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Matter and Form, Self-Evidence and Surprise - On Jean-Luc Moulène's Objects (Hardcover)
Loot Price: R366
Discovery Miles 3 660
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Matter and Form, Self-Evidence and Surprise - On Jean-Luc Moulène's Objects (Hardcover)
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List price R487
Loot Price R366
Discovery Miles 3 660
You Save R121 (25%)
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The eminent French philosopher "dialecticizes" five of the artist
Jean-Luc Moulene's objects with five conceptual formations from the
history of Western philosophy. In this unique essay, first
delivered as a lecture during a panel discussion with the artist
and philosopher Reza Negarestani, Alain Badiou identifies and
"dialecticizes" five of the artist Jean-Luc Moulene's objects with
five conceptual formations from the history of Western philosophy.
Aristotle's complex of matter and form is called to mind to
describe the inner logic of a hard foam sculpture. A bronze statue
with holes activates Plato's notion of participation of the
concrete world in the "injured Idea of the Beautiful." A small
metallic and incomplete "angel" engages Leibniz's affirmation that
"everything that exists is composed of an infinity of things."
Badiou's musings go on to pair a broken and repaired plastic chair
with Victor Hugo; a terrible hand made of concrete with the
Freudian unconscious; and a large-scale "red and blue monster" with
rudimentary mechanisms of the Cartesian cogito, the famous "I
think, therefore I am," with unexpected inversions and variations.
Badiou refrains, of course, from claiming that Moulene thinks about
any of these philosophers when making his specific works. What he
points to, however, in this richly illustrated bilingual volume, is
that the artist and his art are "on the side of philosophy."
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