Brilliantly written essays on the aesthetic principles and enduring motives of architecture.

A classic of architectural history and theory, Heavenly Mansions interprets architecture as a reflection of the age in which it flowers, and traces the alternating themes of fantasy and functionalism as exemplified in various styles and in the works of a number of influential men, including Wren, Viollet-le-Duc, William Butterfield, and Le Corbusier. Succinctly summarizing 800 years of viewpoints about architecture, it ranges from Gothic architecture to the Renaissance to the influence of modern abstract art on twentieth-century architecture.

• "Each essay is a voyage of discovery. What is so interesting and what makes Mr. Summerson the architectural critic of his generation . . . is [an] aversion to dogma. . . . It is supremely well worth reading."—Spectator

A magnificent treasure house for a study in decoration, no other extant Roman monument has such rich examples of ornament from a single building campaign. McNally grabs the opportunity to consider the functions of rare fragments in situ to find a grand decorative scheme and a relationship with structure. This should also provide fixed points of comparison for other buildings at a defined period (early fourth century). Appendix dealing with the frieze inside the mausoleum, and the coffers of the Temple of jupiter.

On the occasion of Tennessee's Bicentennial, four distinguished authors offer new insights and a broader appreciation of the classical influences that have shaped the architectural, cultural, and educational history of its capital city.

Nashville has been many things: frontier town, Civil War battleground, New South mecca, and Music City, U.S.A. It is headquarters for several religious denominations, and also the home of some of the largest insurance, healthcare, and publishing concerns in the country. Located culturally as well as geographically between North and South, East and West, Nashville is centered in a web of often-competing contradictions.

One binding image of civic identity, however, has been consistent through all of Nashville's history: the classical Greek and Roman ideals of education, art, and community participation that early on led to the city's sobriquet, "Athens of the West," and eventually, with the settling of the territory beyond the Mississippi River, the "Athens of the South."

Illustrated with nearly a hundred archival and contemporary photographs, "Classical Nashville" shows how Nashville earned that appellation through its adoption of classical metaphors in several areas: its educational and literary history, from the first academies through the establishment of the Fugitive movement at Vanderbilt; the classicism of the city's public architecture, including its Capitol and legislative buildings; the evolution of neoclassicism in homes and private buildings; and the history and current state of the Parthenon, the ultimate symbol of classical Nashville, replete with the awe-inspiring 42-foot statue of Athena by sculptor Alan LeQuire.

Perhaps Nashville author John Egerton best captures the essence of this modern city with its solid roots in the past. He places Nashville "somewhere between the 'Athens of the West' and 'Music City, U.S.A., ' between the grime of a railroad town and the glitz of Opryland, between Robert Penn Warren and Robert Altman." Nashville's classical identifications have always been forward-looking, rather than antiquarian: ambitious, democratic, entrepreneurial, and culturally substantive. "Classical Nashville" celebrates the continuation of classical ideals in present-day Nashville, ideals that serve not as monuments to a lost past, but as sources of energy, creativity, and imagination for the future of a city.

" A concise and amply illustrated introduction to Kentucky folk structures--log cabins, houses, cribs, and barns--that should be treasured as irreplaceable expressions of the cultural values of the Commonwealth's past.

Deetz's "Flowerdew Hundred" is a synopsis of the result of twenty-five years of archaeological investigations at Flowerdew Hundred, a former plantation on the south side of the James River in Prince George County, Virginia. Throughout the work, Deetz conveys the importance of combining historiography and archaeology to a reach a better understanding of the past. This multidirectional approach is displayed as Deetz examines smoking-pipe stems, Colono-ware pottery, and post-in-ground buildings at Flowerdew. Through examining regional history of the Chesapeake, comparing the Flowerdew archaeological record with that along the eastern seaboard (particularly in regards to icehouses and pits), and looking at the architecture of Salem, South Africa, Deetz is able to construct a contextual history of Flowerdew in the seventeenth, eighteenth, and nineteenth centuries. For archaeologists, amateurs, and the general public, the book simplistically relays the intertwining of history, archaeology and folk studies and, of course, reveals a glimpse into life on a Virginia plantation.

From the haunting grandeur of the Etowah Indian Mounds to the futuristic steel and glass of the Atlanta skyline, The Guide to the Architecture of Georgia spans 500 years and numerous miles to reveal the state's rich architectural heritage. Award-winning architect Tom Spector and free-lance photographer Susan Owings-Spector traveled Georgia's backroads and highways to catalog impressive examples of Georgian, Federal, Greek Revival, Neoclassical, Victorian, and Modern architecture that are open to the public and well worth a visit. The volume supplies all the information necessary to locate, tour, and enjoy these architecturally significant structures. Organized by region and subdivided by county, the guide allows architecture enthusiasts to identify sites of interest quickly. Essays throughout the book describe the rise and fall of architectural styles, and a glossary clarifies more than 100 architectural terms. Whether planning a day trip, a weekend get-away, an extended vacation, or merely a scenic drive through the state, The Guide to the Architecture of Georgia is an ideal companion for touring the state's architectural treasures. The guide features descriptions of more than 300 important structures arranged by region and county; 78 photos and 35 easy-to-follow maps; an entire chapter on the Atlanta area; practical visiting information including addresses, opening times, entrance fees, and handicapped accessibility; a glossary of architectural terms and descriptions of the major architectural periods, from the early American through the Postmodern.

Rare architects' catalog includes dozens of authentic designs. Detailed descriptions of special features, dimensions, costs, etc. 231 b/w illus.

Behind the ""Big Houses"" of the antebellum South existed a different world, socially and architecturally, where slaves lived and worked. John Michael Vlach explores the structures and spaces that formed the slaves' environment. Through photographs and the words of former slaves, he portrays the plantation landscape from the slaves' own point of view. The plantation landscape was chiefly the creation of slaveholders, but Vlach argues convincingly that slaves imbued this landscape with their own meanings. Their subtle acts of appropriation constituted one of the more effective strategies of slave resistance and one that provided a locus for the formation of a distinctive African American culture in the South. Vlach has chosen more than 200 photographs and drawings from the Historic American Buildings Survey--an archive that has been mined many times for its images of the planters' residences but rarely for those of slave dwellings. In a dramatic photographic tour, Vlach leads readers through kitchens, smokehouses, dairies, barns and stables, and overseers' houses, finally reaching the slave quarters. To evoke a firsthand sense of what it was like to live and work in these spaces, he includes excerpts from the moving testimonies of former slaves drawn from the Federal Writers' Project collections. |Exploring the structures and spaces used by slaves on antebellum plantations, Vlach shows how slaves subtly appropriated this landscape as their own. These newly claimed spaces fostered a feeling of community that served as a seedbed for further resistance and for the invention and maintenance of a distinctive African American culture. 206 illustrations. A New York Times Notable Book.

In print since 1948, Dwelling House Construction is a homebuilding classic that covers site inspection, foundations, framing, windows, roofing and flashing, coatings, fireplaces and chimneys, insulation, hardware, plastics, mobile homes, and manufactured housing.This new edition has been substantially revised to take into account the many changes in materials and building technologies that have occurred over the past decade. The chapter on roofing has been completely revised. The chapters on coatings and plastics have been combined, as have those on manufactured and mobile housing. Sections on masonry, wood, steel, steel framing, and concrete have been added; the sections on septic tanks, balloon framing, braced framing, plaster, and standard requirements have been shortened, and specification clauses have been eliminated.Albert G. H. Dietz is Professor Emeritus of Building Engineering at the Massachusetts Institute of Technology.

Log construction entered the Ohio territory with the seventeenth-century fur traders and mid-eighteenth-century squatters and then spread throughout most of the area after the opening of the territory in the 1780s. Scottish-Irish and German settlers, using techniques from the eastern states and European homelands, found the abundant timber resources of the Ohio country ideally suited to this simple, durable form of construction. Hutslar documents this early architecture with extensive descriptive materials from local histories, diaries, traveller's accounts, building contracts and many recent site photographs. These descriptions will be interesting for modern craftsmen and other builders involved in historic restoration or log construction generally.
Hutslar's extensive fieldwork is valuable to students of vernacular architecture and preservationists and this abridged paperback edition of his book is a boon to travelling or local history buffs who can refer to this wealth of information at their leisure.

This book explores the concept of Co-Dividuality, an architecture that expresses a new response to joint living in the age of post-individualism, social media, and sharing economy. The focus lies on current experimentation in Japanese architecture and presents thematic homes with shared spaces designed as a result of warm, simple, fun and contemporary design reflections. In addition to their private room, the co-tenants have large common areas where they can practice urban farming, create a start-up, cook together, or experience new spatial ergonomics. It is an overview not only on domestic space but also on projects where there is a multifarious mix between public and private spheres. What is Co-Dividuality? reflects on how we might want to live tomorrow. The book includes projects of Kengo Kuma, Kazuyo Sejima, Ryue Nishizawa, Shigeru Ban, Sou Fujimoto, Satoko Shinohara, Ayano Uchimura, Taichi Kuma, Junya Ishigami, Suppose Design, Naruse Inokuma and Masuda + Otsubo among others

Old-House Dictionary From a One Room Cabin to a Beaux-Arts Mansion… Here’s a concise and easily understandable architectural dictionary for professionals and amateurs alike. More than 450 illustrations, 1500 terms, 750 definitions, and 17 useful cross references guide you smoothly through the oftentimes confusing language of American domestic architecture. Who is This Dictionary For?

• Architects and Architectural Historians
• Preservationists
• Building Trades Professionals
• Interior Designers
• High School and College Students
• Old Home Owners and Lovers

"What makes a great house in the city? This title examines what has worked well in some of the most successful housing types throughout the world - from old to new, high rise to low rise, innovative to conventional. Authors Robert Dalziel and Sheila Qureshi critically examine what they believe are the most significant elements of urban housing design: adaptability and flexibility, construction and sustainability, space and light, appearance and threshold, and density and urban form. A House in the City concludes by proposing a pioneering approach to the town house: incorporating insights from these most important elements of urban housing, culminating in an aesthetically-pleasing family home that can adapt to changing needs. Illustrated with aerial views, plans, sections and photographs, A House in the City will be of use to all who strive to deliver high quality urban housing for the 21st century, including architects, planners and developers."

Describes how the apartment building developed in the late nineteenth century and gradually achieved acceptance as middle-class housing in New York City.

For every great country house of the Georgian period, there was usually also a town house. Chatsworth, for example, the home of the Devonshires, has officially been recognised as one of the country's favourite national treasures - but most of its visitors know little of Devonshire House, which the family once owned in the capital. In part, this is because town houses were often leased, rather than being passed down through generations as country estates were. But, most crucially, many London town houses, including Devonshire House, no longer exist, having been demolished in the early twentieth century. This book seeks to place centre-stage the hugely important yet hitherto overlooked town houses of the eighteenth and early nineteenth centuries, exploring the prime position they once occupied in the lives of families and the nation as a whole. It explores the owners, how they furnished and used these properties, and how their houses were judged by the various types of visitor who gained access.

Since its first publication by Melbourne University Press Australia s Home has been in constant demand. The author summarizes his story, from 1788 to 1960, as a material triumph and an aesthetic calamity'. Readers have thoroughly enjoyed the combination of informative detail and quiet humour, and the architectural features of a house, a street, or a suburb, which have up until now been simply different , gain an added interest and significance. People read Australia s Home for pure pleasure as an eventful illuminating story. Householders read it to see their house and streetscapes afresh through Boyd s eyes, their own vision both criticized and enriched by his. Architects and planners read it to agonize with Boyd over built forms and townscapes ...But the book is most remarkable of all as history, a great bit of poaching by an architect-journalist who never claimed to write history at all.

Exploring America's material culture, "Common Places" reveals the history, culture, and social and class relationships that are the backdrop of the everyday structures and environments of ordinary people. Examining America's houses and cityscapes, its rural outbuildings and landscapes from perspectives including cultural geography, decorative arts, architectural history, and folklore, these articles reflect the variety and vibrancy of the growing field of vernacular architecture.

In essays that focus on buildings and spaces unique to the U.S. landscape, Clay Lancaster, Edward T. Price, John Michael Vlach, and Warren E. Roberts reconstruct the social and cultural contexts of the modern bungalow, the small-town courthouse square, the shotgun house of the South, and the log buildings of the Midwest. Surveying the buildings of America's settlement, scholars including Henry Glassie, Norman Morrison Isham, Edward A. Chappell, and Theodore H. M. Prudon trace European ethnic influences in the folk structures of Delaware and the houses of Rhode Island, in Virginia's Renish homes, and in the Dutch barn widely repeated in rural America.

Ethnic, regional, and class differences have flavored the nation's vernacular architecture. Fraser D. Neiman reveals overt changes in houses and outbuildings indicative of the growing social separation and increasingly rigid relations between seventeenth-century Virginia planters and their servants. Fred B. Kniffen and Fred W. Peterson show how, following the westward expansion of the nineteenth century, the structures of the eastern elite were repeated and often rejected by frontier builders. Moving into the twentieth century, James Borchert tracks the transformation of the alley from an urban home for Washington's blacks in the first half of the century to its new status in the gentrified neighborhoods of the last decade, while Barbara Rubin's discussion of the evolution of the commercial strip counterpoints the goals of city planners and more spontaneous forms of urban expression.

The illustrations that accompany each article present the artifacts of America's material past. Photographs of individual buildings, historic maps of the nation's agricultural expanse, and descriptions of the household furnishings of the Victorian middle class, the urban immigrant population, and the rural farmer's homestead complete the volume, rooting vernacular architecture to the American people, their lives, and their everyday creations.

Courtyards have long played an important function in residential design, regulating light, shade and the use of space. With thousands of years of tradition as inspiration, contemporary architects are realizing courtyard living afresh. This lavish survey of 25 residences across the Asia-Pacific region features homes from Australia, Taiwan, Malaysia, Indonesia, Thailand, the Philippines, Singapore, India, Vietnam and Sri Lanka. Structured by courtyard function, the book consists of five chapters - on privacy; multigenerational living; sightlines; light and ventilation; and living with nature - that are richly illustrated with photography as well as architectural illustrations showing courtyard positions within floor plans. Showcasing the unique lifestyle opportunities afforded by contemporary courtyard design, this is an inspirational resource for anyone interested in indoor-outdoor living.

Arnold Taylor, the leading expert on the subject, provides an authoritative guide to the castles, begun between 1277 and 1295, in a short compass. He deals with their joint and individual features, dates, planning and construction.

Instant Houses presents in more than 450 photos the wide variety of beautiful prefabricated houses.

City Houses presents in more than 450 images the wide variety of houses possible in an urban setting.

The Renaissance architect Andrea Palladio was one of the most influential figures that the field of architecture has ever produced. For classical architects, the term Palladian stands for a vocabulary of architectural forms embodying perfection and beauty. Of even greater significance than Palladio's buildings is his treatise I quattro libri dell'architettura (The Four Books On Architecture), the most successful architectural treatise of the Renaissance and one of the two or three most important books in the literature of architecture. First published in Italian in 1570, it has been translated into every major Western language.This is the first English translation of Palladio in over 250 years, making it the only translation available in modern English. Until now, English-language readers have had to rely mostly on a facsimile of Isaac Ware's 1738 translation and the eighteenth-century engravings prepared for that text. This new translation by Robert Tavernor and Richard Schofield contains Palladio's original woodcuts, reproduced in facsimile and positioned correctly, adjacent to the text. The book also contains a glossary that explains technical terms in their original context, a bibliography of recent Palladio research, and an introduction to Palladio and his times.The First Book discusses building materials and techniques, as well as the five orders of architecture: Tuscan, Doric, Ionic, Corinthian, and Composite. Palladio describes the characteristics of each order and illustrates them. The Second Book discusses private town houses and country estates, almost all designed by Palladio. The Third Book discusses streets, bridges, piazzas, and basilicas, most of ancient Roman origin. The Fourth Book discusses ancient Roman temples, including the Pantheon.

A fascinating guide to homemade shelter presents images and ideas culled from across the globe, including bottle homes in the Nevada desert, tree houses on the South China Sea, Japanese stilt houses, and much, much more. Original.

Today, R. M. Schindler's Kings Road House is celebrated as an icon of early modern architecture, but this wasn't the case when it was finished in 1922. Though Schindler and his wife Pauline recognized its genius early on, its radical appearance was - and remains - incomprehensible to many. Lavishly illustrated with forty-five new photographs, this book is an incisive examination of the house, placing it in the context of the architect's career and clarifying its influence on modern architecture and its practitioners. Little-known aspects of Schindler's life, his relationship with his mentors, and the development of his unique theories about space enrich the narrative. Robert Sweeney focuses on the construction of the house and the people who lived, worked, and performed there, demonstrating the building's significance in the social history of Southern California. He includes new research on Schindler's educational and personal background in Vienna and a discussion of the critical influence of Pauline Schindler in formulating the social underpinnings of the house. Judith Sheine's essay places the house in the context of Schindler's career, in which it established the basis of the spatial development of his work. She also examines the influence of the house on the work of numerous architects from Frank Lloyd Wright to Frank Gehry.