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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries
Today, over 500,000 medical technologies are available in hospitals, homes, and community care settings. They range from simple bandages to complex, multi-part body scanners that cost millions of dollars to develop. Yet a typical technology has a lifecycle of just 21 months before an improved product usurps it-the healthcare ecosystem is rapidly advancing and driven by a constant flow of innovation. And those innovations need innovators. With $21 billion made available for investment in the digital healthcare industry in 2020 (a 20x increase on 2010), entrepreneurs, investors, and related actors are entering the healthcare ecosystem in greater numbers than ever before. Last year alone, over 17,000 medical technology patents were filed, the third highest of all patent types. Each of those has a dedicated team of entrepreneurs behind it. Yet with increasingly strict regulations and pharmaceutical giants growing more aggressive, many thousands of entrepreneurs fail before even the patent stage: just 2% secure revenue or adoption. Healthtech Innovation: How Entrepreneurs Can Define and Build the Value of Their New Products is a down-to-earth survival guide for entrepreneurs struggling to secure a strategic position within the healthtech ecosystem. Which is expected that by 2026, the global digital health market size will be around $657 billion. This book is designed to help innovators navigate this complex and newly volatile landscape. It covers business strategy, marketing, funding acquisition, and operation in a global regulatory context. It is written in simple language, evidenced by the latest academic and industry research, and explained using real-world examples and case studies.
The second edition of The UK Media Law Pocketbook presents updated and extended practical guidance on everyday legal issues for working journalists and media professionals. This book covers traditional print and broadcast as well as digital multimedia, such as blogging and instant messaging, with clear explanations of new legal cases, legislation and regulation, and new chapters on freedom of information and social media law. Links to seven new online chapters allow readers to access all the most up-to-date laws and guidance around data protection, covering inquests, courts-martial, public inquiries, family courts, local government, and the media law of the Channel Islands and the Isle of Man. Tim Crook critically explores emerging global issues and proposals for reform with concise summaries of recent cases illustrating media law in action, as well as tips on pitfalls to avoid. The UK Media Law Pocketbook is a key reference for journalists and media workers across England, Wales, Scotland, and Northern Ireland. The book's companion website provides downloadable sound files, video summaries, and updates all the developments in one of the most dynamic and rapidly changing fields of law. Visit https://ukmedialawpocketbook.com.
By investigating specific cases of newspapers in their communities, Newspapers and the Making of Modern America shows the newspaper as an agent of change in the construction and maintenance of community. It develops the theme of a newspaper as a prime mover in enacting policy, supporting development, building neighborhoods, and generally modifying the physical and built environment. Using the newspaper as a window into the study of the twentieth century, the book shows how newspapers have: - Promoted the building of America's first postwar suburb, constructed towns where none had existed before, - Promoted development and new industry, - Built community awareness, cohesion and preservation, - Moved populations from one place to another, - Participated in campaigns both for and against slum clearance, - And carved out communities within communities. Examples include newspapers in relation to their state (Des Moines Register), their county (Long Island Newsday), their region (Miami Herald, Los Angeles Times), their city (New York Daily News, New York Mirror and New York Daily Graphic) their community (Baltimore Afro-American, Pittsburgh Courier, Chicago Defender), their town (Emporia Gazette, Anniston Star) their village (Village Voice, East Village Other) and their nation (New York Times, Wall Street Journal, Washington Post and USA TODAY).
"The most detailed and up-to-date book on independent cinema, an
invaluable reference work." - Molly Haskell, "Washington
Post" "Thoughtful and substantial." - Stuart Klawans, "The
Nation" "An indispensable text for anyone who wants to understand the
independent world." - David Ansen of "Newsweek" "At a time when independent American films are more visible and
important than ever before, this is an invaluable study. Emanuel
Levy's writing is wise, passionate, and amazingly well-informed." -
Roger Ebert "The time is ripe for an intelligent, informed, well-organized book on the world of independent cinema - and Emanuel Levy has given us just that." - Leonard Maltin A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers ("Fargo"), Quentin Tarentino ("Pulp Fiction"), and Billy Bob Thornton ("Sling Blade"), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including "Choose Me," "Stranger Than Paradise," "Blood Simple," "Blue Velvet," "Desperately Seeking Susan," "Slacker," "Poison," "Reservoir Dogs," "Gas Food Lodging," "Menace II Society," "Clerks," "In the Company of Men," "Chasing Amy," "The Apostle," "The Opposite of Sex," and "Happiness," Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."
Government and Misgovernment of London was first published in 1939.
Press photography is not just a career - it's a way of life - and photojournalists have a ringside seat on contemporary history. This book explains how to capitalise on that ringside seat. Written by an expert in the field, the core skills of the working photographer are detailed, with reference to areas of speciality in news, fashion, royalty, advertising, sport and war photography, and social history issues. Allied essential skills such as caption-writing, keywording and archiving images are also covered. This comprehensive book includes invaluable information on the latest developments in picture transmission, the role of the picture desk in the modern newspaper or news agency, the legal aspects of photojournalism and the rights and moral responsibility of the photographer. Finally, a guide to established career paths into photojournalism offers useful sources for further investigation.
Presidential candidates have criticized the press since the days of Thomas Jefferson, with claims of media bias for one party or another being a recurring campaign complaint. In focusing on the presidential campaigns of 1984 and 1988, this study provides a comprehensive analysis of media bias in two particular elections as well as for presidential campaigns in general. Stempel and Windhauser have collected more data than in any previous study, and they have included newspapers, network television news, and news magazines in their evaluation. Their thorough analysis of the content and slant of each item provides a clearcut picture of just what the media covered and how the coverage differed when an incumbent was not running. The study is based on news items collected from 23 sources in the three media, covering the Labor Day through Election Day period of both campaigns. Seventeen elite newspapers, including the New York Times, Wall Street Journal, Washington Post, and Chicago Tribune, had their election coverage analyzed, as did the three major television networks and the three general news magazines, Time, Newsweek, and U.S. News and World Report. Each news item was classified by which candidate it primarily concerned, whether it was favorable, unfavorable, or neutral, and what major issue the story dealt with. The findings are presented in three separate chapters that focus on the different media, with additional chapters offering analysis of newspaper editorials in the two campaigns and the results of a telephone survey on public attitudes toward coverage. A final chapter provides a concluding look at the press, politicians, and the public. This comprehensive study will be an important reference for courses in political science, journalism, and American history, and a valuable addition to public and academic libraries.
The subject of this book - whether or not to extend traditional telecommunications regulation to high-speed, or broadband, access to the Internet - is perhaps the most important issue facing the Federal Communications Commission. The issue is contentious, with academics and influential economic interests on both sides. This volume offers updated papers originally presented at a June 2003 conference held by the Progress and Freedom Foundation. The authors are top researchers in telecommunications.
Six-time New York Times bestselling author, FOX News star, and radio host Mark R. Levin "trounces the news media" (The Washington Times) in this timely and groundbreaking book demonstrating how the great tradition of American free press has degenerated into a standardless profession that has squandered the faith and trust of the public. Unfreedom of the Press is not just another book about the press. In "Levin's finest work" (Breitbart), he shows how those entrusted with news reporting today are destroying freedom of the press from within--not through actions of government officials, but with its own abandonment of reportorial integrity and objective journalism. With the depth of historical background for which his books are renowned, Levin takes you on a journey through the early American patriot press, which proudly promoted the principles set forth in the Declaration of Independence and the Constitution. This is followed by the early decades of the Republic during which newspapers around the young country were open and transparent about their fierce allegiance to one political party or another. It was only at the start of the Progressive Era and the 20th century that the supposed "objectivity of the press" first surfaced, leaving us where we are today: with a partisan party-press overwhelmingly aligned with a political ideology but hypocritically engaged in a massive untruth as to its real nature.
This book provides a conceptual framework to understand and analyze the decline of the telecommunications industry and the rise of information industries. This includes information distribution, banking, advertising, computing, etc. and will use a value-based perspective to show the industry shaping dynamics. The integrative framework will cover issues relevant to all information industries including network externalities, lock in and switching costs, cost structure analysis, transactions costs and infomediaries.
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Few modern innovations have spread quite so quickly as the cell phone. This technology has transformed communication throughout the world. Mobile telecommunications have had a dramatic effect in many regions, but perhaps nowhere more than for low-income populations in countries such as Jamaica, where in the last few years many people have moved from no phone to cell phone. This book reveals the central role of communication in helping low-income households cope with poverty. The book traces the impact of the cell phone from personal issues of loneliness and depression to the global concerns of the modern economy and the transnational family. As the technology of social networking, the cell phone has become central to establishing and maintaining relationships in areas from religion to love. The Cell Phone presents the first detailed ethnography of the impact of this new technology through the exploration of the cell phone's role in everyday lives.
This is the 3rd volume of Advances in Telecommunication Management, focusing on Information Technology and Crisis Management.
What was the relationship between power and the public sphere in early modern society? How did the printed media inform this relationship? Contributors to this volume address those questions by examining the interaction of print and power in France and England during the 'hand-press period'. Four interconnected and overlapping themes emerge from these studies, showing the essential historical and contextual considerations shaping the strategies both of power and of those who challenged it via the written word during this period. The first is reading and control, which examines the relationship between institutional power and readers, either as individuals or as a group. A second is propaganda on behalf of institutional power, and the ways in which such writings engage with the rhetorics of power and their reception. The Academy constitutes a third theme, in which contributors explore the economic and political implications of publishing in the context of intellectual elites. The last theme is clientism and faction, which examines the competing political discourses and pressures which influenced widely differing forms of publication. From these articles there emerges a global view of the relationship between print and power, which takes the debate beyond the narrowly theoretical to address fundamental questions of how print sought to challenge, or reinforce, existing power-structures, both from within and from without.
'Any bibliophile will find many enjoyable nuggets in this compendium of book chat' Stephen Poole, Guardian 'An engaging little eye-opener about the publishing business, full of tasty nuggets about books, writers and their editors' Sunday Times 'Enjoyable ... engaging ... insightful' Independent Once upon a time, a writer had an idea. They wrote it down. But what happened next? Join Rebecca Lee, professional text-improver, as she embarks on a fascinating journey to find out how words get from an author's brain to finished, printed books. She'll reveal the dark arts of ghostwriters, explore the secret world of literary agents and uncover the hidden beauty of typesetting. Along the way, her quest will be punctuated by a litany of little-known (but often controversial) considerations that make a big impact: ellipses, indexes, hyphens, esoteric points of grammar and juicy post-publication corrections. After all, the best stories happen when it all goes wrong. From foot-and-note disease to the town of Index, Missouri - turn the page to discover how books get made and words get good.* * Or, at least, better
The first book in a six-volume series on the history of American journalism, this volume provides a survey of the earliest printing in the American colonies, up through the Revolutionary War. The work focuses on the nature of journalism during the years covered, considers noteworthy figures, examines the relationship of journalism to society, and provides explanations for the main directions that journalism was taking. Early American printing was animated by remarkable vitality and sophistication, with the life of each newspaper and printer being marked by individual ideas and individual struggles. Early Americans also had quite sophisticated ideas about the role and operation of the press. In this survey, the authors try to suggest the complexities of the early American press. They address such issues as why newspapers first appeared, the purpose that newspaper operators saw for themselves, the role of the practice of journalism in the colonial press, and the role of the press in influencing public opinion. Their primary focus, however, is on the essential nature of the early American press and the factors that accounted for that character.
This book reports the results of a comparative survey of journalism students in university-level institutions in 22 countries of the major world regions. The survey and analysis are guided by a critical discussion of concepts of journalistic professionalism and the role played by education and training in developing such ideas. The book explores the origins and motivations of students, and the ambitions they have as future journalists. The students had three different concepts of the role of the press: the enlightenment model in which the prime functions is to educate and inform; the power model, ensuring the views of socially powerful groups are publicized; and the entertainment model, which provides the audience with distractions. With a strong desire for professional status, they believe that the form of media ownership dominant in their own society is a major threat to press freedom.
Unlike many of her female contemporaries during the thirties and forties, whose political activities furthered the agendas of male politicians, Frieda B. Hennock pursued her own political goals. Guided by intense personal and public interests, she became the first woman appointed to serve on the Federal Communications Commission, and her tenure there coincided with a period of unprecedented regulatory activity, during which the FCC made several significant decisions regarding the development of television. Simultaneously challenging the FCC's status quo and making a political name for herself with her tireless efforts to develop educational television, Hennock became one of the most significant female political figures of this century. Utilizing both critical and historical research methodologies, Brinson highlights key events in Hennock's career, including her dissenting position in the color TV hearings and her blindness to the deficiencies of the UHF system. "Personal and Public Interests" serves as a much-needed corrective to the scholarly oversight of Hennock's life and work, which represent the intersection of the histories of both broadcasting and women in the United States. More than mere biography, this insightful work examines the union of history, technology, and personality, creating a vivid portrait of both a woman and her era.
Garrard provides an expert account of the growth and development of markets in the rapidly growing and profitable cellular communications industry. The author brings his invaluable insights to this authoritative analysis of business and regulatory issues, drawing lessons for current business practice. The treatment is global. Market development is described, analyzed and evaluated, bringing the reader up-to-date with current market characteristics and future trends. 514 p.
Basic copyright laws and enforcements have been in effect for hundreds of years. However, laws with such extensive histories can often make understanding them complicated. As publishing moves into a digital arena, copyright laws have become increasingly complex. Authors, Copyright, and Publishing in the Digital Era not only addresses the current complexities that aries with authors and copyright laws when publishing digitally, but it also sheds light on the current processes and procedures in place concerning copyright options for digital publishers. This publication addresses a global audience in the manner in which it discusses traditional methods used in publishing before segueing into new model and strategies for both a business and an author in this ever-expanding digital world. |
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