letters record all three writers’ joys and sorrows as they struggled to live principled lives in adversity. As well as giving access to the thoughts of three remarkable women letter-writers, this timely book presents letters as literary artefacts, not just sources of information and opinion. It invites readers to taste the intriguing and sometimes disturbing pleasures of reading personal letters.

Celebrated and honoured across the globe for its bearer’s selfless role in the liberation of South Africa, the name Mandela has become an iconic brand. Nelson Mandela’s life was dedicated to politics and achieving freedom for the oppressed in the country, which left him little time with his children and loved ones. It was not easy growing up a Mandela.

Ndileka Mandela is a social activist, former ICU nurse and the head of a rural upliftment organisation known as the Thembekile Mandela Foundation. Born to Madiba Thembekile Mandela (Nelson Mandela’s first born), who died in a car accident while his father was in prison, and the eldest grandchild of Nelson Mandela, Ndileka has lived a challenging life – a labyrinth of highs and lows.

I Am Ndileka tells the story of a woman who has made great stride in society, but still faces many challenges. Even though South Africa has been emancipated from the apartheid regime and so-called gender inequality structures have been removed, women still face oppression and abuse. In October 2017, as part of the #MeToo campaign to denounce sexual violence, Ndileka disclosed for the first time that she had been raped by her then partner in her own bed five years before. Follow Ndileka on her journey as she deals with death in her family, patriarchy, motherhood, depression, being homeless and surviving rape and abuse.

Along the journey of tackling challenges and expectations that come with her last name – things that she did not ask for but are asked of her nonetheless – Ndileka finds her voice.