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Books > Arts & Architecture > Architecture > Residential buildings, domestic buildings
The mayhaus in Frankfurt's Roemerstadt is the only residential building in the style of the Neues Frankfurt of the 1920s that has been completely restored. The book explains the functions of the model house using current photographs and historical plans. Via the text level, which zooms from the city via the housing estate and then the street into the building, the mayhaus, including the famous Frankfurt cuisine, is classified in terms of architectural history and socio-cultural aspects. Text in English and German.
The leading text on design communication, updated and expanded Kitchen and Bath Design Presentation is the National Kitchen and Bath Association's complete guide to preparing clear and accurate project documents and plans. This updated second edition has been expanded to include more information on hand drafting, specifications, and project presentation, with additional CAD coverage featuring software programs approved for the NKBA certification exams. This full-color guide includes detailed information on the NKBA graphics and presentation standards, plus extensive reference appendices including sample documents, cabinet nomenclature, and metric conversions. Each chapter includes a summary and review questions, and samples of NKBA drawings throughout provide ample illustration of the techniques discussed. Design presentation is the key communication between designer and client, contractor, and supplier. Accuracy and precision are essential, and mistakes can be costly in terms of both time and money. The National Kitchen and Bath Association established the standard guidelines for safe and effective kitchen planning, and Kitchen and Bath Design Presentation provides a thorough breakdown of the NKBA standards in design communication. * Learn the secrets to accurate measurement with tips from the pros * Master the art of hand drafting, and review the fundamentals of CAD * Understand drafting conventions, dimensioning, and construction planning * Study the NKBA's graphics and presentation standards, including specs, titling, copyright, and more Comprehensive coverage and clear instruction make this book ideal for CKD and CBD exam prep, and easy navigation and strong visual design make it a useful reference for professionals needing to communicate their vision. Designers must be skilled at translating idea to reality, and Kitchen and Bath Design Presentation is the industry standard guide to doing it right.
Only few architecture firms in Europe have addressed the villa as a building type as consistently and with such formal rigor as Stuttgart-based Alexander Brenner Architects. The firm is widely known for designs characterised by plastic-geometric facades often resembling constructivist tableaux. What all of Alexander Brenner’s designs have in common is a truly holistic approach to the task. A house’s interior, kitchen, cupboards and other built-in furniture, is attended to with the same care for detail as its exterior. Corresponding gardens with curved sensual forms surround, and contrast, Brenner’s bright white cubic architectural sculptures. This new monograph follows-up on two successful previous volumes published in 2011 and 2015, and features five buildings realised between 2015 and 2021, including the architect’s own home in Stuttgart, the Brenner Research House. They are all documented in rich detail through striking photography, standardised plans and visualisations, as well as concise texts. An essay by Alexander Brenner rounds out this volume that serves again as a source of inspiration for anyone with an interest in residential architecture. Text in English and German.
The publication The Architecture of Deception / Confinement / Transformation accompanies the eponymously titled exhibition trilogy at BNKR - current reflections on art and architecture in Munich and showcases 18 diverse artistic standpoints at the intersection of art and architecture. Each chapter directly corresponds to the evolving history of the exhibition space, which was originally constructed as a camouflaged air-raid bunker during the Second World War, then used as a postwar internment camp, and finally transformed into its current state as a mixed-use residential and office building. The Architecture of Deception explores notions of illusion and deception, the creation of new realities, truth versus fiction; Confinement explores notions of shelters and safety, captivity and freedom, 'outside' versus 'inside'; Transformation explores notions of gentrification, decay and definition of living spaces. With contributions by the editors, David Adjaye and Nikolaus Hirsch, Isabelle Doucet, and Madeleine Freund. Artists: The Architecture of Deception: Hans Op de Beeck, Emmanuelle Laine, Bettina Pousttchi, Gregor Sailer, Cortis & Sonderegger, The Swan Collective; The Architecture of Confinement: Ramzi Ben Sliman, Mona Hatoum, Nadia Kaabi-Linke, Annika Kahrs, OEzgur Kar, Joanna Piotrovska; The Architecture of Transformation: Dana Awartani, Olivier Goethals, Eva Nielsen, Jeremy Shaw, Hannah Weinberger, Andrea Zittel.
"Welcome to the world of ultra-glamorous architecture as featured in new coffee table book Archiphantasy (The Images Publishing Group), penned by prolific architect Alexander Wong. The weighty, lavish tome showcases more than 30 cinemas, private homes, shops and hotels that have been designed by his visionary Hong-Kong-based firm Alexander Wong Architects." - Daily Mail In this highly-anticipated monograph, Alexander Wong presents a selection of incisive essays on contemporary architecture and design concepts, along with a wide range of magnificently photographed works, including dynamic retail spaces, glamorous and unique residential interiors, futuristic cinema design, office spaces of the future, and so much more. Each project highlights how Wong combines the best of what Asia-Pacific has to offer in superior design with an abstract aesthetic, yet high attention to detail.
Text in English & German. In the area along the Weser, there was a great deal of building activity between the Reformation and the Thirty Years War which was helped along by economic prosperity. Little affected later by war or modernisation, high quality Renaissance castles, aristocratic estates, town halls and civic architecture have survived here in exceptional density. This facet of Central European Renaissance architecture started to be appreciated in the early 20th century. This led to the concept of the Weser Renaissance, oriented above all towards formal and regional history, and still popular today, like a kind of brand. The present volume offers a representative selection of the region's castles and palaces for the first time, dealing with both princely residences and seats of the nobility. Architecture and court culture are placed in a European context that goes beyond older approaches based on the stylistic history and shows that forms demonstrating princely prestige have qualities in common well outside the region. Michael Bischoff's introductory text provides an overview of Renaissance architecture in the Weser area. Uwe Albrecht and Julian Jachmann explain the terminology and function of princely architecture. Heiner Borggrefe analyses early Renaissance architectural ornamentation, G Ulrich Grossmann covers the topic after the mid-16th century. Thomas Fusenig writes on the arts and sciences at the courts. Rolf Schoenlau discusses aspects of building materials in terms of economic history. Hillert Ibbeken deals with the sandstone that is most frequently used from a geological point of view. The descriptive catalogue is by Katja Schoene and Michael Bischoff.
This is a guide to the style of houses built in the 1930s. Tradition continued to dominate the outside while inside art deco was all the rage. It contains many photographs and detailed drawings.
This detailed guide to the model tenement building displayed at Edinburgh's International Exhibition of Industry Science and Art in 1886 was first published in that year. A prominent figure in Scottish architecture and engineering, Sir James Gowans (1821 90) designed and built railways, roads, and stone houses during his long career, including a model village in West Lothian named Gowanbank. His intention in designing tenement buildings was to produce a standardised model that would make homes more affordable. This short book considers the tenement designs, including the situation of staircases, drainage, materials, and the mode of construction. Gowans' book also features chapters on the Prince Albert Victor Sundial, built to commemorate the opening of the exhibition by the prince, the Memorial Mason's pillars erected in Edinburgh, and the Electric Tramway. Gowans was made Lord Dean of Guild of the city of Edinburgh in 1885.
Filled with hundreds of color photographs, this comprehensive handbook in the highly successful 150 Best design series showcases the latest in successful small house design from some of today's most distinguished international architects and designers. Bursting with ideas for designing, building, and decorating, this outstanding compendium features an extensive collection of cottages and cabins from around the world. Adapted to the specific needs and particular tastes of individual clients, these idyllic getaway homes and country hideaways incorporate practical, innovative, and stunning solutions for a variety of design needs. 150 Best Cottage and Cabin Ideas embodies the diversity of current trends in house design and provides an inspirational source of ideas-whether you're looking to design and build a new home or renovate and redecorate an existing structure.
In this book, which was originally published in 2005, Amanda Lillie challenges the urban bias in Renaissance art and architectural history by investigating the architecture and patronage strategies, particularly those of the Strozzi and the Sassetti clans, in the Florentine countryside during the fifteenth century. Based entirely on archival material that remained unpublished at the time of publication, her book examines a number of villas from this period and reconstructs the value systems that emerge from these sources, which defy the traditional, idealized interpretation of the 'renaissance villa'. Here, the house is studied in relation to the families who lived in them and to the land that surrounded them. The villa emerges as a functional, utilitarian farming unit upon whose success families depended, and where dynastic and patrimonial values could be nurtured.
75 unique designs for attractive, efficient, environmentally
friendly homes.
This book is an introduction to the vernacular or 'minor' architecture of the villages of the Venetian lagoon, excluding the historic centre of the city itself. This 1989 study provides an authoritative account of their architectural style and development and a companion volume to Dr Goy's Chioggia and the Villages of the Venetian Lagoon (1985). In a broadly based and fully illustrated discussion, the author aims to show how certain, often palatial, architectural forms found in the Venetian metropolis were modified when transferred to the outlying, 'suburban' communities of the lagoon, which were constructed in far more trying conditions when materials and skilled labour were both in short supply. The book offers an encyclopaedic guide to almost all aspects of the building process, paying particular attention to materials, motifs, decoration and the organisation of labour, and also gives valuable English translations of such primary sources as Sansovino and Palladio.
In 1406 a young Venetian nobleman, Marin Contarini, married into another ancient patrician clan. His wife's family owned an old palace on the Grand Canal. Contarini demolished the old palace and, in 1421, he began to build the Ca d'Oro, his 'House of Gold'. This 1993 book tells the history of the building of the palace over a period of nearly twenty years. After a general introduction to the city of Venice at the beginning of the quattrocento, Dr Goy discusses the background to the building of the palace. There follows a discussion of the building industry in Venice in this flourishing period, and of the functions of the three chief building crafts. In the latter half of the study, the whole building process is recreated in detail; the relationships between Contarini and his craftsmen are analysed, as is the pivotal role of Contarini himself, the architect manque whose monument this was to become.
For the past decade, the Los Angeles architect Michael Maltzan has designed multiunit housing in a city known for its proliferation of single-family residences. Working with the Skid Row Housing Trust, these projects advance new forms of supportive housing that address the services and infrastructures needed for their particular populations of inhabitants. For Maltzan, housing manifests an incredibly complex set of spatial problems-social, economic, political, typological, aesthetic, and urban-that recast architecture's role in framing the social relationships and individual challenges of everyday urban life. Social Transparency includes a recent lecture by Maltzan at Columbia University's Graduate School of Architecture, Planning and Preservation, as well as reflections from fellow practitioners on this sustained engagement with housing and the city.
Sean Godsell, an award-winning pioneer of 'Australian bush minimalism', has established himself as an influence on the global architecture scene. This survey of his residential architecture features twelve houses and dwellings across Australia, each illustrated with full-colour photography and the architect's hand-drawn plans and exploratory sketches, which illuminate how each house connects to its surrounding landscape. Featuring an essay by Godsell about the influences of Australia's particular landscapes and culture, this survey also includes an introduction by leading critic and commentator Philip Goad about the achievements of Godsell's career, and the global importance of his visionary designs. With a complete illustrated chronology.
In the Nile Valley and desert oases south of Cairo-Upper
Egypt-surviving domestic buildings from the eighteenth, nineteenth,
and early twentieth centuries demonstrate a unique and varied
strand of traditional decoration. Intricate patterns in wood, iron,
or plaster adorn doorways, balconies, windows, and rooflines in
towns and villages throughout the region.
A comprehensive study of domestic buildings in London from about 1200 to the Great Fire in 1666. John Schofield describes houses and such related buildings as almshouses, taverns, inns, shops and livery company halls, drawing on evidence from surviving buildings, archaeological excavations, documents, panoramas, drawn surveys and plans, contemporary descriptions, and later engravings and photographs. Schofield presents an overview of the topography of the medieval city, reconstructing its streets, defences, many religious houses and fine civic buildings. He then provides details about the mediaeval and Tudor London house: its plan, individual rooms and spaces and their functions, the roofs, floors and windows, the materials of construction and decoration, and the internal fittings and furniture. Throughout the text he discusses what this evidence tells us about the special restrictions or pleasures of living in the capital; how certain innovations of plan and construction first occurred in London before spreading to other towns; and how notions of privacy developed. The text is illustrated and accompanied by a selective gazetteer of 201 sites in the City of London and its immediate
Examines a diverse range of house types in an effort to understand how people imagined and articulated their place in the Roman world, from Britain to Syria. Shelly Hales considers the nature and role of domestic decoration and its role in promoting social identities. From the Egyptian themes of imperial residences in Italy, to the viticultural designs found in the rock-cut homes in Petra, this decoration consistently appeals to fantasies beyond the immediate realities of their inhabitants. Hales contends that fantasy served a key role in allowing individuals and communities to meet expectations and indulge aspirations, to confirm and to compete within the diverse empire. Employing a wide range of approaches to the study of the house and acculturation in the Roman Empire, her book serves as the first synthesis of Roman domestic architecture and offers new insights into the complexities and contradictions of being Roman.
The architectural facade addresses and enhances the space of the city, while displaying, or dissembling, interior arrangements. In this book, Charles Burroughs tracks the emergence of the facade in late medieval Florence and then follows the sharply diverging reactions of Renaissance architects to new demands and possibilities for representation in both residential and governmental contexts. Understanding the facade as an assemblage of elements of diverse character and origin, Burroughs explores the wide range of formal solutions available to architects and patrons. In the absence of explicit reflection on the facade in Renaissance architectural discourse, Burroughs notes the theoretical implications of certain celebrated designs, implying mediation on the nature of architecture itself and the society it serves and represents, as well as on the relationship between nature and culture.
This book explores the socio-cultural and the tectonic aspects of Kerala's wooden architecture, which is deeply rooted in religious and secular customs and shaped by geo-climatic forces. e author's multi-disciplinary approach links the various ethnic groups residing in Kerala, and the mutual adoption and adaptation of construction systems within migrant groups. Despite being a living tradition serving millions of people, vernacular architecture in India has not received the academic and analytical attention it deserves. is volume attempts to ll this research gap, a need made more urgent by the fact that the built environment is changing and the traditional ways of building may get replaced by the modern much faster than we can imagine.
It was not until after the Norman Conquest that British castles, as we think of them today, came into being. Before this point, the only fortifications in England were Iron Age hill forts surrounded by deep trenches and timber palisades. More so than anything else, the English castle symbolises the long and tumultuous struggle for dominance and control in a realm where the threat of invasion or attack was never far away. From Corfe Castle, where Lady Mary Bankes defended her home against besieging Parliamentarians, to the Tower of London, where Sir Walter Raleigh conducted chemical experiments whilst in prison, to the photogenic castle at Alnwick, which provided the setting for the wizards' school in the Harry Potter films, these great strongholds powerfully evoke the rich and varied history of the English nation. In this beautifully illustrated book full of little-known facts, Marc Alexander reveals the turbulent story of English castles such as Windsor and Warwick, featuring colourful photographs and fascinating anecdotes.
Throughout the world, Passive House is now recognised as the best method to create comfortable, healthy, low energy buildings and it is a key component of the 21st century's green economic revolution. Written by one of the UK's leading passive house architects, this book contains essays that reveal the technical and creative secrets of Passive House design, as well as containing case studies of some of the world's best examples of beautiful, technically excellent buildings that still feel great even when the power supply is turned down to almost nothing. Whether you are an architect, client, student or construction professional, this book is an enlightening introduction to Passive House and a valuable source of inspiration.
Romanticised as ruins, treated as relics of forgotten military campaigns or as mere lessons in architectural history, the castles of England and Wales have too rarely been examined as places in which real people lived. Fresh both in style and approach and richly illustrated, Michael Thompson's book aims now to redress the balance. Examining the rise of the castle from its European origins in the tenth century to c.1400, the author devotes particular attention to the domestic accommodation - colourfully adorned but often cold and claustrophobic - that castles offered their aristocratic inhabitants. The book closes with the castle at its zenith, reviewing the extravagant outburst of self-conscious construction that took place in the fourteenth century as display and appearance came for the first time to play as important a part as function in determining building design. |
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