In the hills above Florence, Santa Maddalena is like a secret garden where writers hone their craft and meet like-minded people. Paired with evocative images, these essays by 27 acclaimed authors invite readers to understand how the spirit of this restored villa, its owners and resident pets have inspired creative writing and creativity among so many. Monti della Corte and her late husband, Gregor von Rezzori, transformed a ruin into the ultimate retreat where they would write, garden, and entertain friends and fellow artists Pedro Almodovar, Bernardo Bertolucci, David Hockney, Isabella Rossellini. This gracious weaving together of hospitality and creativity became the Santa Maddalena Foundation and writers fellowship program in 2000.

Regulations and social norms have given guesthouses multiple definitions, leading to diversified forms. This book will broaden your horizon on the range of guesthouse available. It provides information about assembling design teams, conducting site selection and spatial planning, as well as designing interiors. The book opens with an introduction discussing how sensory details can be used in crafting a pleasant space. The theory is complemented with 33 case studies showing how to implement these designs, offering a great reference for design professionals.

Along with Hamlets Kronborg at Elsinore, Frederiksborg is the most magnificent early seventeenth-century residence in Northern Europe, visited by thousands of people from all over the world each year. Its splendid setting on three interconnected islands and the richness of its sculptural decoration is unparalleled. However, much of the structure and interior was devastated in a fire in 1859 and the large-scale damages necessitated substantial reconstruction. While the reconstruction is reasonably faithful to the original architecture, it was exceedingly lax when it came to the more than sixty freestanding sculptures that originally adorned the castles courtyards, galleries, arches and facades. This volume recreates an idea of how Frederiksborg presented itself to its visitors in the days of Christian IV. The book further unravels the profound inspiration Christian IV drew from his sojourns to Berlin, Dresden and, especially, to England, where in the summer of 1606 he visited his brother-in-law James I at Theobalds House. This visit provided inspiration that, even while construction of his residence in Denmark was in progress, would dramatically change the overall layout and facades of Frederiksborg, thereby turning the castle into the marvel that it remains to this day. In this pioneering study, featuring more than a hundred photos and illustrations, Patrick Kragelund etches out a new and important historical and architectural dimension to this magnificent monument.

The lack of available surface area, budget restraints or solely seasonal use are the main criteria for the construction of these small-scale dwellings. This book showcases the expertise of architects in tackling a project despite the determining factors that may limit them. Small urban homes, holiday chalets, studio apartments, lofts, duplexes, prefab houses and even tree houses illustrate the pages of this book

This book offers a scholarly guide to the tangible and intangible heritage of the 19th- and 20th-century district of Downtown Cairo. For the first time, a detailed survey is presented of the architectural plans and typologies of Downtown Cairo's apartment buildings. Linking the apartments to their inhabitants' memories and stories, this book maps changes over time in how space was used in Cairo. In doing so, it illuminates some of the workings behind changes in Cairo's society. The book contains thirty-eight building profiles with technical and historical descriptions; they are organised in chronological order to give a panorama of the developmental history of Downtown architecture. Interspersed short texts provide insider glimpses into specific aspects of Downtown, such as historical backgrounds, narratives of private spaces, and observations on particular architectural phenomena. The buildings featured are connected through an overview map with five walking tours for navigating and discovering Downtown: the Dolce Vita tour includes cinemas, bars, cafes, and the homes of the stars of yesterday and today; the romantic tour explores buildings with elaborate staircases, interesting balconies, and fascinating architectural details; the modernist tour surveys striking buildings with clear lines and modern shapes; the urban context tour points out buildings with a special relation to their urban context. Finally our best-of guide leads the readers to the authors' favourite buildings, as their personal declaration of love to the inhabitants and the buildings of Downtown Cairo.

The systematic development of building types is an important task in housing construction. A deeper understanding of the underlying building types is mandatory, both for individual designs and for the wider application and variation of tried-and-tested structures. The authors have developed an innovative, drawing-based approach for unfolding the potentials of several existing building types for the future of urban housing. The first part is dedicated to the courtyard house, in which the courtyard is used as a private outside living space. The second part deals with the popular form of the terraced house and discusses aspects of corner solutions or terraced developments as an urban design element. In the third part, the townhouse is discussed with view to variants such as single-story and apartment buildings, including aspects of privacy and public access, as well as living and working. Finally, the detached house type is considered in its potential to provide all-directional orientation of the living space. The array of solutions is presented consistently in floorplans and cross-sections drawn to scale. In a new introduction to this all-in-one compendium the authors discuss the implications of the typological approach for today's housing design.

Richly illustrated with beautiful photographs and drawings, Collett-Zarzycki: The Tailored Home provides a thoughtful and comprehensive account of how this atelier has built an extraordinary portfolio of residential work over the last 30 years. From London town houses to Tuscan retreats to new build vacation homes on the French Riviera, Collett-Zarzycki’s work encompasses architecture, interiors and landscape design, with an emphasis on refined spaces, crafted materials and bespoke furniture. This rare capacity to span the entire spectrum of design has given rise to homes of great cohesion and charm, as well as originality and individuality. With backgrounds in the art world and engineering, as well as formative years in both Africa and the UK, Anthony Collett and Andrzej Zarzycki bring a wealth of experience to bear upon projects that are defined by their unique sense of character, developed in response to site, setting and the considered needs of their clients. Whether the commission is for a penthouse interior, a town house reinvention, or a new build country or coastal home, there are common themes to their work, with an emphasis on craft, materiality, attention to detail and timeless elegance, fusing contemporary living with Neoclassical, Arts & Crafts and Modernist influences. The book offers insights into the influences and inspiration behind the firm’s work, into founding partners Collett and Zarzycki’s unique collaborative working practices, their ability to work across a range of forms and scales and their use of contemporary artisan craftsmen in the bespoke fixtures, fittings and furniture which are integral to many of their projects.

Text in English and German. In the summer 1978, the cover of the magazine Bauwelt showed a photograph of an unusual building. It was tersely introduced to readers as a 'private house with office in Bad Nauheim', but it was immediately obvious that this was a built manifesto. What appeared was a strictly symmetrically articulated, steeply rising facade, emanating dignity and composure. It also seemed able to manage without windows, which further enhanced its austere elegance. And then there were the strikingly slender, sharp-angled wall elements, which seemed captivatingly graceful, or even delicate and fragile -- as though folded from paper. The fact is that, long before Gilles Deleuze had cast his spell on a new generation of aesthetically ambitious architects, Johannes Peter Hoelzinger was putting his folding skills into practice as a matter of course.