Du Camp's traveling companion Gustave Flaubert once remarked: "I
don't know why Maxime hasn't killed himself with this raging mania
for photography." The Stillness of Hajj Ishmael explores this
"mania" as a manifestation of the cultural hypochondria typical of
Du Camp's time and social class, linking the general anxiety of the
age over the apparent demise of French culture with the personal
travails of Du Camp, who grew up an orphan. The book explores the
role played by Nubian sailor Hajj Ishmael inDu Camp's photographs,
travel writings, journals and novel as a unique marker of a malaise
simultaneously subjective and historical.
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