California, the Golden State, is steeped in cliche like almost nowhere else: palm trees, beach-blonde surfers, aspiring actors and tail-finned cars, all bathed in endless sunshine. Sally Davies, acclaimed New York street photographer and author of New Yorkers, heads west to capture the images and listen to the voices of everyday Californians in their own homes, hoping to delve beneath the ubiquitous stereotypes. She finds light and space, swimming pools and enticing views of the stunning natural surroundings encroaching through the walls. Posing for her in bedrooms, garages and patios, Davies discovers vibrant multicultural communities, eccentric stories of hopes and dreams, tales of gridlocked traffic, urban sprawl, air pollution and all aspects of the entertainment industry. Among the voices are well-known figures, Linda Ramone and actor Eric McCormack, accompanied by a cast of models, producers, a high-court judge, artists, stylists, writers, musicians, lawyers, magicians and many more.

When Gianni Bozzacchi accepted an assignment as a photographer on the set of The Comedians (1967), he didn't know that his life was about to change forever. His ability to capture the beauty of candid moments drew the attention of the film's star, Elizabeth Taylor, and prompted her to hire him as her personal photographer. Not only did he go on to enjoy a jet-set life as her friend and confidant -- preserving unguarded moments between the violet-eyed beauty and Richard Burton as they traveled the world -- but Bozzacchi also became an internationally renowned photographer and shot some of the biggest celebrities of the 1960s and 1970s. In My Life in Focus, Bozzacchi traces his journey from humble beginnings to the sphere of the rich and famous. As a child, he cultivated his skills by working with his father -- a photographer for the Italian government. Following in his parent's footsteps was not something Bozzacchi had foreseen for his future; but his passion for taking pictures and his ability to put his subjects at ease enabled him to capture stunning images of some of the greatest stars of the twentieth century, including Audrey Hepburn, Steve McQueen, Raquel Welch, Mia Farrow, Clint Eastwood, and the royal family of Monaco. Beautifully illustrated with many of the photographer's most iconic images, this lively memoir reveals private moments in the Taylor-Burton love story and provides an invaluable behind-the-scenes look at the business of filmmaking and the perils of celebrity.

"The photographs of William Claxton define the essence of cool." - Jason Ankeny (AllMusic) "Claxton's innovative choices and airy style, which he called 'jazz for your eyes', worked sublimely to document and promote the rise of trumpeter and singer Chet Baker, especially." - Howard Mandel Born in Pasadena, California, photographer William Claxton (1927-2008) is best known for his dozens of splendid portraits of jazz stars (especially those of Chet Baker, of whom he made the first professional photos) and Hollywood stars (such as his friend Steve McQueen). In 1952, while shooting Gerry Mulligan and Chet Baker at the Haig Club, he met Richard Bock, founder of Pacific Jazz, who quickly hired him as art director and house photographer. During his time at the label, Claxton snapped and designed album covers at a rate of roughly one per week, in the process establishing the visual identity of the West Coast jazz movement. Where previous jazz photographers captured their subjects in the dark, smoky environs of nightclubs, Claxton capitalised on the sun and surf of southern California, posing artists in unorthodox outdoor settings to represent a new era in the music's continued evolution. Claxton's images graced the covers of numerous music albums, and his work regularly appeared in such magazines as Life, Paris Match and Vogue. Claxton wrote 13 books, held dozens of exhibitions of his photographs around the world, and won numerous photography awards. This book presents a selection of more than 150 superb images by the great photographer. Among the multiple artists portrayed are Louis Armstrong, Chet Baker, Art Blakey, Clifford Brown, Dave Brubeck, Ray Charles, Ornette Coleman, John Coltrane, Miles Davis, Bill Evans, Stan Getz, Billie Holiday, Antonio Carlos Jobim, Charles Mingus, Thelonious Monk, Wes Montgomery, Lee Morgan, Art Pepper, Sonny Rollins, Dinah Washington, and Muddy Waters. Text in English, with an introduction in English, French and Spanish.

Globally acclaimed miminalist architect, John Pawson, celebrates colors through 320 inspiring photographs."Pawson is a lot more than just an architect; he's also handy with a camera and has a good eye for what makes a nice picture." -MonocleGlobally acclaimed architectural designer John Pawson takes you on a multi-colored journey across the world through a carefully curated sequence of 320 images. It's a celebration of color from one of the most unexpected sources. His architecture might be known for its limited color palette - primarily white - but Pawson's photographs tell another story. Pawson is always taking photographs of patterns, details, textures, and spatial arrangements that often inform his work, which includes the new Design Museum in London and Calvin Klein retail stores.

Garry Fabian Miller's Dark Room is a photography book unlike any other. At its heart is the artist's description of a life lived making pictures between the dark and the light, a deeply personal account woven against the history of photography from the moment of its birth in the 1830s to its decline, and some would say death, in the digital age almost two hundred years later. It is a memoir that reads at times like a manifesto, at others like a confession; a last testament to the dark room as both a site for the imagination, and a physical space for the alchemy that William Henry Fox Talbot once described as 'a little bit of magic realised'. Dark Room charts Miller's work over five decades, shifting from a camera-based practice in early career to the abstract picture making for which he has become internationally recognised, working without a camera to experiment with the possibilities of light as both medium and subject. At its core is the relationship with nature and place that has so sustained his way of life, and specifically with his home on Dartmoor and the cycle of daily walks that have been at the core of his practice for thirty years. The book also features an essay on Miller's work by his friend the potter and writer Edmund de Waal and technical notes by Martin Barnes, senior photography curator of the Victoria and Albert Museum.

Ernst Haas's color works reveal the photographer's remarkable genius and remind us on every page why we love New York. When Haas moved from Vienna to New York City in 1951, he left behind a war-torn continent and a career producing black-and-white images. For Haas, the new medium of color photography was the only way to capture a city pulsing with energy and humanity. These images demonstrate Haas's tremendous virtuosity and confidence with Kodachrome film and the technical challenges of color printing. Unparalleled in their depth and richness of color, brimming with lyricism and dramatic tension, these images reveal a photographer at the height of his career.

Hank Willis Thomas: All Things Being Equal presents a survey of the artist's prolific and extraordinary interdisciplinary career, with a particular focus on the work's relationship to the photographic image and to issues of representation and perception. At the core of Hank Willis Thomas's practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, Pitch Blackness , Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas's influences and inspirations.

"This modern, refreshing examination of today’s American cowboys and cowgirls is something people will want to revisit time and time." — Yahoo “...captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.� – Ailbhe Macmahon, Daily Mail "Cowboys may be innately photogenic, but French photographer Anouk Krantz has succeeded in capturing their lives and surroundings like no other."  —Graphius Magazine Having earned wide acclaim for her bestselling Wild Horses of Cumberland Island (2017) and West: The American Cowboy (2019), this new collection of work that is American Cowboys is Anouk’s strongest work yet. Join Anouk Masson Krantz in her solo journey across America where she reveals the intimate lives and families of this private, elusive icon of our American West. Through her lens Anouk showcases an incredible journey from an outsider’s perspective into the private world of the American cowboy. Real people and real stories — a remarkable and inspiring story of people coming together to share their lives and celebrate the nation’s cowboy culture. This book is a must-have title among Anouk’s fine collections of photographs. Anouk’s work has been exhibited in galleries and museums across America. She is renowned for her large-scale contemporary photography and her use of white space that defines her elegant, minimalistic style.

Art, war, carnival or cult — masks have two sides: They conceal and hide, and at the same time create new personalities, strange and captivating at once. So, too, do masks reveal world views of time and place: cult masks from Africa, mediaeval knight helmets, fantasy masks of famous film heroes like Darth Vader, or gas masks and VR glasses as modern functional objects. In this new photo book, Russian photographer Olga Michi traces our millennia-old fascination with masks. Her expressive pictures place the masks centre-stage, creating a new, surrealistic aesthetic. With fascinating texts on each mask’s cultural-historical significance, this high-quality photo book delights, informs, and ignites the imagination. Text in English, French, German, and Russian.

"If you're a lover of wildlife imagery, this is worth adding to your wishlist" -Amateur Photographer "...an amazing new photobook on the giants of the animal kingdom..." -Examiner USA "This is the type of book that makes a handsome gift for any wildlife lover. But you'll want to look at every photo before giving it away." -Inhabitat "This book marvelously lives up to its title, not just in size... but in subject matter: big animals, from lions to sharks to grizzly bears, all stunningly photographed by two highly accomplished wildlife photographers who decided to combine their work for this wondrous portfolio." -Air Mail When we encounter an animal in nature, it triggers something in us; we feel a certain emotion in the presence of the other creature: amazement, adoration, fascination, and indeed, in some situations, fear and apprehension. But a brush with a deer, wild boar, or hare is no comparison to a rendezvous with a grizzly, lion, shark, or pod of whales. Amos Nachoum and Marko Dimitrijevic have experienced this hundreds of times in their combined 70 years as wildlife photographers. Now, for the first time, they are combining their award-winning photographs with previously unpublished photographs of the world's largest animals in one book. The two photographers, who are also friends, tell us what it is like to be out in the wild and look the world's biggest animals right in the eye. The structure of the book's chapters is arranged based on human emotions such as amazement, admiration, fear, and love. In their book, Nachoum and Dimitrijevic bring us closer to the giant animals of our planet, and allow us to share what these two men feel during these encounters, helping us learn about ourselves when we do so. Text in English and German.

The first sightings of newly discovered work from Saul Leiter's abundant archive of colour slides. Now widely acclaimed as one of the world's greatest photographers, Saul Leiter (1923-2013) remained relatively unsung until he was rediscovered by curators and critics in his early 80s, and his work has been drastically re-evaluated over the last two decades. Leiter's images evoked the flow and rhythm of life on the mid-century streets of New York in luminous colour at a time when his contemporaries were shooting in black and white. His complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. Saul Leiter was born in Pittsburgh and moved to New York City in 1946. He pioneered a painterly approach to colour photography starting in the late 1940s and produced covers for fashion magazines such as Esquire and Harper's Bazaar before largely withdrawing from public attention in the 1980s. The publication in 2006 of his first monograph, Early Color, inspired an avid 'rediscovery' of Leiter's work by contemporary audiences. His studio in New York's East Village, where he lived from 1952 until his death in 2013, is now the home of the Saul Leiter Foundation. The Foundation has begun a full-scale survey and organization of his more than 80,000 works, with the aim of compiling the 'complete' archive. This volume contains works discovered through this process, specifically colour slides, never before published or seen by the public. Meticulously curated by Margit Erb and Michael Parillo of the Saul Leiter Foundation and supported by texts that explain how Leiter built the slide archive and how it is now being explored, catalogued and restored, this new monograph will be a must-have for photography fans worldwide.

Kevin Michael Connolly is a twenty-four-year-old man who has seen the world in a way most of us never will. Whether swarmed by Japanese tourists at Epcot Center as a child or holding court at the X Games on his mono-ski, Kevin Connolly has been an object of curiosity since the day he was born without legs. Growing up in rural Montana, he was raised like any other kid (except, that is, for his father's MacGyver-like contraptions such as the "butt boot"). As a college student, Kevin traveled to seventeen countries on his skateboard, including Bosnia, China, Ukraine, and Japan. In an attempt to capture the stares of others, he took more than 30,000 photographs of people staring at him. In this dazzling memoir, Kevin Connolly casts the lens inward to explore how we view ourselves and what it is to truly see another person. From the home of his family in Helena, Montana, to the streets of Tokyo and Kuala Lumpur, Kevin's remarkable journey will change the way you look at others, and the way you see yourself.