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Loved by travelers for its lush tropical scenery and charming people, Bali is one of the most magnificent places on Earth. Spirituality and nature are integral parts of everyday life for the Balinese, so one can easily see why the island's traditional architecture has a peaceful presence to it, mimicking its surroundings and sometimes blending in with them. When it comes to Balinese houses, walls are not compulsory, wood is everywhere, earth tones are dominant, and thatched roofs abound. Opening onto gorgeous green landscapes, majestic mountains, or beautiful coastlines, the homes herein ooze relaxing, contemplative vibes. This portfolio of Southeast Asian living features a swath of fresh and never-before-published photographs and comes in a compact size, so you can take a little bit of paradise with you wherever you go. Gazing at these opulent examples of simple and elegant living, it's a wonder why more people aren't rushing to move to Bali.
Impressionism continues to be one of the most fascinating movements in the history of modern art. It is also the most popular with the general public. Proof of this has been provided in recent years by blockbuster exhibitions of the works of Degas, Gauguin, van Gogh, Renoir, Toulouse-Lautrec, and Monet, and by record sums realized from the sale of Impressionist paintings. Despite its popularity and a whole host of publications-the majority of them about the most famous names-many areas of Impressionism are still under-researched. Many "second-rank" Impressionists have remained unknown or have sunk into oblivion. This monograph fills the gap, as it explores French Impressionism alongside related art movements that flourished simultaneously in the rest of Europe and in North America. Part 1 deals with Impressionism in France, including Post- and Neo-Impressionism. As well as discussing the most renowned artists, its aim is to introduce others who are still little-known today. Among them are the long underrated Gustave Caillebotte, represented by 17 paintings, and artists such as Frederic Bazille, Marie Bracquemond, Henri-Edmond Cross, Jean-Louis Forain, Eva Gonzales, Armand Guillaumin, Albert Lebourg, Stanislas Lepine, Maximilien Luce, Berthe Morisot, Lucien Pissarro, Jean-Francois Raffaelli, Henri Rouart, and Victor Vignon. The eight chapters of part 2 focus on paintings inspired by French Impressionism and produced in parallel in the Netherlands, Belgium, Germany, Scandinavia, Eastern and South-Eastern Europe, Italy, Spain, Great Britain, the USA and Canada. Rarely did painters in these countries slavishly copy the ideas emerging from France. Instead, most non-French artists found astonishingly original ways of translating them into the artistic language of their native lands.
For 40 years, the Cold War dominated the world stage. East and West Germany stood at the frontlines of the global confrontation, symbolized by the infamous Berlin Wall, which separated lovers, friends, families, coworkers, and compatriots. The Wende Museum in Los Angeles, California, is named after the period of change immediately following the wall's destruction. It was established in 2002 to study the visual and material culture of the former Eastern Bloc, and, with physical and psychic distance, to foster multiple perspectives on this multilayered history that continues to shape our world. This encyclopedic volume features around 2,000 items from its extraordinary collections. Based on our XL-sized volume, this edition includes a full spectrum of art, archives, and artifacts from socialist East Germany: official symbols and dissident expressions, the spectacular and the routine, the mass-produced and the handmade, the funny and the tragic. Accompanying these remnants of a now-vanished world are texts from scholars and specialists from across Europe, Canada, and the United States, with themes ranging from the secret police to sexuality, from monuments to mental-mapping. More than 800 pages, featuring around 2,000 objects. A smaller, more accessible version of our XL-sized volume, the most comprehensive overview of GDR visual and material culture to date. Several dozen images of everyday life and public events from the most famous GDR photographers. Special two-language edition featuring texts both in English and German. From November 18, 2017, visit the Wende Musem at its expanded campus in Culver City's Armory Building, a site originally created in preparation for World War III but re-designed by Michael Boyd, Christian Kienapfel, and Benedikt Taschen to welcome its 100,000+ collection of artifacts.
Fritz Kahn (1888-1968) was a German doctor, educator, popular science writer, and information graphics pioneer. Chased out of Germany by the Nazis, who banned and burned his books, Kahn emigrated to Palestine, then France, and finally the United States to continue his life's work. In this revised Bibliotheca Universalis edition, TASCHEN celebrates Kahn as a creative genius, particularly adept at the visualization of complex scientific ideas. In such works as Man as Industrial Palace, we see how Kahn deployed vivid visual metaphors to demystify science and how his concepts have influenced generations of scientific illustrators, visual communications specialists, and infographic artists through to today. The book features more than 350 illustrations with extensive captions, three original texts by Fritz Kahn himself, a foreword by Steven Heller, and an essay about Kahn's life and oeuvre.
One hundred miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the Black Rock Desert. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. Except, that is, for one brief week at the end of each summer, when a temporary city rises out of the barren clay. This is the surreal and amazing site of Burning Man. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people: temporary community, spiritual adventure, performance stage, desert rave, social experiment. It's also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself-a skeletal sculpture set ablaze at the event's conclusion. In this updated edition with fresh images, writer and photographer NK Guy presents 16 years of Burning Man art. His dazzling images record these participatory, collective, intrinsically ephemeral installations and happenings in the desert, which exist for no clearer purpose than because someone wanted to express something. The result is testimony to a realm far beyond the ego, commerce, and power play of mainstream cultural output: it is one of the most pure, uninhibited, expressive centers of our time. With a foreword by temple designer and artist David Best and a futureword by Founding Board Member Marian Goodell.
In the German city of Dresden on June 7, 1905, the foundation of the Die Brucke artists' group (1905-1913) is widely regarded as the birth of Expressionism. Led by Ernst Ludwig Kirchner, Fritz Bleyl, Erich Heckel, and Karl Schmidt-Rottluff, the group sought to reject the limits of academia and, as their name suggested, to bridge the path to an artistic future. Their manifesto, printed with woodblock, insisted on absolute freedom from convention in their work as well as their lives. This new, liberated art incorporated portraits, landscapes, and city scenes, but substituted an objective rendering of reality with an expression of interior geography. In paintings, as well as their favored wood and linocut prints, the artists of Die Brucke would fill pictorial space with jagged lines, crude forms, and clashing colors, all to express their subjective experience of the world. Like the Fauves, the artists took stylistic lead from non-Western traditions of Oceanic and African arts, while also reviving the print and painting techniques of Albrecht Durer and Lucas Cranach the Elder. This richly illustrated book introduces this essential expressionist movement. We examine Die Brucke's key works and protagonists; its varied, international inspirations; and its crucial influence on later 20th century art. Along the way, we find candid nudes, crowded street views, and blissful bathing idylls, each of them vivid with energy and intent on a new kind of art.
A photographic journey through the history of this epic
Inventor, painter, sculptor, scientist, architect, and engineer Leonardo da Vinci (1452-1519) was nothing short of a quintessential Renaissance genius. No other artist of his generation has left behind such an extensive, authentic, and innovative oeuvre-yet Leonardo remains the most enigmatic of them all. From the beguiling Last Supper to the showstopping Mona Lisa, discover the complete painted oeuvre of one of history's most insatiable creative masters. This collection draws from our extensive best-selling XXL edition, one of the most complete explorations of Leonardo to date, to trace his life and work across 10 chapters. All known paintings are featured, gathering some of the finest treasures of the Louvre, Prado, and National Gallery, as well as works lost to time, but no less startling in their precision and poise. This definitive volume is complete with crisp details, accessible essays situating Leonardo's approach within its socio-cultural context and pictorial traditions of the time, the latest scientific insights, as well as an updated foreword that illuminates one of the most sensational art historical discoveries of our time: the record-breaking Salvator Mundi.
The Wiener Werkstatte ("Vienna Workshop") bears many hallmarks of a modern creative movement. Founded in 1903 by Josef Hoffmann, Koloman Moser, and Fritz Waerndorfer, this progressive alliance of artists and designers was particularly interested in challenging industrialised society with individual handcraftsmanship, and in bringing different facets of life into one unified, elegant artwork. The workshop began life in three small rooms, but soon expanded to fill a three storey building with special departments for metalwork, leatherwork, and woodwork, as well as a book binder and a paint shop. Artists experimented with various materials such as gold, precious stones, and papier mache and applied their simple, often geometric, designs across ceramics, textiles, typography, interior design, furniture, and fashion. In architectural commissions such as the Purkersdorf Sanatorium and the Palais Stoclet in Brussels, the group was able to realize its ideal of the Gesamtkunstwerk ("total artwork"), in which every detail of an environment was designed as an integral part of a coordinated whole. Though the workshop lasted only 30 years, it enjoyed major commercial success, with outlets in Karlsbad, Marienbad, Zurich, New York, and Berlin. It also garnered designs from many of the leading artists of the epoch, including Gustav Klimt, Oskar Kokoschka,and Egon Schiele. Today, the Vienna Workshop is recognized for its comprehensive approach to artistic practice and its stylistic influence on Art Deco and Bauhaus.
Now available as part of TASCHEN's Bibliotheca Universalis series, this dazzling catalog of vinyl brings new meaning to the "album art." Produced in collaboration with Colors magazine, it brings together over 500 remarkable records from the collection of Alessandro Benedetti and Peter Bastine. The book forms a junction between photography, music, and design, celebrating vinyl not only for the integrity of sound recording, but also for its artistic potential as a material form. With featured artists including Pink Floyd, The Beatles, Prince, Michael Jackson, Bon Jovi and beyond, it offers compelling insight into the most intricate details of a performer's visual identity, from a flamboyant color to a futuristic mirror effect. The discs are arranged thematically to span monochrome vinyl; unusual vinyl (including silver, gold or mirror vinyl as well as extremely rare glow-in-the-dark vinyl); multicolored vinyl; etched vinyl (where music is pressed onto only one side); shaped vinyl (cut into forms that are different from the classic round disc); and picture discs (where a photograph or design is stamped onto the surface of the record). Page after page, this kaleidoscopic encyclopedia of game-changing vinyls is a colorful journey through era-defining records and artists.
A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-Theodore-Emile Prisse d'Avennes (1807-1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established.Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisse's first publication of notes, drawings, and squeezes (a kind of frottage) came in the form of Les Monuments egyptiens, a modest collection of 51 plates, but one met with considerable acclaim in popular and intellectual circles. Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work into the collection L'Histoire de l'art egyptien-together with his first volume, these two tomes make up a truly complete survey of Egyptian art.His albums cover architecture, drawing, sculpture, painting, and industrial or minor arts, with sections, plans, architectural details, and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisse's compendium remains the largest, single-handed illustrated record of Egyptian art in existence.Discover the complete collection of Prisse's unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity. Once exclusively available as an XL-sized title, this Bibliotheca Universalis edition captures all the mystery and opulence of Prisse's groundbreaking collection in an affordable, compact format.
The 1970s: that magical era betwixt the swinging '60s and the decadent '80s, the epoch of leisure suits and Afros, the age of disco music and platform shoes. As war raged on in Vietnam and the Cold War continued to escalate, Hollywood began to heat up, recovering from its commercial crisis with box-office successes such as Star Wars, Jaws, The Exorcist, and The Godfather. Thanks to directors like Spielberg and Lucas, American cinema gave birth to a new phenomenon: the blockbuster. Meanwhile, across the Atlantic, while the Nouvelle Vague died out in France, its influence extended to Germany, where the New German Cinema of Fassbinder, Wenders, and Herzog had its heyday. The sexual revolution made its way to the silver screen (cautiously in the U.S., more freely in Europe) most notably in Bertolucci's steamy, scandalous Last Tango in Paris. Amid all this came a wave of nostalgic films (The Sting, American Graffiti) and Vietnam pictures (Apocalypse Now, The Deer Hunter), the rise of the antihero (Robert De Niro, Al Pacino, Dustin Hoffman), and the prestigious short-lived genre, blaxploitation.
Take a journey through the makers and shapers of celluloid history. From horror to romance, noir to slapstick, adventure to tragedy, Western to new wave, this selection gathers the greats of 20th-century cinema into one indispensable guide to movie gold. The collection is arranged chronologically and in an extra-handy format. Film entries include a synopsis, cast/crew listings, technical information, actor/director bios, trivia, and lists of awards, as well as film stills, production photos, and the original poster for each film. From Metropolis to Modern Times, A Clockwork Orange to Bunuel's The Young and the Damned, from the blockbusters to lesser-known masterpieces, thumb through and transform a quiet evening into an unforgettable screen encounter.
Against Injustice ... Against Intolerance!
The sentinel of liberty
He made his debut in late 1940 in Captain America Comics No. 1, fighting Nazis at every turn. Twenty years after World War II, he was found frozen in ice. Now a man living in the wrong time, he became the leader of the Avengers, and fought some of the Marvel Universe's greatest villains: Red Skull, Baron Zemo, Batroc the Leaper, MODOK--and even Cap's former sidekick, now known as the Winter Soldier. With 192 pages of images, and text by Roy Thomas, The Little Book of Captain America is your ultimate guide to comics' greatest super patriot!
Less a distinct style than the concrete expression of being in a particular era, Pop art began as a revolt against mainstream approaches to art and culture and evolved into a wholesale interrogation of modern society, consumer culture, and the role of the artist and artwork. The movement's primary provocation was to defy ideas of the artistic canon or "originality" by integrating mass market imagery into their works. Whether advertising slogans, famed Hollywood faces, comic-strip-style characters, or the packaging of consumer products, the likes of Robert Rauschenberg, Claes Oldenburg, Andy Warhol, and Roy Lichtenstein knowingly reproduced mundane, everyday images from popular culture. At the same time, Pop art reduced the role of the individual and challenged the notion of originality by deploying mass production techniques such as screen printing. Like a hall of mirrors, the resulting works came to interrogate both the ideas and desires of contemporary culture, and its state of simulacra, whereby images, substitutes, and representations come to define the experience of "reality." In this book, Tilman Osterwold explores the styles, sources, and stars of the Pop Art phenomenon. From Lichtenstein's comic-book aesthetics to Warhol's images of Marilyn, it explores how a movement that interrogated the icons of its time came to produce icons of its own.
From dazzling cities to eccentric small towns, from vast mountains to plains as far as the eye can see, Canada and the United States offer an awe-inspiring abundance of travel adventures. In this revised and updated hotel guide, Taschen scours the North American continent for the most extraordinary, elegant, and inspiring places to rest your head. Coast to coast, from North to south, spanning the rustic, the boutique, the period-piece and the architectural gem, this is the ultimate directory in tasteful accommodation. Special highlights include raised safari tents in California's El Capitan Canyon, a historic ranch nestled in a Death Valley oasis, a Frank Lloyd Wright house overlooking Mirror Lake, Wisconsin, and a 1930s hotel in Texas where James Dean once stayed.
French flower painter Pierre-Joseph Redoute (1759-1840) devoted himself exclusively to capturing the diversity of flowering plants in watercolor paintings which were then published as copper engravings, with careful botanical descriptions. The darling of wealthy Parisian patrons including Napoleon's wife Josephine, he was dubbed "the Raphael of flowers," and is regarded to this day as a master of botanical illustration. This elegant catalogue brings together all engravings from Redoute's illustrations of Roses and Choix des plus belles fleurs (Selection of the Most Beautiful Flowers) and the most astounding images from The Lilies. Offering a vibrant overview of Redoute's admixture of accuracy and beauty, it is also a privileged glimpse into the magnificent gardens and greenhouses of a bygone Paris.
Zen, soothing, mystical, meditative-words cannot do justice to Asia's most beautiful interiors. Whether it's a gilded Tibetan monastery, a plantation in Sri Lanka, or a private villa in Thailand, each of the havens featured in this book are remarkable not only in aesthetic, but also in spirit. This showcase features 46 exceptional locations across Tibet, Nepal, India, Sri Lanka, Myanmar, Thailand, Laos, Cambodia, Singapore, and Malaysia. Highlights include traditional Burmese stilt houses; the breathtaking Shiv Niwas Palace in India, visited by James Bond in Octopussy; Cambodian temples; a rice barge-turned houseboat in Thailand; a high-rise apartment overlooking the Singaporean skyline; the "Blue Mansion", an magnificient, indigo-painted courtyard house featured in the film Indochine; a breathtaking garden designed by Sri Lankan architect Geoffrey Bawa; and many, many more.
From Azzedine Alaia, Cristobal Balenciaga, and Coco Chanel to Alexander McQueen, Yves Saint Laurent, and Vivienne Westwood, a century's worth of fashion greats from the permanent collection of The Museum at the Fashion Institute of Technology in New York City are celebrated in this fresh edition of Fashion Designers A-Z. This accessibly priced and updated collection features photographs of approximately 500 garments selected from the Museum's permanent collection. From an exquisitely embroidered velvet evening gown to Mondrian-style minimalist chic, each chosen piece is selected not only for its beauty but for its representative value, distilling the unique philosophy and aesthetics of each of the featured designers. Texts by the museum's curators explain why each designer is important in fashion history and what is special about the garments featured, complemented by 110 drawn portraits by Robert Nippoldt. In her introductory essay, director and chief curator Valerie Steele writes about the rise of the fashion museum, and the emergence of the fashion exhibition as a popular and controversial phenomenon.
On December 15, 1868, Carl Friedrich Philipp von Martius (1794-1868), Professor of Botany at the University of Munich and director of the Royal Botanic Garden, was carried to his grave in a coffin covered with fresh palm leaves. These were a reference to his groundbreaking Historia naturalis palmarum: opus tripartitum (Natural History of Palms: a work in three volumes), published between 1823 and 1853. At the time, this encyclopedic treasury contained the sum of human knowledge on the topic, and included 240 exquisite chromolithographic illustrations, including landscape views of palm habitats and botanical dissections.This epic folio was based on von Martius's expedition to Brazil and Peru with zoologist Johann Baptist von Spix, sponsored by King Maximilian I of Bavaria, to investigate natural history and native tribes. From 1817 to 1820 the pair traveled over 2,250 km (1,400 miles) throughout the Amazon basin, the most species-rich palm region in the world, collecting and sketching specimens. On their return both men were awarded knighthoods and lifetime pensions. In his epic work, von Martius outlined the modern classification of palm, produced the first maps of palm biogeography, described all the palms of Brazil, and collated the sum of all known genera of the palm family. Apart from his own collection of specimens and notes, von Martius also wrote about the findings of others. Von Martius's folio is unusual in its inclusion of cross-sectioned diagrams, conveying the architecture of these mighty trees, which central Europeans would have found hard to imagine accurately. Equally remarkable are the color landscapes showing various palms-often standing alone-which have a simple and elegant beauty. This famous work is an unrivaled landmark in botanic illustration and taxonomy.
For 40 years, the Cold War dominated the world stage. East and West Germany stood at the frontlines of the global confrontation, symbolized by the infamous Berlin Wall, which separated lovers, friends, families, coworkers, and compatriots. The Wende Museum in Los Angeles, California, is named after the period of change immediately following the wall's destruction. It was established in 2002 to study the visual and material culture of the former Eastern Bloc, and, with physical and psychic distance, to foster multiple perspectives on this multilayered history that continues to shape our world. This encyclopedic volume features around 2000 items from its extraordinary collections. Based on our XL-sized volume, this edition includes a full spectrum of art, archives, and artifacts from socialist East Germany: official symbols and dissident expressions, the spectacular and the routine, the mass-produced and the handmade, the funny and the tragic. Accompanying these remnants of a now-vanished world are texts from scholars and specialists from across Europe, Canada, and the United States, with themes ranging from the secret police to sexuality, from monuments to mental-mapping. More than 800 pages, featuring around 2000 objects. A smaller, more accessible version of our XL-sized volume, the most comprehensive overview of GDR visual and material culture to date. Several dozen images of everyday life and public events from the most famous GDR photographers. From November 18, 2017, visit the Wende Musem at its expanded campus in Culver City's Armory Building, a site originally created in preparation for World War III but re-designed by Michael Boyd, Christian Kienapfel, and Benedikt Taschen to welcome its 100,000+ collection of artifacts.
This comprehensive collection offers a thorough overview of typeface design from 1628 to the mid-20th century. Derived from a distinguished Dutch collection, a series of exquisitely designed catalogues traces the evolution of the printed letter via specimens in roman, italic, bold, semibold, narrow, and broad fonts. Borders, ornaments, initial letters, and decorations are also included, along with lithographic examples, letters by sign writers, inscription carvers, and calligraphers. The first part of the book covers pre-20th-century typefaces, with texts by editor Cees de Jong and collector Jan Tholenaar. The second part deals with the period from 1900 to the mid-20th century, and contains a historical outline by Alston W. Purvis. Featured type designers include: William Caslon, Fritz Helmuth Ehmcke, Peter Behrens, Rudolf Koch, Eric Gill, Jan van Krimpen, Paul Renner, Jan Tschichold, A. M. Cassandre, Aldo Novarese, and Adrian Frutiger.
An extraordinarily prolific artist, Norman Rockwell (1894-1978) produced some 4,000 paintings in his lifetime, not including a prodigious quantity of commissioned editorial, commercial, and advertising work. His death in 1978 was regarded the loss of a national icon, an artist who, like no other, celebrated the American Dream. Shunning experimentation and avant-garde techniques in favor of effective composition and relatable subject matter, Rockwell created wholesome, homely paintings with accessible and aspirational appeal. Neat, quaint, and typically jovial, his subjects included classrooms, prom scenes, and Thanksgiving feasts, while his most long-standing projects were covers for The Saturday Evening Post magazine and calendars and covers for the Boys' Life publication of the Boy Scouts of America. Imbued with optimism and patriotism, the work foregrounds classic professions such as doctor and teacher, as much as the conservative stalwarts of military, family, and faith. Hailed by President Gerald Ford as a "beloved part of the American tradition," Rockwell's works reveal as much about his own talents as they do about the story of 20th-century America. This fresh artist introduction from TASCHEN brings together key paintings and illustrations from his celebratory and sunny portfolio, as well as some more unusual works tackling the underside of the United States, to understand an integrally American artist, and the values and ideals that shaped his success.
With Hollywood good looks, boundless enthusiasm, and mesmeric media presence, John F. Kennedy was destined to capture the imaginations of the more than 70 million Americans who watched the nation's first televised presidential debate. Just days after beating out Richard Nixon by the narrowest margin in history, Kennedy himself said, "It was the TV more than anything else that turned the tide." But one man begged to differ: writer Norman Mailer, who bragged that his pro-Kennedy treatise, "Superman Comes to the Supermarket," had "won the election for Kennedy." The article, published in Esquire magazine just weeks before polls opened, redefined political reporting with Mailer's frank, first-person voice identifying Kennedy as the "existential hero" who could awaken the nation from its postwar slumber and conformist Eisenhower years. Both Kennedy and New Journalism had arrived. To commemorate the centennial of Kennedy's birth, TASCHEN presents this no-holds-barred portrait of Kennedy on his path to the White House alongside 300 photographs that bring the campaign and the candidate's family to life. With featured photojournalists including such illustrious talents as Cornell Capa, Henri Dauman, Jacques Lowe, Arnold Newman, Lawrence Schiller, Paul Schutzer, Stanley Tretick, Hank Walker, and Garry Winogrand, this is a fascinating visual and literary record of the man who would lead America into the 1960s. photo above (c) Stan Wayman/The Life Picture Collection/Getty Images
Yes is More is the easily accessible but unremittingly radical manifesto of Copenhagen-based architectural practice Bjarke Ingels Group, or BIG.Unlike a typical architectural monograph, this book uses the comic book format to express its groundbreaking agenda for contemporary architecture. It is also the first comprehensive documentation of BIG's trailblazing practice-where method, process, instruments, and concepts are constantly questioned and redefined. Or, as the group itself says:"Historically, architecture has been dominated by two opposing extremes: an avant-garde full of crazy ideas, originating from philosophy or mysticism; and the well organized corporate consultants that build predictable and boring boxes of high standard. Architecture seems entrenched: naively utopian or petrifyingly pragmatic. We believe there is a third way between these diametric opposites: a pragmatic utopian architecture that creates socially, economically, and environmentally perfect places as a practical objective. At BIG we are devoted to investing in the overlap between radical and reality. In all our actions we try to move the focus from the little details to the BIG picture." Bjarke Ingels attracts highly talented coworkers, but also gifted and ambitious clients from all over the world. He then creates intelligent synergies from wild energies and unforeseen dynamics, and transforms them into surprising, functional, valuable, and beautiful solutions to the specific and complex challenges in each task. BIG projects have won awards from the Royal Academy of Fine Arts, and the Special Jury Prize at the Venice Architecture Biennale, as well as many other international prizes. Yes is More is a play on words that represents the company's ethos and sums up its irreverent attitude towards excessive formalism, and its determination to involve the population at large in its creations. As an extension of its methods and results, its debut monograph uses the most approachable and populist means of communication available-the comic.
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