Can a murdered person come back from the grave to tell her autobiography through the voice of a psychic medium? During the summer of 1980, a young Canadian beauty, Dorothy Stratten, and her husband, Paul Snider, were murdered in Los Angeles under mysterious circumstances and a shroud of cover-up. Many lives would change drastically as people abandoned the Playboy ship en masse in the aftermath. This book offers theological insight into sexual abuse, hedonism, PTSD trauma, stress-related illness, human trafficking, codependence and forgiveness.

The definitive biography of country legend Merle Haggard by the New York Times bestselling biographer of Clint Eastwood, Cary Grant, The Eagles, and more.Merle Haggard was one of the most important country music musicians who ever lived. His astonishing musical career stretched across the second half of the 20th Century and into the first two decades of the next, during which he released an extraordinary 63 albums, 38 that made it on to Billboard's Country Top Ten, 13 that went to #1, and 37 #1 hit singles. With his ample songbook, unique singing voice and brilliant phrasing that illuminated his uncompromising commitment to individual freedom, cut with the monkey of personal despair on his back and a chip the size of Monument Valley on his shoulder, Merle's music and his extraordinary charisma helped change the look, the sound, and the fury of American music.The Hag tells, without compromise, the extraordinary life of Merle Haggard, augmented by deep secondary research, sharp detail and ample anecdotal material that biographer Marc Eliot is known for, and enriched and deepened by over 100 new and far-ranging interviews. It explores the uniquely American life of an angry rebellious boy from the wrong side of the tracks bound for a life of crime and a permanent home in a penitentiary, who found redemption through the music of "the common man."Merle Haggard's story is a great American saga of a man who lifted himself out of poverty, oppression, loss and wanderlust, to catapult himself into the pantheon of American artists admired around the world. Eliot has interviewed more than 100 people who knew Haggard, worked with him, were influenced by him, loved him or hated him. The book celebrates the accomplishments and explore the singer's infamous dark side: the self-created turmoil that expressed itself through drugs, women, booze, and betrayal. The Hag offers a richly anecdotal narrative that will elevate the life and work of Merle Haggard to where both properly belong, in the pantheon of American music and letters.The Hag is the definitive account of this unique American original, and will speak to readers of country music and rock biographies alike.

"If you saw Mark Damon in a tux at the 55th Annual Academy Awards you probably wouldn't picture him in a toga. If he flashed his dazzling smile at his wife, Maggie, your first thought wouldn't be "Oooh, vampire fangs." But Mark played a beast and a vampire, rode across the desert in a toga as the son of Cleopatra, walked the streets of Toledo as a Spanish king named Peter the Cruel and cleaned up the West as two Spaghetti Western cowboys named Johnny. As an actor he played a hero, a rebel and a fool in over fifty teenflicks, Spaghetti Westerns and swashbucklers. As a producer and film distributor, he was involved in the success of over 350 films. Teen idol, singer, film director, writer and producer, astute businessman, inventor of the foreign film sales business - by 1983, Damon had pursued almost as many careers as a tomcat has lives..." - From Cowboy to Mogul to Monster Twenty-five years later, Mark Damon continues to reinvent himself in the film business. His is a NeverEnding Story.

What was it like to play music in a teenage rock and roll band in the era of 45-RPM records, dances in the school cafeteria, and the Beatles on AM radio?

"Band Boys" reveals the inner workings of the lives of the Blue Beats - six teenage boys mastering music in a thriving town that embraced them and the music they loved. Sporting Silvertone amplifiers, a pack of electric guitars, a used set of drums, a screaming Farfisa organ, and unbridled enthusiasm, the Blue Beats plunge headlong into the teenage band craze of the 1960s.

Find the band boys dancing as Order of the Arrow braves, working in fast food restaurants, inspired by school music teachers, encouraged by an optimistic Boy Scout leader, and supported by wise council from families.

Uncovering the secret behind forming a band and keeping it alive, "Band Boys" tells more than a story of boys, bands, and music but portrays a legacy created from human relationships and built on events that bind lives together.

To round out "Band Boys," concise biographies of popular musicians and musical instrument developers, plus a unique glossary are provided.

It is 1965, and Swinging London is coming into its prime years. The streets are alive with mods and rockers, playboys and good-time girls, all revelling in the blossoming artistic, creative and cultural energies of the decade. Amid the colour and chaos is a boy sporting drainpipe jeans, an immaculately tailored sports coat and a half-inch wide tie. A devoted fan of The Who, he looks the part in his pristine mod gear. As the lead singer of the Lower Third, his talent is shaping itself into something truly special. His name is Davie Jones. In ten years, he will be unrecognisable as fresh-faced boy of 1965, and in just over fifty years, his death will be mourned by millions, his legacy the story of the greatest rock star of all time. And through Bowie's transition from pop group member to solo performer, Phil Lancaster was by his side. As the drummer in Bowie's band, the Lower Third, Phil was there as the singer's musical stripes began to show, and was witness to his early recording techniques, his first experimental forays into drug-taking, and the band's discovery of his bisexuality in shocking circumstances. In this riveting - and often very funny - memoir, Phil tells the story of life alongside the insecure yet blazingly talented boy who became Bowie, at a critical crossroad of time and place in music history. What follows is an intimate, personal and important perspective on the genesis of one of the most iconic musicians of the twentieth century - one that gets under the skin of the man himself, before the personas and alter-egos masked the fascinating figure beneath them. At the Birth of Bowie is essential reading for anyone who knows what happened on Bowie's journey, but wants to understand how, and why, it ever began.

Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies. The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an age ago - but so much remains the same.

In a major new biography, veteran military historian and WII biographer, Charles Whiting combines both talents to tell the tale of barefoot Texan share-cropper's son, who could barely read and write, but became not only the US Army's most decorated soldier in its 250 - year history, but also the star of forty Paramount produced movies: most of which are shown on TV screens around the world to this very day. The gentle-eyed, baby-faced hero had won every decoration the United States had to offer before he was eligible to vote and killed 240 enemy soldiers in the process. Luck made him a movie star. Always he tried to improve himself, but time and time again he was relegated to the 'horse operas', where as he wisecracked cynically, "it was the same old movie, only they changed the colour of the horse." But there was a price to pay for his heroism in drugs, nervous tension and Murphy's addiction to violence. Even as a middle-aged movie star, he always slept with a .45 beneath his pillow, plagued by nightmares of the war. Murphy had been an ordinary boy, who had volunteered to go to fight and did so with exceeding bravery in the last 'good war'. He paid highly for that bravery and sense of duty to a country which had given him nothing save "malnutrition," as he used to quip. He was that last American Hero, who did as President Kennedy proclaimed, " Don't ask what your country can do for you. Ask what you can do for your country." Even before his young life had really commenced, he had become a legend. But in the end 'Tinseltown' and the 'feather merchants' of Hollywood broke him. As Time magazine commented on his death; "Audie Murphy belonged to an earlier, simpler time, one in which bravery was a cardinal and killing was a virtue... We shall not see his like again."

A SUNDAY TIMES LITERARY NON-FICTION BOOK OF THE YEAR A GUARDIAN BEST BOOK OF THE YEAR (AS CHOSEN BY AUTHORS) **LONGLISTED FOR THE BAILLIE GIFFORD PRIZE** **SHORTLISTED FOR THE RSL ONDAATJE PRIZE** 'Outstanding. I'll be recommending this all year.' SARAH BAKEWELL 'A beautiful and deeply moving book.' SALLY ROONEY 'I like this London life . . . the street-sauntering and square-haunting.' Virginia Woolf, diary, 1925 Mecklenburgh Square, on the radical fringes of interwar Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and writer and publisher Virginia Woolf. They each alighted there seeking a space where they could live, love and, above all, work independently. Francesca Wade's spellbinding group biography explores how these trailblazing women pushed the boundaries of literature, scholarship, and social norms, forging careers that would have been impossible without these rooms of their own. 'Elegant, erudite and absorbing, Square Haunting is a startlingly original debut, and Francesca Wade is a writer to watch.' FRANCES WILSON 'A fascinating voyage through the lives of five remarkable women - moving and immersive.' EDMUND GORDON

Ward Hall ran across town and joined the circus for a part time gig in 1944 when he was a "kid" living in Colorado. A year later, as a 15 year old 10th grade dropout, he ran away for good, joining the Dailey Bros. Circus. He never looked back. By 16 he was performing in a sideshow and by age 21, he owned a sideshow Today, 70 years later and countless circus and side show, vaudeville and burlesque house performances under his belt, Ward Hall is still in the business. Ward has worked with a monkey girl, a half-lady/half man, numerous fat men, countless sword swallowers, fire eaters, several giants, big snakes, big rats and little horses. He has mastered juggling, ventriloquism and the art of enticing thousands of curious onlookers to part with their money and go inside the tent of his world-famous sideshows. Ward has owned and operated sideshows, animal shows, magic shows, and illusion shows with such fashionable names as Magic on Parade; Wondercade: Aquarama water circus; Gladiators vs. Mankillers wild animal show; World Attractions; Sky High Circus; the Wonder Circus; the Pygmy Village; and the World of Wonders. He has exhibited the World's smallest woman, the World's tallest giant, and employed Pete Terhune, the mighty fire-eating dwarf for 55 years. In addition to owning or co-owning sideshows and circuses during his career, Ward has written four books, four musical stage productions, been in seven movies and more than 100 videos and TV specials, performed at Madison Square Garden and the Lincoln Center in New York City and has sung at Carnegie Hall. He is in the Hall of Fame of both the Outdoor Amusement Business Assoc. and the International Independent Showmen's Assoc. and is a member of the prestigious Circus Ring of Fame in Sarasota, Fla. Ward is the only person in all three of those halls of honor. Ward has operated the sideshow for many big time circuses, including: Ringling Bros. and Barnum & Bailey Circus, the Toby Tyler Circus, the Al G. Miller Circus, Circus Vargas (where he was part owner of the circus for a while), Beatty Cole, and the E.K. Fernandez Circus. Ward Hall's title of King of the Sideshows is not a new or recent act of coronation, and as the ruler of his own little world of misfits and human anomalies, Ward's title isn't self-awarded, but is a judgment rendered by his peers. The year 2014 is the King's 70th year anniversary in show business. This is his story.

Praise for "False Memories":

"It was rich. Like eating a large slice of cheese cake with blueberry topping. I finished reading it today--did what it was suppose to do--kept my interest, created a deeper mystery surrounding the artist, brought up controversy, cleared a few questions, and much, much more. This will be a book, not just for collectors, but for anyone wanting to know a little about the psyche of a painter. Brilliant "
--Lynn Vermillion

"False memories" is a psychologist's term for memories cleverly and conveniently created by the subconscious mind. Since the theory of reincarnation is not widely accepted, we tend to explain away memories of previous lives as false memories. Contemporary American painter Anton Brzezinski would be the first to agree that his own memories of previous lives are productions of his prodigious imagination--but Brzezinski's memories of his own experiences need no exaggeration to make them fascinating.

In "False Memories: Adventures of the Living Dali," with the exception of the pseudo-author Gabrielle Mallarme, people who appear as characters in this book are not fictitious. This is a work of fiction, but even the wildest incidents described here really occurred

Shot Girls is the real life, raw accounting of Vanity Wonder's 5 year journey with black market butt injections. Commonly called "shots," "pumping" or "work," illegal butt injections are quickly on the rise and not just for strippers or women in the entertainment industry. Known for her jaw dropping 34-23-45 curves, Vanity tells no lies about how she obtained them. In this book, Vanity takes you on a gripping ride through her 16+ injection procedures, drug abuse, and the lessons she learned along the way. Without a doubt, this book will answer any questions you may have about this procedure and satisfy your curiosity on the subject.

William Shatner is one of the most readily-recognized people in the world. While most people immediately think of him as Captain James T. Kirk of Star Trek, few realize that he began his professional acting career at the age of eight and has appeared in Shakespearean festivals, regularly-scheduled radio roles, university and regional playhouses, live television drama, and more than 50 motion pictures. This book provides a short biography and a detailed record of all his performances.

Shatner's acting credits range from intense drama to lighthearted comedy, and from biting social commentary to science fiction fantasy. He has written and directed plays, television, and feature films, and is the author of four best-selling novels. This essential reference guide covers every facet of his extraordinary career, including his personal appearances, stage plays, films, television and radio shows, recordings, and literary works. Entries for his work provide cast and credit listings, plot synopses, commentary, and excerpts from reviews. An annotated bibliography lists nearly 1000 references to his life and work.

Charles Ives, perhaps the quintessential American composer of the twentieth century, drew on his childhood experiences in a small New England town in his music. Through his close relationship with his father, George, a Civil War bandmaster, Ives developed a powerful feeling for nineteenth-century rural America. This book--the first full-scale psychoanalytic biography of a major composer--examines the lives of the two men and shows how a knowledge of their relationship as father and son, teacher and pupil, is central to an understanding of Ives's work. Stuart Feder, a psychoanalyst with training in musicology, demonstrates that George exerted so pervasive an influence on Charles's creative life that Ives's music may be seen as the result of an unconscious fantasy of posthumous collaboration between father and son. The music bears George's mark, not only in its incorporation of hymn tunes, parlor ballads, Civil War marches, and other homely sources that derived from his youth, but also in its use of technical musical devices attributed to George. Moreover, the span of Ives's creative life reveals another connection to his father: Charles's musical productivity began to wane in his forties, as he approached the age at which his father died. Dr. Feder examines the influence of George's teaching and storytelling on Charles's years as a composer. Ives's later decline is traced psychologically and medically. Using Ives's music as an essential part of his data, Dr. Feder demonstrates how music can illuminate and be expressive of the inner life of its creator.