Visionary furniture design from Vienna In 1938, Vienna lost its best and most creative minds. This rupture was manifested in all of the arts and sciences and its mark is felt to this day - not least in the field of furniture design. With inexhaustible creativity the Jewish furniture designers who were forced to flee Vienna continued to work while in exile. They taught at the best universities and spread their ideas and vision throughout the entire world. Their creations became classics of twentieth-century furniture design, the epitome of mid-century modern style. This book honors the memory of the exiled designers with a thorough overview of their work. It details their life stories and their visionary designs, which remain as relevant and contemporary as ever, and brings to light new aspects of the history of Viennese furniture design. A new history of Viennese furniture design, with 27 detailed biographies Numerous previously unpublished photographs and sketches Including works by Friedl Dicker-Brandeis, Martin Eisler, Josef Frank, Friedrich Kiesler, Richard Neutra, Bruno Pollak, Margarete Schutte-Lihotzky, Franz Singer, Ernst Schwadron, among others

Winners of the annual international Graphis Design Awards Immerse in a powerful visual journey through the eyes of over 500 award-winning graphic designers from around the globe. In one of the most coveted industry award competitions, Graphis Design 2023 celebrates design excellence through the captivating and influential work of the past year from solo designers and global firms. Juried by acclaimed international designers, these works can be seen across animation, branding, books, entertainment, packaging, posters, product design and other disciplines. This inspiring collection of work revolves around all categories of graphic design, demonstrating once again the importance of design in culture, commerce, and lifestyle. Read about the creative process from Platinum and Gold Winners regarding their assignments and the approaches they took to reach their award-winning solutions. This book is essential for designers, art/creative directors, illustrators, design firms, advertising agencies, professors, students, and all creators alike who share a passion for design. Featuring fine art quality print, full-page images of Platinum and Gold Award-winning work, Silver Award-winning work and Honorable Mentions are also presented. Honorees include Platinum winners Mike Hughes (Mike Hughes Creative Direction + Design) from Canada, Vishal Vora (Sol Benito) from India, Hoon-Dong Chung (Dankook University) from South Korea, Ivan Bell (Stranger&Stranger) from the U.K. and U.S., and ARSONAL, Jim Ma (Bailey Lauerman), Carmit Makler Haller (Carmit Design Studio), Clinton Carlson (Clinton Carlson Design), INNOCEAN USA, Trevitt McCandliss and Nancy Campbell (McCandliss & Campbell/Wainscot Media), PepsiCo Design & Innovation, and Antonio Alcala (Studio A) from the U.S.

Bursting with beautiful ideas for bringing a signature mid-century look into your own space, as well as practical advice on what will work where, this is an essential guide for any lover of interior design and mid-century style. In this beautifully photographed book, Mark and Keith of Mini Moderns show you how to create a timeless mid-century look in your own home Known for their striking use of pattern and colour, Mark and Keith's designs are inspired by everything from childhood memories to commentaries on popular culture, and through this lens they explore how different influences and designers have created key mid-century looks. They delve into the cornerstones of mid-century style, from colour and pattern to materials and curation, and share their secrets on how to bring together the things you love to create your own look. They also include inspirational case studies to demonstrate particular looks, from Beatnik Beach House to Scandi Rustic, Seaside Modern to Studio Townhouse.

Michel Buffet is known as a pioneer in the mid-century industrial design movement in France. His work embodies the aesthetics of the 'Thirty Glorious Years' of French design from 1945 to 1975, which he expressed elegantly in his signature shapes and colours. His career includes a 30-year association with Raymond Loewy at CEI (Compagnie d'Esthetique Industrelle), the founding of his own company (Vector Industrial Design), a range of elaborate public works and transportation projects, and his signature interior and lighting designs. His transportation projects include design work for planes (the Dessault Group Falcon and the Concorde) and trains, for the Caracas metro, the Hong Kong subway, the Channel Tunnel, Shell International service stations, and the French Navy. In the realm of furniture, he notably designed a modular kitchen, DF 2000, hailed by the Italian review Domus. His lighting fixtures from the 1950s - including the floor lamp B211 and wall sconce B206 - were initially issued by Luminalite, and have become popular classics which have been reissued by the company Lignes de demarcation. Text in English and French.

An introduction to the concepts and principles of sound design practice, with more than 175 exercises that teach readers to put theory into practice.This book offers an introduction to the principles and concepts of sound design practice, from technical aspects of sound effects to the creative use of sound in storytelling. Most books on sound design focus on sound for the moving image. Studying Sound is unique in its exploration of sound on its own as a medium and rhetorical device. It includes more than 175 exercises that enable readers to put theory into practice as they progress through the chapters. The book begins with an examination of the distinction between hearing and listening (with exercises to train the ears) and then offers an overview of sound as an acoustic phenomenon. It introduces recording sound, covering basic recording accessories as well as theories about recording and perception; explores such spatial effects as reverberation and echo; and surveys other common digital sound effects, including tremolo, vibrato, and distortion. It introduces the theory and practice of mixing; explains surround and spatial sound; and considers sound and meaning, discussing ideas from semiotics and psychology. Finally, drawing on material presented in the preceding chapters, the book explores in detail using sound to support story, with examples from radio plays, audio dramas, and podcasts. Studying Sound is suitable for classroom use or independent study.

A stone's throw from Aix-en-Provence is the Chateau la Coste, a unique alliance of wine, architecture and art, dedicated to producing organic wines. At its heart are the Vat room designed by Jean Nouvel and an art centre designed by the great Japanese architect, Tadao Ando. For over a decade, Chateau la Coste has invited artists to find a location on the estate that inspires them to create a work of art to occupy it. Gradually over the years, a remarkable site has emerged. After Richard Serra came Sean Scully, Andy Goldsworthy, Frank Gehry, Tom Shannon, Tunga, Hiroshi Sugimoto, Guggi, Tatsuo Miyajima, Liam Gillick, Jean- Michel Othoniel, Michael Stipe, Paul Matisse, Larry Neufeld, Tracey Emin, and more recently Lee Ufan. There are also emblematic works by Louise Bourgeois, Alexander Calder and Franz West set in a decor of stone walls, former navigation channels, paved pathways and a beautiful oak forest. The beautifully reproduced photographs in this book offer a glimpse of this estate, where art and wine cohabit in harmony.

From the moment Christian Dior unveiled his famed New Look collection in Paris on February 12, 1947, women's fashion changed forever. Still one of the most revered names in fashion, Dior is known today for its unique couture dresses. This gorgeous volume continues the homage paid by famed photographer Patrick Demarchelier to one of the most important and influential fashion houses in the world. Working closely with the House of Dior, Demarchelier showcases the extraordinary gowns made in the Dior ateliers from 1947 to today. Along-side dresses designed by Dior himself, creations by the designers who succeeded him show the continuity of the house's rich heritage up to the absolute modernity of Raf Simon's designs. Sumptuously illustrated and beautifully designed, this book-a must for every fashion library-immortalises the archetype of haute-couture glamour.

A landmark survey of the work of Isaac Mizrahi, a trailblazing and influential American fashion designer, artist, and entrepreneur Beginning with Isaac Mizrahi's first fashion collection, which debuted to critical acclaim in 1986, and running though the present day, this stylish, lavishly illustrated book presents his signature couture collections. Mizrahi's exuberant couture style is classic American, inventively reimagined. He pioneered the concept of "high/low" in fashion, and was the first high-end fashion designer to create an accessibly priced mass-market line. Mizrahi approached other complex issues through his designs, as well-mixing questions of beauty and taste with those of race, religion, class, and politics. Although Mizrahi (b. 1961) is best known for his clothing, his work in theater, film, and television is also explored. The result is a spirited discourse on high versus low, modern glamour, and contemporary culture. Three essayists discuss Mizrahi's place in fashion history, his close connection to contemporary art, and the performative nature of his designs. New photography brings Mizrahi's fashions to life, and an interview with the artist offers an intimate perspective on his kaleidoscopic work in diverse media. Published in association with the Jewish Museum, New York Exhibition Schedule: Jewish Museum, New York (03/18/16-08/07/16)

This compelling autobiography tells the life story of famed manga artist Nakazawa Keiji. Born in Hiroshima in 1939, Nakazawa was six years old when on August 6, 1945, the United States dropped the atomic bomb. His gritty and stunning account of the horrific aftermath is powerfully told through the eyes of a child who lost most of his family and neighbors. In eminently readable and beautifully translated prose, the narrative continues through the brutally difficult years immediately after the war, his art apprenticeship in Tokyo, his pioneering "atomic-bomb" manga, and the creation of Barefoot Gen, the classic graphic novel based on Nakazawa's experiences before, during, and after the bomb. This first English-language translation of Nakazawa's autobiography includes twenty pages of excerpts from Barefoot Gen to give readers who don't know the manga a taste of its power and scope. A recent interview with the author brings his life up to the present. His trenchant hostility to Japanese imperialism, the emperor and the emperor system, and U.S. policy adds important nuance to the debate over Hiroshima. Despite the grimness of his early life, Nakazawa never succumbs to pessimism or defeatism. His trademark optimism and activism shine through in this inspirational work.

As a pioneer and icon of Berlin's underground culture, Claudia Skoda defined the fashion of the 1970s and 1980s. She knitted delicate yarns - having taught herself the handwork techniques - into groundbreaking, body-hugging designs that triggered a revolution in our understanding of knitwear. Superstars such as David Bowie and Iggy Pop were soon among her friends. Skoda's performance-like fashion shows became famous: they were staged as spectacular events in the Congress Hall or the Egyptian Museum and caused an international sensation. This comprehensive catalogue is published to accompany her first solo exhibition and presents fashion, photographs, films, and music by a wide range of artists, including Martin Kippenberger, Luciano Castelli, Salome, Jim Rakete, Ulrike Ottinger, Silke Grossmann, Manuel Goettsching, and Kraftwerk. The book not only highlights Skoda's fashion designs, but also looks at how they were produced and marketed. In addition, it explores her living community and workshop "Fabrikneu", her fashion shows and stores, her time in New York, as well as her social networks and her collaborations with many different artists. Published to accompany an exhibition at Kunstbibliothek, Berlin, between 18 December 2020 and 11 April 2021. Text in English and German.

A new approach to interaction design that moves beyond representation and metaphor to focus on the material manifestations of interaction. Smart watches, smart cars, the Internet of things, 3D printing: all signal a trend toward combining digital and analog materials in design. Interaction with these new hybrid forms is increasingly mediated through physical materials, and therefore interaction design is increasingly a material concern. In this book, Mikael Wiberg describes the shift in interaction design toward material interactions. He argues that the "material turn" in human-computer interaction has moved beyond a representation-driven paradigm, and he proposes "material-centered interaction design" as a new approach to interaction design and its materials. He calls for interaction design to abandon its narrow focus on what the computer can do and embrace a broader view of interaction design as a practice of imagining and designing interaction through material manifestations. A material-centered approach to interaction design enables a fundamental design method for working across digital, physical, and even immaterial materials in interaction design projects. Wiberg looks at the history of material configurations in computing and traces the shift from metaphors in the design of graphical user interfaces to materiality in tangible user interfaces. He examines interaction through a material lens; suggests a new method and foundation for interaction design that accepts the digital as a design material and focuses on interaction itself as the form being designed; considers design across substrates; introduces the idea of "interactive compositions"; and argues that the focus on materiality transcends any distinction between the physical and digital.

A generously illustrated volume that documents the career of Jason Rohrer, one of the most heralded art game designers working today. A maker of visually elegant and conceptually intricate games, Jason Rohrer is among the most widely heralded art game designers in the short but vibrant history of the field. His games range from the elegantly simple to others of almost Byzantine complexity. Passage (2007)-acquired by the Museum of Modern Art in New York-uses game rules and procedurals to create a contemporary memento mori that captures an entire lifetime in five minutes. In Chain World (2011), each subsequent player of the game's single copy modifies the rules of the universe. A Game for Someone (2013) is a board game sealed in a box and buried in the Mojave Desert, with a list of one million potential sites distributed to Rohrer's fan base. (Rohrer estimated that it would take two millennia of constant searching to find the game.) With Chain World and A Game for Someone, Rohrer became the first designer to win the prestigious Game Challenge Design award twice. This book, and the exhibition it accompanies, offers a comprehensive account of the artist's oeuvre. The book documents all seventeen of Rohrer's finished games, as well as sketches, ephemera, and related material, with color images throughout. It includes entries on individual games (with code in footnotes), artist interviews, artist writings, commentary by high scorers, and interpretive texts. Two introductory essays view Rohrer's work in the contexts of game studies and art history. Exhibition The Davis Museum at Wellesley College February-June 2016

This comprehensive volume documents the work of the Argentine architect, graphic designer, and industrial designer Emilio Ambasz. Ambasz's main concern is to integrate nature and construction into architectural design, which is why he is regarded as one of the most important pioneers of Green Architecture. In his work a combination of landscape and architecture emerges, in which his respect for the environment and ecological sustainability becomes clear. A prime example of this is the Fukuoka Prefectural International Hall in Japan: a building that houses more than 100,000 m2 of exhibition spaces, theaters, and offices is also an open green area in the form of a hanging garden.In addition to the documentation of Ambasz's architectural, graphic, industrial, and exhibition design, this publication contains essays by Barry Bergdoll, Kenneth Frampton, and Peter Buchanan, as well as three interviews with Emilio Ambasz, conducted by Michael Sorkin, James Wines, and Hans Ulrich Obrist.

Gisbert Stach's (b. 1963) monograph Jewellery and Experiment presents a multifaceted opus from twenty-five years of gold- and silversmithing. In his oeuvre the primarily conceptual artist combines jewellery with video, photography and performance. One focus of his work deals with processes of transformation and experiment - pieces disappear through chemical dissolution, and form is determined by agencies of growth in nature. Stach works with means of alienation and irritation. Ground amber serves as pigment, which he works into jewellery pieces in the form of fish fingers, sliced bread or schnitzel. A further characteristic of his work is the performative act, for example when brooches are pelted with knives. Gisbert Stach is represented in numerous museums and collections, including Die Neue Sammlung - The Design Museum, Munich (DE); Fondazione Cominelli, Brescia (IT); Museo de Arte Moderno, Tarragona (ES); Museum of Arts & Crafts, Itami (JP); Gallery of Art, Legnica (PL); Museum of Bohemian Paradise, Turnov (CZ); Amber Museum, Gdansk (PL). Published to accompany exhibitions at Arnoldsche Art Publishers, Stuttgart (DE), 9-11 November 2018, and Bayerischer Kunstgewerbeverein (BKV), Munich (DE) 28 February-24 March 2019. Text in English and German.

A fascinating, beautiful and definitive account of the life of esteemed artist Helen Oxenbury.

Filled with insights that span Helen Oxenbury's life, from her early childhood through a unique career in children's books that began in 1964 and is still going strong today, here is an exquisitely designed and thoroughly entertaining celebration of one of the finest English illustrators of our time. Written by acclaimed author Leonard S. Marcus, Helen Oxenbury: A Life in Illustration is a keepsake that is sure to engage and delight everyone from scholars to art aficionados to the many children and adults who have grown up with Helen Oxenbury’s enchanting books.

Wilhelm Deffke (1887-1950), established the first modern advertising agency in Germany in 1915. Together with his business partner he published an influential book on trademarks and makers' marks, in which they promoted the logo as a basis for all the company's advertising materials. Before his death in 1950, Deffke created more than 10,000 logos that were untypically functional and abstract for their time. Considered one of the pioneers of modern corporate design, he is known as the "Father of the Modern Logo" among design professionals internationally; yet only a fraction of his designs have ever been shown in public. This richly illustrated and comprehensive monograph is the first book to be published about his work as commercial artist, architect, poster and book designer. Fourteen essays present the wide-ranging aspects of Deffke's work in context with 20th-century European design history. More than 500 images, many of them previously unpublished, illustrate his achievements in poster and commercial art. This collection is a long overdue commentary and re-discovery, of an exceptional artistic personality.

Iconic graphic designer and Academy Award--winning filmmaker Saul Bass (1920--1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men.

The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public.

This long-overdue book sheds light on the creative process of the undisputed master of film title design -- a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.

In Love, Cecil, Lisa Immordino Vreeland offers an evocative por trait of this talented whirlwind whose creative work captured many facets of the 20th century. Using photography, drawings, letters, and scrapbooks by Beaton and his contemporaries, along with excerpts from his sparkling diaries and other writ ings, Immordino Vreeland brings his spirit to life in a way that no previous book has been able to do. Immordino Vreeland organizes her book around the circles of Beaton's daily life: the people who inspired and influenced him, his colorful friends, his fellow photographers, his Hollywood conquests, his wartime service, and his English roots. This cavalcade offers a shimmering vision of high style, but it also captures often-troubled souls struggling to create the open, tolerant, creative worlds of art and culture that we have inherited today.

Elisabeth Defner is one of Austria's most prominent jewellery designers. Since her jewellery design studies at the Vienna Academy of Applied Arts at the beginning of the 1960s she has been working as an independent artist in Vienna, until 1976 cooperating with the jewellery artist Helfried Kodre in a workshop community. In 1967 she won the Bavarian State Award in Munich, in 1970 the Diamond-Award. Today her works are displayed in museums in Vienna, Graz, Pforzheim, Cologne, Prague and Edinburgh. For Elisabeth Defner- who since 1990 bears the second name of Jesus- jewellery isn't merely an aesthetic matter, but also a form of complementary healthcare for body, soul and spirit. The energy radiated from the metals and stones is in holistic harmony with the forms of the jewellery and can bring about an inner transformation of the wearer. Brooches, earrings, rings or pendants are combined with moulded gingko leaves, so that the beauty of the jewellery can merge idealistically with the magical effect of the plant. Defner's magnetic jewellery of recent years also presents itself in the context of the incorporation of the hidden power of nature, with magnetic boxes and objects like magic wands and chess pieces.

Their posters manifest a reduced expression, convincing in a poetic-sensuous manner while challenging intellectually. In particular the posters advertising exhibitions convey complex contents in a puristic and timeless form. The creations by Hamburger are characterised by a more pro- nounced adherence to tradition-while Staehelin's experimental openness often leads to surprising results.The joint works of the two reveal the mutual appreciation and fruitfulness of the professional exchange; sensitively developed posters for the Museum of Design re ect an inspiring combination of graphic design principles and a pure delight in creative design.With an essay by Claude Lichtenstein

An exponent of artisan craftsmanship and theatrical fantasy often compared to Alexander McQueen and Sarah Burton, Guo Pei dresses Chinese state dignitaries and American celebrities alike in richly bejewelled creations of imperial opulence. The designer s first monograph, published on the occasion of her first solo exhibition, offers insight into the growing global influence of China and the complexities of its cultural transition. The premier China-based fashion designer to figure prominently on the world stage, Guo Pei produces ornate embroidery and intricate designs that derive from the ancient traditions and symbols of her Chinese heritage, rendered in glamorous silhouettes. Andrew Bolton describes the approach as an auto-orientalist couture unprecedented in the millennial history of Chinese dress. The grandeur of her work, from the aureate cape Rihanna wore to the 2015 Met Gala to a gown festooned with 200,000 crystals featured in the Beijing Olympics, distinguishes Guo Pei as a worthy heir to the grand tradition of haute couture. Lush photography reveals the unprecedented detail achieved through the thousands of hours committed to each garment s workmanship, a signature of Guo Pei s atelier. This landmark volume presents a tableau of Guo Pei s resplendent work: expansive, unconventional, and otherworldly.

Josef Muller-Brockmann's graphics left a lasting mark on Swiss visual communication from the 1950s onward. His posters demonstrate how a sober, formally reduced language works best for conveying a universal, timeless message. Poster campaigns for longtime clients such as the Tonhalle concert hall in Zurich or the Automobile Club of Switzerland follow strict functional criteria - and yet exhibit a variety of design solutions and exciting, dynamic compositions. This book presents selected posters by Muller-Brockmann and places them in the context of their own time while also examining the validity of his solutions from today's point of view.

Kim Buck is partial to using well-known jewellery motifs such as hearts, daisies, signet rings, and crosses as a point of departure, but the materials can be anything from precious metals to found objects and ready-mades. With surprising combinations, wordplay, and a touch of irony, he questions the conventions of the jewellery business as well as the way national and religious symbols are used and abused. Even Denmark's national jewellery piece, the daisy brooch, is up for scrutiny. To a conceptual artist, raising questions and prompting reflection is of utmost importance. The questions raised by Kim Buck through his jewellery and objects touch upon values, ethics, and social status and reach far beyond the jewellery field itself, disrupting our cultural habits and understanding of the self. Text in English, Danish and Chinese.

An in-depth exploration of the interaction between mind and material world, mediated by language, image, and making-in design, the arts, culture, and science. In Material and Mind, Christopher Bardt delves deeply into the interaction of mind and material world, mediated by language, image, and the process of making. He examines thought not as something "pure" and autonomous but as emerging from working with material, and he identifies this as the source of imagination and creative insight. This takes place as much in such disciplines as cognitive science, anthropology, and poetry as it does in the more obvious painting, sculpture, and design. In some fields, the medium of work is, in fact, the very medium of thinking-as fabric is for the tailor. Drawing on the philosophical notions of the "extended mind" and the "enactive mind," and looking beyond the world of material-based arts, Bardt investigates the realms in which material and mind interweave through metaphor, representation, projection, analogues, tools, and models. He considers words and their material origins and discusses the paradox of representation. He draws on the design process, scientific discovery, and cultural practice, among others things, to understand the dynamics of human thinking, to illuminate some of the ways we work with materials and use tools, and to demonstrate how our world continues to shape us as we shape it. Finally, he considers the seamless "immaterial" flow of imagery, text, and data and considers the place of material engagement in a digital storm.

The name of Anne Hoffmann is instinctively related by many artists, architects, museum people, and especially by book- lovers, to the range of media the Danish-born Swiss book and graphic designer has created over the course of three decades: posters, flyers, cards, CD booklets, and - above all - countless books. Hoffmann came to Basel in the 1980s to study with Armin Hofmann, one of Switzerland's preeminent graphic designers and teachers of his art, at the city's School of Design. In Basel she also established her own studio in 1986, which she moved to Zurich in 2007, and soon began working closely with Swiss and international artists such as Silvia Bachli, Richard Hamilton, or Karim Noureldin. In 'Mostly Books', naturally designed by studio Anne Hoffmann Graphic Design, she reviews thirty years of work. The selection comprises some 120 objects, featured in an annotated book diary. Besides this panorama, the book explores the topic of graphic design from a variety of perspectives. Statements by artists Chris Bunter, Miriam Cahn, and Claudio Moser; architect Kana Ueda Thoma; author and curator Peter Suter; jewellery designer Torben Hardenberg; museum director and curator Beat Wismer; musician Jurg Halter; and scholar Etienne Lullin reflect on the importance of the book per se and its design. Text in English and German.