Aristocrat and Marxist, master equally of harsh realism and sublime melodrama, Luchino Visconti (1906-1976) was without question one of the greatest European film directors. His career as a film-maker began in the 1930s when he escaped the stifling culture of Fascist Italy to work with Jean Renoir in the France of the Popular Front. Back in his native country in the 40s he was one of the founders of the neo-realist movement. In 1954, with Senso, he turned his hand to a historical spectacular. The result was both glorious to look at and a profound reinterpretation of history. In "Rocco and His Brothers" (1960) he returned to his neo-realist roots and in "The Leopard" (1963), with Burt Lancaster, Claudia Cardinale and Alain Delon, he made the first truly international film. He scored a further success with "Death in Venice" (1971), a sensitive adaptation of Thomas Mann's story about a writer (in the film, a musician) whose world is devastated when he falls in love with a young boy. A similar homo-erotic theme haunts "Ludwig" (1973), a bio-pic about the King of Bavaria who prefers art to politics and the company of stableboys to the princess he is supposed to marry.
Geoffrey Nowell-Smith's classic study of the director was first published in 1967 and revised in 1973. It is now updated to include the last three films that Visconti made before his death, together with some reflections on the "auteur" theory of which the original edition was a key example.

Richard Seff has spent 60 years in the theatrical jungle as actor, playwright, librettist, agent, investor and now memoirist. He first acted professionally in 1946 and his last engagement onstage was in 2006. He took a 22 year leave of absence from the stage after a long run on Broadway in support of Claude Rains and on tour with Edward G. Robinson in the prize winning Darkness At Noon. During those 22 years he represented artists in the musical theatre. He left the talent agency in 1974 at the height of his career to return to the stage. In the 30 years that have followed, he's appeared in some 25 plays, for one of which (Angels Fall) he won the Carbonell Award for 'Best Supporting Actor In A Play'. He's been in 7 feature films and over 50 television series, soap operas, TV films and mini-series. He is the author of Paris Is Out which brightened Broadway in 1970 for 104 performances. The musical Shine for which he wrote the book, won a National Music Theatre Network Award in 2001 and has been published by Samuel French, Inc. and recorded by Original Cast Records. Hit the dressing rooms with him and discover what goes on backstage, in the wings, and behind closed doors. Learn about theatre investing in the Golden Age, when one could buy a piece of a show in the intermission on opening night. He's got tales to tell Join him on this fun filled odyssey through the decades in shows starring Alan Alda, Ethel Merman, Chita Rivera, Dick Van Dyke, William Hurt, Christopher Reeve, Richard Thomas, Judd Hirsch, Jason Robards, in others directed by Hal Prince and written by John Kander and Fred Ebb. Come on along and listen to - well, you know what. He's Got Tales to Tell "Richard Seff's career in the theatre represents active participation as agent, producing associate, librettist, and, ultimately, as a skilled actor . In fact, he was responsible for recommending me to, among others, John Kander and James and William Goldman, to take over the direction of A Family Affair in Philadelphia on its way to Broadway . It turns out he's a fine writer as well, and this chronicle of an unusual and varied life in the theatre makes excellent and valuable reading." - Hal Prince "Oh, what a journey we've had. I thank Richard Seff for helping mold the life that I am still enjoying today. To live it again, through his own words, fills my heart." - Chita Rivera "He is a clever old sausage. Far more interesting to see written from his perspective than from a grander vantage point. Far more revealing and very redolent of the profession and its various joys, tribulations, and humiliations. Well done " - Emma Thompson "A very interesting look at our business from an angle most people never are aware of, including those who are most visibly involved." - Alan Alda "For years Richard Seff has been one of the wittiest raconteurs on the Rialto, but a pleasure known only to the cognoscenti. Now he has gone public with a biographical reminiscence brimming with anecdota, insight and intelligence. Bravo " - Stefan Kanfer author of Ball of Fire

"An extraordinarily entertaining look inside the film industry ."-Pierce Brosnan, award-winning actor and producer

A veteran of over fifty years in the film industry, Robert E. Relyea gives a behind-the-scenes, first-person look into Hollywood's moviemaking landscape during the pre- and post-Kennedy years in America.

"Not So Quiet on the Set" is Elvis Presley wishing for a normal life during a break in recording the soundtrack for "Jailhouse Rock." It's dealing with street gangs and studio politics while making "West Side Story." It's trying to stay alive while working side by side with John Wayne on "The Alamo." It's crashing an authentic Nazi warplane against a hillside in Germany during "The Great Escape." It's getting fired by the studio while filming "Bullitt" in San Francisco and it's battling runaway budgets and Steve McQueen's demons in France while making "Le Mans."

"Not So Quiet on the Set" presents rare insights into the mechanics and politics of filmmaking and helps define a dynamic period in Hollywood history. A unique collaboration between father and son, it is a real-life adventure that not only illustrates how the movie industry really works but provides a revealing portrait of Hollywood's loss of innocence.

George Whitefield Chadwick was one of the most prolific composers that the United States ever produced. During a career that spanned over 50 years, he was considered the Dean of American Composers from the 1880s until after World War I. He composed in nearly every genre, including opera/stage works (seven), orchestral music (17 major works), songs (over 100), and dozens of choral and chamber works. Chadwick benefited from numerous performances of his music-particularly by the Boston Symphony Orchestra-and many of his works were published during his lifetime. He was also considered one of the foremost teachers of his era. He began teaching composition at the New England Conservatory of Music, and became its Dean in 1897, a post he held for more than 30 years. Chadwick and his music are currently enjoying a revival.

Radie Britain: A Bio-Bibliography is a concise biography which summarizes the major events in the prolific American composer's life, and describes the conditions under which her singular talent emerged. An in-depth interview with Britain herself gives the opportunity to hear her own personal thoughts on her life, music, and creative philosophy. Walter and Nancy Bailey give an exhaustive list of works and performances, each accompanied by significant information on the work or documented performance. Also included are Britain's compositions for orchestra and band; chamber ensemble; solo piano; piano duets; the harp; chorus and solo voice as well as her stage works. Authorized by Miss Britain and compiled with her help, this is a comprehensive guide to the work of a gifted musician. A bibliography of Britain's writings concludes the text along with reviews of her performances and other press materials. With its chronological arrangement, this bibliography traces Britain's musical evolution much like a second biography. An index to the entire volume is provided. Both chronological and alphabetical lists of works can be found in the appendixes.

Maureen Hughes was first introduced to Countess Marajen Chinigo in the 1980s in a hospital room in Champaign, Illinois. Assigned to provide personal security to the Countess, Hughes knew few details about the woman she was protecting. Little did she know that Countess Chinigo was a woman connected to some of the most notorious and famous-or infamous-people of the twentieth century.

Hughes did not see the Countess again until a few years later at a local art museum. Intrigued by the impeccably dressed woman who strolled through the crowd like a queen, Hughes vowed to find out all she could about the mysterious Countess. As Hughes shares the fascinating story she uncovered after conducting three years of research and in-depth conversations with friends of the Countess, she unveils a time period where mobsters, presidents, celebrities, and countesses all mingled among dark, captivating secrets. Hughes reveals details about the famous figures the Countess hobnobbed with like Frank Sinatra, Joan Crawford, and Lucky Luciano, her marriage to Johnny Rosselli, and her eventual entanglements with the Mafia.

The Countess and the Mob paints a compelling portrait of the kaleidoscopic shapes and colors that made up the extraordinary and unforgettable life of Countess Marajen Stevick Chinigo.

This book contains a biography of one of the screen's most loved actresses whose career has spanned five decades. Her life's story is as dramatic and compelling as many of her famous roles. From her country roots to her world travels, Ava Gardner was a constant favorite of the media. Personal strengths and tragic weaknesses have assured her of a perennial place in the public eye. In Ava Gardner: A Bio-Bibliography the actress's marriages to three of the entertainment business's most unique and influential contributors are highlighted as are her dozens of classic roles. This bio-bibliography is made complete by a careful list of sources and a generous view of her life through pictures. In Ava Gardner: A Bio-Bibliography, Fowler traces the actress's life from a possible family tree to her smalltown beginning to world stardom. This biography comprises most of the book. A chronological listing of her life achievements follows. Fowler also provides a complete listing of Ava's film, television, and radio appearances as well as her musical recordings. The book is completed by a bibliography of the writings on Ava Gardner, a record of the archival sources used in researching the book, and an index of personal names and titles. Interesting and personal photographs provide a rare glimpse of one of America's best loved screen personalities. This book will be of extreme interest to film lovers, library, or drama instructors and historians.

In his introduction Mr. Foss gives us a short sketch of Delius; contributions by Rogber Quilter, Charles Kennedy and Percy Scott.

Cleveland, 1910: For a poor girl whose father has abandoned her, the prospect of becoming an artist is almost non-existent. But Bernice Abbott is resourceful and will happily challenge convention in order to succeed. Setting out to fulfill her dream, she embarks on a journey that will take her from bohemian Greenwich Village to the giddy cafes of 1920s Paris to a New York rising from the ashes of the Great Depression. On the way, illness and a tragic romance test her mettle, but a lucky coincidence leads her to the emerging art form of photography. Transforming herself from `dull' Bernice to cosmopolitan Berenice, she sets the tone for life as a portrait photographer in the Paris of Hemingway and Picasso, and prepares to take on the men who are threatened by her vision and strength.

In SCAR TISSUE Anthony Kiedis, charismatic and highly articulate frontman of the Red Hot Chili Peppers, recounts his remarkable life story, and the history of the band itself. Raised in the Midwest, he moved to LA aged eleven to live with his father Blackie, purveyor of pills, pot, and cocaine to the Hollywood elite. After a brief child-acting career, Kiedis dropped out of U.C.L.A. and plunged headfirst into the demimonde of the L.A. underground music scene. He formed the band with three schoolfriends - and found his life's purpose. Crisscrossing the country, the Chili Peppers were musical innovators and influenced a whole generation of musicians.;But there's a price to pay for both success and excess and in SCAR TISSUE, Kiedis writes candidly of the overdose death of his soul mate and band mate, Hillel Slovak, and his own ongoing struggle with an addiction to drugs.;SCAR TISSUE far transcends the typical rock biography, because Anthony Kiedis is anything but a typical rock star. It is instead a compelling story of dedication and debauchery, of intrigue and integrity, of recklessness and redemption.

This volume in the Greenwood Press series, Bio-Bibliographies in Music, provides new details about the life and works of Polish composer Witold Lutoslawski. It includes a detailed catalogue of the composer's works and performances, including his film music, incidental music for the theatre, music for radio plays, and songs he composed under a pseudonym, as well as a bibliography, discography, and brief biographical sketch. His unique style was distinguished by an individual harmonic system controlled aleatory technique that he developed more fully during the 1960s and 1970s. The discography includes over 300 recordings and the bibliography includes writings the composer and a separate section for the writings about him, including concert and recording reviews, books, articles, dissertations, and interviews.

This research tool will appeal to Lutoslawski fans and to musicologists. Each section is cross-referenced throughout. An appendix provides an alphabetical list of all of the composer's works.

With a raconteur's wit and keen eye for detail, Nelson "Nellie" King spins tales of his journey in professional baseball. From the farm teams of the deep south in the early 1940s, to the pitcher's mound, and then to the Pirates' broadcasting booth in the 1970s, King provides readers with a front row seat to the momentous changes he witnessed in his beloved game. The ball parks, dugouts, and road trips of yesteryear jump to life on these pages, as do the personalities of Pirate legends like Roberto Clemente, Bill Mazeroski, and Willie Stargell. King also has much to say about the business of baseball, from the expansion of franchises to dramatic salary increases. His humor, warmth, and insights will please die-hard Pirates fans as well as baseball history buffs.

With Danny Turner, Stansberry uses an epistolary to advance, color, and develop characters created in his two earlier novels, So Sings The Chattahoochee and 234 Whitehall. The book focuses on Danny Turner, high school friend of Dewey Favers, and the Campbellton children whose relationships were so solidly formed back in that magical summer of 1912. Watch for the companion book, Dewey Favers: Aviator Angel which contains the other side of this conversation. Coming soon. The book is a collection of letters detailing a year in the life of minor league baseball star Danny Turner, as he is called up to the majors for a glorious season with the 1926 St. Louis Cardinals......the eventual World Series Champions. Perhaps life, is more important, and surprising, than baseball?

The time is 1887. From any window in Georgia O'Keeffe's Sun Prairie, Wisconsin birthplace home she only saw the Wisconsin prairie with its traces of roads veering around the flat marshlands and a vast sky that lifted her soul. At twelve years of age Georgia had a defining moment when she declared, "I want to be an artist." Years later from her east-facing window in Canyon, Texas she observed the Texas Panhandle sky with its focus points on the plains and a great canyon of earth history colors streaking across the flat land. Georgia's love of the vast, colorful prairie, plains and sky again gave definition to her life when she discovered Ghost Ranch north of Abiquiu, New Mexico. She fell prey to its charms which were not long removed from the echoes of the "Wild West." These views of prairie, plains and sky became Georgia's muses as she embarked on her step-by-step path with her role models--Alon Bement, Arthur Jerome Dow and Wassily Kandinsky. In this two-part biography of which this is Part I covering the period 1887-1945, Nancy Hopkins Reily "walks the Sun Prairie Land," as if in Georgia's day as a prologue to her family's friendship with Georgia in the 1940s and 1950s. Reily chronicles Georgia's defining days within the arenas of landscape, culture, people and the history surrounding each, a discourse level that Georgia would easily recognize. The book includes bibliographical references and indes. NANCY HOPKINS REILY was a classic outdoor color portraitist for more than twenty years and has taught portrait workshops at Angelina College in Lufkin, Texas where she had a one-woman show of her portraits. Her advance studies included an invitational workshop with Ansel Adams. Reily graduated from Southern Methodist University and lives in Lufkin, Texas. She is also the author of "Classic Outdoor Color Portraits" and "Joseph Imhof, Artist of the Pueblos," both from Sunstone Press.

Roger Daltrey is the voice of a generation. That generation was the first to rebel, to step out of the shadows of the Second World War... to invent the concept of the teenager. This is the story from his birth at the height of the Blitz, through tempestuous school days to his expulsion, age 15, for various crimes and misdemeanours within a strict school system. Thanks to Mr Kibblewhite, his authoritarian headmaster, it could all have ended there. The life of a factory worker beckoned. But then came rock and roll. He made his first guitar from factory off-cuts. He formed a band. The band became The Who - Maximum R&B - and, by luck and by sheer bloody-mindedness, Roger Daltrey became the frontman of one of the biggest rock bands on the planet. This is the story of My Generation, Tommy and Quadrophenia, of smashed guitars, exploding drums, cars in swimming pools, fights, arrests and redecorated hotel rooms. But it is also the story of how that post-war generation redefined the rules of youth. Out of that, the modern music industry was born - and it wasn't an easy birth. Money, drugs and youthful exuberance were a dangerous mix. This is as much a story of survival as it is of success. Four years in the making, this is the first time Roger Daltrey has told his story. It is not just his own hilarious and frank account of more than 50 wild years on the road. It is the definitive story of The Who and of the sweeping revolution that was British rock 'n' roll.

Offers a brief description of the life and career of the popular country and western singer, and includes interviews and an evaluation of Williams' music.