The advent of the airplane and skyscraper in 1920s and '30s America
offered the population an entirely new way to look at the world:
from above. The captivating image of an airplane flying over the
rising metropolis led many Americans to believe a new civilization
had dawned. In "Impossible Heights," Adnan Morshed examines the
aesthetics that emerged from this valorization of heights and their
impact on the built environment.
The lofty vantage point from the sky ushered in a modernist
impulse to cleanse crowded twentieth-century cities in anticipation
of an ideal world of tomorrow. Inspired by great new heights,
American architects became central to this endeavor and were
regarded as heroic aviators. Combining close readings of a broad
range of archival sources, Morshed offers new interpretations of
works such as Hugh Ferriss's Metropolis drawings, Buckminster
Fuller's Dymaxion houses, and Norman Bel Geddes's Futurama exhibit
at the 1939 New York World's Fair. Transformed by the populist
imagination into "master builders," these designers helped produce
a new form of visuality: the aesthetics of ascension.
By demonstrating how aerial movement and height intersect with
popular "superman" discourses of the time, Morshed reveals the
relationship between architecture, art, science, and interwar pop
culture. Featuring a marvelous array of never before published
illustrations, this richly textured study of utopian imaginings
illustrates America's propulsion into a new cultural
consciousness.
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