The English country house is an iconic setting for some of the greatest British crime fiction. Short stories are an important part of this tradition, and writers from Agatha Christie to Margery Allingham became famous for the intricate cases which their detectives unravelled in rambling country houses. These stories continue to enjoy wide appeal, driven partly by nostalgia for a vanished way of life, and partly by the pleasure of trying to solve a fiendishly clued puzzle. This new collection gathers together stories written over a span of about 65 years, during which British society, and life in country houses, was transformed out of all recognition. It includes fascinating and unfamiliar twists on the classic 'closed circle' plot, in which the assorted guests at a country house party become suspects when a crime is committed. In the more sinister tales featured here, a gloomy mansion set in lonely grounds offers an eerie backdrop for dark deeds, as in Arthur Conan Doyle's 'The Copper Beeches' and W. W. Jacobs' 'The Well'. Many distinguished writers are represented in this collection, including such great names of the genre as Anthony Berkeley, Nicholas Blake and G.K. Chesterton. As with his previous anthologies in the Crime Classics series, Martin Edwards has also unearthed hidden gems and forgotten masterpieces: among them are a fine send-up of the country house murder, 'The Murder at the Towers'; a suspenseful tale by the unaccountably neglected Ethel Lina White; and a story by the little-known Scottish writer J.J. Bell.

Thieves, liars, and killers--it's a criminal world out there, and someone has to write about it. A thrilling collection of the year's best reportage by the aces of the true-crime genre, "The Best American Crime Reporting 2009" brings together the mysteries and missteps of an eclectic and unforgettable set of criminals. Gripping, suspenseful, and brilliant, this latest addition to the highly acclaimed series features guest editor Jeffrey Toobin, "New Yorker" staff writer, CNN senior legal analyst, and bestselling author of "The Nine."

Hailed as one of the best crime fiction writers in America today, "New York Times" bestselling author Laura Lippman now reveals another level of her mastery. Each of these ingenious tales is a gem--including the Edgar and Anthony awards-nominated story, "Scratch a Woman," in which Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood. Sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals, here are enthralling excursions to the dark side from "one of today's most pleasing storytellers" ("San Diego Union-Tribune").

In hierdie bundel opwindende sketse neem die veelbekroonde skrywer haar lesers op reis: na Pelgrimsrus; die vergete dorpie Eselbank in die Sederberge; Paternoster aan die Weskus en Namibie. Sy reis ook verder: na die Skotse Hooglande, Buenos Aires met sy polsende tango, klein Griekse dorpies wat wit en blou en pragtig is. Die reise is te voet, per trein, per vliegtuig en selfs per besemstok! Scheepers het die vermoe om met die intimiteit van haar gewaarwordinge en die sensualiteit van haar belewenisse die leser deel te maak van reise na onbereikbare, ver plekke. Die bundel is ’n keur uit sketse wat in Beeld, Die Volksblad, De Kat en Rooi Rose verskyn het.

The music of the Smiths and their iconic frontman Morrissey is beautiful, witty, melancholic--music that makes outsiders feel as though they are part of something. Now an eclectic collection of acclaimed, up-and-coming writers lets their love of the band, its words and music, manifest itself in literary form with smart, emotion-filled, Smiths-inspired short fiction.

In "Please," edited by Peter Wild, love blooms by the cemetery gates and the death of a Miami disco dancer inspires a new TV show. Shoplifters of the world unite to tug a reluctant aardvark from a hole, while a naked birthday rendition of "Heaven Knows I'm Miserable Now" is beamed across the globe. Here is fiction that melds the worlds of music and literature while celebrating the unique artistic contributions of one of the most beloved bands of the past two and a half decades.

Edited by New York Times bestselling author Jerome Groopman, The Best American Science Writing 2010 collects in one volume the most crucial, thought-provoking, and engaging science writing of the year. Distinguished by new and impressive voices as well as some of the foremost names in science writing--David Dobbs, Elizabeth Kolbert, and Larissa MacFarquhar among them--this eleventh edition features outstanding journalism from a wide variety of publications, providing a comprehensive overview of the year's most compelling, relevant, and exciting developments in the world of science. Provocative and engaging, The Best American Science Writing 2010 reveals just how far science has brought us--and where it is headed next.

'This anthology of literary fiction features an all-star ensemble' Cosmopolitan 'A reflective and must-read collection' Stylist Kink is a groundbreaking anthology of literary short fiction exploring love and desire, BDSM, and interests across the sexual spectrum, edited by lauded writers R.O. Kwon and Garth Greenwell, and featuring a roster of all-star contributors including Alexander Chee, Roxane Gay, Carmen Maria Machado, and more. Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection portray love, desire, BDSM, and sexual kinks in all their glory with a bold new vision. The collection includes works by renowned fiction writers such as Callum Angus, Alexander Chee, Vanessa Clark, Melissa Febos, Kim Fu, Roxane Gay, Cara Hoffman, Zeyn Joukhadar, Chris Kraus, Carmen Maria Machado, Peter Mountford, Larissa Pham, and Brandon Taylor, with Garth Greenwell and R.O. Kwon as editors. The stories within explore bondage, power-play, and submissive-dominant relationships; we are taken to private estates, therapists' offices, underground sex clubs, private estates, and even a Victorian-era sex theater. While there are whips and chains, sure, the true power of these stories lies in their beautiful, moving dispatches from across the sexual spectrum of interest and desires, as portrayed by some of today's most exciting writers.

Have you ever wondered:

Why Asians love "Hello Kitty"?

What the tattooed Chinese characters really say?

How to achieve feng shui for optimum make-out sessions?

Where Asian cuties meet the white guys who love them?

Then you'll laugh, you'll cry, you'll realize this book is better than a Broadway production of Cats when you read scenes that include:

twenty-something Lindsey Owyang mastering the intricacies of office voicemail and fax dialing

an authentic Chinese banquet where Number One Son shows off his language skills by speaking "Chinglish"

dating disasters with grandsons of Grandma's mahjong partners

the discovery that the real China looks nothing like the pavilion at Disney World

karaoke

And all the while Lindsey is falling in lust with the "white devil" in her politically correct office. But will Grandma's stinky Chinese ointments send him running? Or will Lindsey realize that the path to true love lies somewhere between the dim sum and the pepperoni pizza?

Following the successful literary musings on art at the Frick, The Sleeve Should Be Illegal and Cocktails with a Curator, this anthology of newly commissioned texts from graduate students in New York University s Creative Writing Program pays homage to one of the institution s most celebrated paintings. Gathered here are fourteen fictional stories inspired by one of Ingres s most captivating portrait paintings. A detail of the work the fine silk dress, a red ribbon, a shawl casually draped over the arm of a chair, the contents of a tabletop, the contemplative pose is the starting point for each story. The pieces range from gothic tales that take place at the time of the painting in the mid-nineteenth century and stories that use the countess as a key character to a present-day ghost story and inventive sagas that take representations of the countess to faraway lands: Poland, Trinidad and Tobago, Brazil, India, and a heaven that is populated solely by Black people. The faculty adviser for the project is best-selling novelist Darin Strauss, who writes the book s introduction. Illustrated with Ingres s famous portrait as well as with many lush details, this one-of-a-kind volume is an ode, both traditional and postmodern, to a glorious work of art.

Dogs Are Better Than Men

1. They never brag about their ex's stunning cleavage.
2. They don't moan or sulk if you're a half-hour late.
3. They never tell you a Brazilian would really turn them on.

After her most recent disaster with the King of the Unrepentant Jerks, Isabel "Izzy" Palmer is finally convinced that the only male she truly needs in her life is Henry, her lovable part wolfhound, part who-knows-what. Henry's faithful, he adores her madly, and he's great fun to sleep with. So who needs the additional heartache?

But even armed with powerful knowledge and a new resolve, Izzy starts to feel that familiar itch ... and it's all because of Nick. He's a vet for goodness sake -- confident, handsome and compassionate -- if a bit rough around the edges. After teasing her about Henry's unusual looks and questioning her most recent choice in men, Nick then has the gall to turn halfway charming. But he doesn't stop at halfway, and though she already has a best friend, Izzy realizes it doesn't preclude her from having a perfect match, too.

Defiant, humorous, empathetic and insightful, 'Not Quite Right For Us' pierces through the hierarchical mechanics of class, race, gender. A celebration of outsiderness and an ode to otherness, 'Not Quite Right For Us' is a singular collection of stories, essays and poems by a dynamic mix of established and surging voices alike, edited by Sharmilla Beezmohun and including Linton Kwesi Johnson, Aminatta Forna, Xiaolu Guo, Johny Pitts, Rishi Dastidar, Tim Wells and Rafeef Ziadah. This remarkable anthology marks the tenth anniversary of the live-literature organisation co-founded by Sharmilla, Speaking Volumes. Part cri du coeur, part warning shot, part affirmation, this is the book we need now.

The fact that humanity is not alone in the universe has long preoccupied our thoughts. In this compelling new collection of short stories from SF's classic age our visions of `other' are shown in a myriad of forms - beings from other worlds, corrupted lifeforms from our own planet and entities from unimaginable dimensions. Amongst these tales, the humble ant becomes humanity's greatest foe, a sailor awakes in a hellish landscape terrified by a monstrous creature from the deep, an extra-terrestrial apocalypse devastates our world but also brings us together, and our race becomes the unwitting agent of another species' survival. Be prepared to face your greatest fears and relinquish your hold on reality as you confront the menace of the monster.

n Versameling briewe van die broers W.E.G. en N.P. van Wyk Louw. Die briefwisseling tussen Van Wyk en W.E.G. Louw vanaf 1941 tot met Van Wyk Louw se dood in 1970 strek oor 'n periode van bykans dertig jaar. Die korrespondensie tussen die twee broers, waarby ook enkele briewe van Truida Louw aansluit, beslaan 'n totaal van 226 briewe, poskaarte en telegramme en foto's ingesluit.

This is a book about life in all its aspects, which mirrors the journey of every man and connects with that which is eternal, unchanging. In this book the author has sought far and wide among the great religions and philosophies, and has drawn on the work of inspired poets and writers, to find answers to some of the questions about life. Out of the seeming diversity, a timely message of hope and encouragement emerges, reminding all of the brotherhood of man and the underlying unity of all things. A special feature of this book is that every page is handwritten in calligraphy by Dorothy Boux who has also illustrated it with subtle watercolours.

By acclaimed Forward Prize winner, novelist, and poet, Kei Miller's linked collection of essays blends memoir and literary commentary to explore the silences that exist in our conversations about race, sex, and gender. In a deeply moving, critical and lyrical collection of interconnected essays, award-winning writer Kei Miller explores the silences in which so many important things are kept. Miller examines the experience of discrimination through this silence and what it means to breach it -- "to risk words, to risk truth; and through the body and the histories those bodies inherit" the crimes that haunt them, and how the meanings of our bodies can shift as we move through the world, variously assuming privilege or victimhood. Through letters to James Baldwin, encounters with Soca, Carnival, family secrets, love affairs, questions of aesthetics and more, Miller powerfully and imaginatively recounts everyday acts of racism and prejudice from a black, male, queer perspective. An almost disarmingly personal collection, Kei dissects his experiences in Jamaica and Britain, working as an artist and intellectual, making friends and lovers, discovering the possibilities of music and dance, literary criticism, culture, and storytelling. With both the epigrammatic concision and conversational cadence of his poetry and novels, Things I Have Withheld is a great artistic achievement: a work of innovation and beauty which challenges us to interrogate what seems unsayable and why, "our actions, defense mechanisms, imaginations and interactions" and those of the world around us.