From the Romantic fascination with hallucinatory poetics to the
turn-of-the-century mania for automatic writing, poetry in
nineteenth-century Britain appears at crucial times to be oddly
involuntary, out of the control of its producers and receivers
alike. This elegant study addresses the question of how people
understood those forms of written creativity that seem to occur
independently of the writer's will. Through the study of the
century's media revolutions, evolving theories of physiology, and
close readings of the works of nineteenth-century poets including
Wordsworth, Coleridge and Tennyson, Ashley Miller articulates how
poetry was imagined to promote involuntary bodily responses in both
authors and readers, and how these responses enlist the body as a
medium that does not produce poetry but rather reproduces it. This
is a poetics that draws attention to, rather than effaces, the
mediacy of the body in the processes of composition and reception.
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