Myth is oral, collective, sacred, and timeless. Fantasy is a modern literary mode and a popular entertainment. Yet the two have always been inextricably intertwined. Stories about Stories examines fantasy as an arena in which different ways of understanding myth compete and new relationships with myth are worked out. The book offers a comprehensive history of the modern fantastic as well as an argument about its nature and importance. Specific chapters cover the origins of fantasy in the Romantic search for localized myths, fantasy versions of the Modernist turn toward the primitive, the post-Tolkienian exploration of world mythologies, post-colonial reactions to the exploitation of indigenous sacred narratives by Western writers, fantasies based in Christian belief alongside fundamentalist attempts to stamp out the form, and the emergence of ever-more sophisticated structures such as metafiction through which to explore mythic constructions of reality.

'The Voice of the People' presents a series of essays on literary aspects of the pan-European folk revival from the late eighteenth century to the beginning of the twentieth. The essays discuss the purposes of the folk revival, as well as its various forms and genres. Several prominent European literary figures are studied, but most of the focus is placed on the anonymous authors of the European folk tradition.

Originally published in 1930, this book is a comprehensively detailed study of folklore and traditional ceremonies and beliefs in Britain, conveniently broken down into months of the year. Well-illustrated throughout with photographs, it has much to offer the student of folklore. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include: January, New Year's Day - February, Benediction of the Throat - March, The Tichborne Dole - April, Hocktide at Hungerford - May, May Day Ceremonies - June, Riding the Marches at Hawick - July, The Historic Tynwald Ceremony - August, Punch and Judy - September, The Dance of the Deermen - October, Fox Hunting, Etc - Halloween - November, Bonfire Night - December, The Christmas Ceremony at Killin, Perthshire

Gustav Davidson's classic text, A dictionary of Angels: Including the Fallen Angels, is the result of sixteen years of research in Talmudic, gnostic, cabalistic, apocalyptic, patristic, and legendary texts. The classic reference work on angels is beautifully illustrated and its reissue coincides with the resurgence of belief in angels in America. This well researched and exquisitely illustrated dictionary is a wonderful collectable for all those who believe in angels, miracles, lore, and faith.

A sophisticated look into the eight Greek myths that remain the most relevant to us today, exploring their powerful cultural impact from their ancient origins to the present. The Greek myths have been retold countless times, first by the conquering Romans, then through the medieval and Renaissance eras of Europe, and finally finding new expression in masterworks of art, literature and cinema on the global stage. Classical scholar Richard Buxton explores the stories at the heart of this ancient mythology and how they have come to influence our society today. The Greek legends seem to speak to us universally, their deities tantalizingly human - often indulging in behaviours morally ambiguous at best and obscene at worst - and their heroes dealing with dilemmas and destinies that echo, if exaggeratedly, conflicts in our own lives. The dramatic choices that such figures as Prometheus, Medea and Oedipus face have resonated with audiences over thousands of years. Each chapter focuses on a mythical character and the powerful stories and interpretations that surround them. Yet the myths' relevance has not been uniform; they shift with the cultural tide. They have endured moments of censure, criticism, and even ridicule, but now their influence can be recognized almost everywhere, from opera to psychology, from fashion to contemporary art. How is it that these tales have retained their power to connect with our own fascinations, fears and desires, though they came from a world very different from our own? Here Buxton charts their cultural impact through a rich variety of re-imaginings, examining the many guises they have taken through the ages and the profound truths that they continue to illuminate.

Jamaica Anansi Stories is a collection of folklore by Martha Warren Beckwith. Having studied under famed ethnographer Franz Boas at Columbia University, Beckwith dedicated her career to recording and contextualizing the traditions of people from around the world. Specializing in Jamaican, Hawaiian, Sioux, and Mandan-Hidatsa cultures, Beckwith published widely acclaimed works of folklore and ethnography through her interviews with native storytellers around the world. "One great hungry time. Anansi couldn't get anyt'ing to eat, so he take up his hand-basket an' a big pot an' went down to the sea-side to catch fish. When he reach there, he make up a large fire and put the pot on the fire, an' say, 'Come, big fish!'" Opening her collection with the lighthearted and instructional "Animal Stories," many of which record the conflicts between Anansi and the Tiger, Beckwith introduces her reader to one of central figures of Jamaican folklore. Associated with resistance, play, and resourcefulness, Anansi was a symbol of hope for a people subjected to centuries of slavery. Situated alongside similar tales from Europe, popular songs, riddles, and jokes, the Anansi stories form an invaluable part of Jamaican culture and of other Caribbean and American cultures who trace their origins to West Africa. With a beautifully designed cover and professionally typeset manuscript, this edition of Martha Warren Beckwith's Jamaica Anansi Stories is a classic of anthropological literature reimagined for modern readers.

In ancient Rome (753 BC - 476 AD) mythology was integral to various aspects of society, from religion, to politics, to the founding of the city. Today, we may encounter the legacy of these stories before we encounter the stories themselves, whether this is in day-to-day speech, the 18th century art on display at the Louvre, or the works of William Shakespeare. The Roman tendency to accept their mythology as part of history creates a degree of uncertainty around the historical basis of the figures featured in these legendary tales. Truth, fiction, or both, the significance of mythology to this people is palpable. From Romulus and Remus and the founding of Rome to Lucretia and the Republic; from Livy and the Dii Consentes to Virgil's Aeneid; from Dis Pater in the underworld to Jupiter, god of the sky. Illustrated with 180 colour and black-and-white photographs, artworks, and maps, Roman Myths is an engaging and informative book, offering an introduction to Roman mythology, its roots, and its ongoing importance.

A hilarious modern fairy-tale mash-up set in a world in which witches are real, magic is real and fairy tales are not only real ... but recent history. Roxy Humperdinck is still reeling from the Great Fairy Tale Cover-up when Cinderella Jones returns with a new mission: to investigate The Missing - the children who followed the Pied Piper into the mountain thirty years ago, never to be seen again. And so begins another crazy adventure that takes the girls up Jack's beanstalk, through Red Riding Hood's Woods ... and to the cottage of the most evil villain of all time, the Gingerbread Witch.

"Eve of the Festival" is a study of Homeric myth-making in the first and longest dialogue of Penelope and Odysseus ("Odyssey "19). This study makes a case for seeing virtuoso myth-making as an essential part of this conversation, a register of communication important for the interaction between the two speakers. At the core of the book is a detailed examination of several myths in the dialogue in an attempt to understand what is being said and how. The dialogue as a whole is interpreted as an exchange of performances that have the eve of Apollo's festival as their occasion and that amount to activating, and even enacting, the myth corresponding within the Odyssey to the ritual event of the festival.

Tama in Japanese Myth attempts to elucidate Japanese religious experiences by presenting a new interpretation of the oldest existing text of Japanese myth, the Kojiki. Informed by phenomenological hermeneutics, Iwasawa shows that the concept of tama lies at the core of Japanese religious experiences. Tama is often compared to spirit and soul in Western philosophy and religion and especially to the German concept of Geist. Tama develops in ways that do not assume a dichotomy between the ideational and the sensible, which is precisely the dichotomy informing Western theism and the Platonic tradition of metaphysics. Iwasawa argues that the Western concept of God, far from explaining all possible connections between the human and the divine, is less than satisfactory for analyzing Japanese religious experiences. Iwasawa proceeds by examining the Japanese notion of tama as an inquiry into the origin of values wholly unaffected by the Western idea of a moral God.

Kansas Myths and Legends explores unusual events, unsolved crimes, and legends in Kansas's history. Each episode included in the book is a story unto itself, and the tone and style of the book is lively and easy to read for a general audience interested in Kansas history. The more than a dozen stories answer questions such as: Is it possible that a family of four living on the Kansas prairie got away with serial murder for more than three years and escaped to another part of the country to continue their killing spree? Are there still remnants of a late widow's fortune buried throughout her property? Is the well-marked grave of Buffalo Bill Cody indeed his final resting place, or did some loyal friends surreptitiously remove him from Colorado and fulfill his last wish to be buried near his namesake town? From rumors of the Dalton gang's buried treasures to the disappearance of an entire town, Kansas Myths and Legends makes history fun and pulls back the curtain on some of the state's most fascinating and compelling stories.

This book is an overview and analysis of the global tradition of the outlaw hero. The mythology and history of the outlaw hero is traced from the Roman Empire to the present, showing how both real and mythic figures have influenced social, political, economic and cultural outcomes in many times and places. The book also looks at the contemporary continuations of the outlaw hero mythology, not only in popular culture and everyday life, but also in the current outbreak of global terrorism.

This book is the logical continuation of a series of collected essays examining the origins and evolution of myths and legends of the supernatural in Western and non-Western tradition and popular culture. The first two volumes of the series, The Universal Vampire: Origins and Evolution of a Legend (Fairleigh Dickinson University Press, 2013) and Images of the Modern Vampire: The Hip and the Atavistic. (Fairleigh Dickinson University Press, 2013) focused on the vampire legend. The essays in this collection expand that scope to include a multicultural and multigeneric discussion of a pantheon of supernatural creatures who interact and cross species-specific boundaries with ease. Angels and demons are discussed from the perspective of supernatural allegory, angelic ethics and supernatural heredity and genetics. Fairies, sorcerers, witches and werewolves are viewed from the perspectives of popular nightmare tales, depictions of race and ethnicity, popular public discourse and cinematic imagery. Discussions of the "undead and still dead" include images of death messengers and draugar, zombies and vampires in literature, popular media and Japanese anime.

This book is an interdisciplinary synthesis and interpretation about the experience of light as revealed in a wide range of art and literature from Paleolithic to Roman times. Humanistic in spirit and in its handling of facts, it marshals a substantial body of scholarship to develop an explication of light as a central, even dramatic, reality of human existence and experience in diverse cultural settings. David S. Herrstrom underscores our intimacy with light-not only its constant presence in our life but its insinuating character. Focusing on our encounters with light and ways of making sense of these, this book is concerned with the personal and cultural impact of light, exploring our resistance to and acceptance of light. Its approach is unique. The book's true subject is the individual's relationship with light, rather than the investigation of light's essential nature. It tells the story of light seducing individuals down through the ages. Consequently, it is not concerned with the "progress" of scientific inquiries into the physical properties and behavior of light (optical science), but rather with subjective reactions to it as reflected in art (Paleolithic through Roman), architecture (Egyptian, Grecian, Roman), mythology and religion (Paleolithic, Egyptian), and literature (e.g., Akhenaten, Plato, Aeschylus, Lucretius, John the Evangelist, Plotinus, and Augustine). This book celebrates the complexity of our relation to light's character. No individual experience of light is "truer" than any other; none improves on any previous experience of light's "tidal pull" on us. And the wondrous variety of these encounters has yielded a richly layered tapestry of human experience. By its broad scope and interdisciplinary approach, this pioneering book is without precedent.

Quench your thirst for local Savannah, with a bracing dose of tavern tales and an insider's guide to the best grog to be gotten. Witty and well written, there are half a dozen splendid drinking tales for those who love local legends and folktales. These stories, set in the city's pubs and taverns, serve up intrigue, murder, raucous fun, and juicy gossip, all illustrating that history need not be dry stuff! For those eager to belly up to the bar, the Pubs Review helps guide you to the hot spots within the Historic District, pointing out the best drinks, broadest wine menus, and tastiest bar snacks. Suggested toasts will enliven the conversation barside, and recipes for traditional drinks will let you take this taste of Savannah home.

Folktales are at the heart of Native American culture. Prepared especially for students and general readers, this book conveniently collects 31 of the most important Native American folktales. These are drawn from the major Native American cultural and geographical areas and are organized in sections on origins; heroes, heroines, villains, and fools; society and conflict; and the supernatural. The tales reflect the environment, cultural adaptations, and prevailing concerns of the areas from which they are taken. Each tale begins with a brief introductory headnote, and the book closes with a selected bibliography. Students in social studies classes will welcome this book as a window on Native American culture, while students in literature courses will value its exploration of Native American oral traditions.

Prepared especially for students and general readers, this book conveniently collects and comments on 31 of the most important Native American folktales. These are drawn from the major Native American cultural and geographical areas and reflect the environment, cultural adaptations, and prevailing concerns of the regions from which they are taken.

In this book, first published in 1987, Wolfgang Mieder follows the intriguing trail of some of the best known pieces of folk literature, tracing them from their roots to modern uses in advertising, journalism, politics, cartoons, and poetry. He reveals both the remarkable adaptability of these tales and how each variation reflects cultural and historical changes. Fairy tales, legends, folk songs, riddles, nursery rhymes, and proverbs are passed from generation to generation, changing both in form and meaning with each use. This book will be of interest to students of literature.

From the asparas of Hindu myth to the swan maidens of European fairy tales, tales of flying women-some with wings, others with clouds, rainbows, floating scarves, or flying horses-reveal both fascination with and ambivalence about female power and sexuality. In Women Who Fly, Serinity Young examines the motif of flying women as it appears in a wide variety of cultures and historical periods, expressed in legends, myths, rituals, sacred narratives, and artistic productions. She covers a wide range of themes, including supernatural women, like the Valkyries, who transport men to immortality; winged goddesses like Iris and the Greek goddess Nike; figures of terror like the Furies, witches, and succubi; the relationship of marriage and freedom; the connections between women, death, and rebirth; dreams about flying and shamanistic journeys; airborne Christian mystics; and wayward women like Lilith and Morgan le Fay. Young also looks at the mythology surrounding real-life female aviators like Amelia Earhart and Hanna Reitsch. Throughout these examples of flying women, Young demonstrates that female power has been inextricably linked with female sexuality and that the desire to control it was and continues to be a pervasive theme in these stories. The relationship between sex and power is most vividly portrayed in the 12th-century Niebelungenlied, in which the proud warrior-queen Brunnhilde loses her great physical strength when she is tricked into losing her virginity. But even in the 20th century the same idea is reflected in the exploits of the comic book character Wonder Woman, who, posits Young, retains her physical strength only because her love for fellow aviator Steve Trevor goes unrequited. The first book to systematically chronicle the figure of the flying woman in myth, literature, and art, Women Who Fly sheds new light on the ways in which women have both influenced and been understood by society and religious traditions around the world.

"Les ecoles Catholiques? C'est une bonne chose. . . . Beaucoup de cadres de ce pays sont passes par la. . . . Nous voulons aussi que l'ecole des vodunsi connaisse le jour." We hear a dignitary of Vodou confirm the force of Catholicism in Benin. Other voices also define the contours of Catholicism; some seeing it as open to otherness and inculturated practice, and some see its limitations. "Positive Vodou" (intuition of Mawu) is compatible with Catholicism, but not the "system Vodou." Intellectual voices, aware of extended family and illnesses chief role in upholding the traditional, debate the value of inculturation. This work addresses the relationship between the Catholic imagination, acceptance of the other, and -- using the case of Haitian- and African-Americans -- suggests the concept is a useful tool for the study of diasporic cultures.

At least three major questions can be asked of myth: what is its subject matter? What is its origin? What is its function? Theories of myth may differ in the answers they give to any of these questions, but more basically they may also differ on which of the questions they ask. C.G. Jung's theory is one of the few that purports to answer fully all three questions.
This volume collects and organizes the key passages on myth by Jung himself and by some of the most prominent Jungian writers after him: Erich Neumann, Marie-Louise von Franz and James Hillman. The book synthesizes the discovery of myth as a way of thinking, where it becomes a therapeutic tool providing an entrance to the unconscious.

The Indo-Europeans, speakers of the prehistoric parent language from which most European and some Asiatic languages are descended, most probably lived on the Eurasian steppes some five or six thousand years ago. Martin West investigates their traditional mythologies, religions, and poetries, and points to elements of common heritage. In The East Face of Helicon (1997), West showed the extent to which Homeric and other early Greek poetry was influenced by Near Eastern traditions, mainly non-Indo-European. His new book presents a foil to that work by identifying elements of more ancient, Indo-European heritage in the Greek material. Topics covered include the status of poets and poetry in Indo-European societies; metre, style, and diction; gods and other supernatural beings, from Father Sky and Mother Earth to the Sun-god and his beautiful daughter, the Thunder-god and other elemental deities, and earthly orders such as Nymphs and Elves; the forms of hymns, prayers, and incantations; conceptions about the world, its origin, mankind, death, and fate; the ideology of fame and of immortalization through poetry; the typology of the king and the hero; the hero as warrior, and the conventions of battle narrative.

While much work has been done on goddesses of the ancient world and the male gods of pre-Christian Scandinavia, the northern goddesses have been largely neglected. Roles of the Northern Goddess presents a highly readable study of the worship of these goddesses by men and women. With its use of evidence from early literature, popular tradition, legend and archaeology, this book investigates the role of the early hunting goddess and the local goddesses who were involved in all aspects of the household and the farm. What emerges is that the goddess was both benevolent and destructive, a powerful figure closely concerned with birth and death and with destiny of individuals.

From the mysterious disappearance of hijacker D.B. Cooper to persistent rumors of bigfoot, this selection of thirteen stories from Oregon's past explores some of the Beaver State's most compelling mysteries and debunks some of its most famous myths. Read about the mysterious disappearances of several people over the years around Mount Emily, relive the gruesome discovery of three murdered trappers near the Deschutes River, and learn why many people believe an eleven-ton meteorite might be hidden in the mountains of southwestern Oregon.