British women writers were enormously influential in the
creation of public opinion and political ideology during the years
from 1780 to 1830. Anne Mellor demonstrates the many ways in which
they attempted to shape British public policy and cultural behavior
in the areas of religious and governmental reform, education,
philanthropy, and patterns of consumption. She argues that the
theoretical paradigm of the "doctrine of the separate spheres"may
no longer be valid. According to this view, British society was
divided into distinctly differentiated and gendered spheres of
public versus private activities in the 18th and 19th
centuries,
Surveying all the genres of literature drama, poetry, fiction,
non-fiction prose, and literary criticism Mellor shows how women
writers promoted a new concept of the ideal woman as rationally
educated, sexually self-disciplined, and above all, virtuous. This
New Woman, these writers said, was better suited to govern the
nation than were its current fiscally irresponsible, lecherous, and
corruptible male rulers.
Beginning with Hannah More, Mellor argues that women writers too
often dismissed as conservative or retrogressive instead promoted a
revolution in cultural mores or manners. She discusses writers as
diverse as Elizabeth Inchbald, Hannah Cowley, and Joanna Baillie;
as Charlotte Smith, Anna Barbauld, and Lucy Aikin; as Mary
Wollstonecraft, Charlotte Reeve, and Anna Seward; and concludes
with extended analyses of Charlotte Smith's Desmond and Jane
Austen's Persuasion. She thus documents women writers' full
participation in that very discursive public sphere which Habermas
so famously restricted to men of property. Moreover, the new career
of philanthropy defined by Hannah More provided a practical means
by which women of all classes could actively construct a new
British civil society, and thus become the mothers not only of
individual households but of the nation as a whole."
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