How does one of Broadway's most anticipated musicals end up folding
its tent after just six months and with a potential loss of more
than $10 million? In Barbara Isenberg's behind-the-scenes account,
readers follow step by step as Big, the musical struggles against
nearly insuperable odds. The long-awaited stage adaptation of the
popular Tom Hanks film was not to have an easy journey. Led by the
highly-regarded Crazy for You duo of director Mike Ockrent and
choreographer Susan Stroman, the show's cast and crew had some very
bad luck heading for Broadway with one of the most expensive,
high-profile musicals in recent history. In this authoritative,
insightful and readable journal, we go backstage as the $10.3
million production is cast, rewritten, rehearsed and performed,
first in Detroit, then in New York. Doors are opened to high
pressure rehearsals, passionate advertising debates, stern budget
talks and endless rewrite sessions in out-of-town hotel rooms. Day
by day diary entries report the high hopes and deep disappointments
of Ockrent, Stroman, producer James Freydberg, playwright John
Weidman, composer David Shire and lyricist Richard Maltby, Jr., as
they take on blizzards, set glitches, indifferent audiences, even a
convention of witches at their Detroit hotel. Maltby and Shire turn
out 58 songs, leading lady Crista Moore has to learn 5 different
opening ballads and leading man Daniel Jenkins has knee surgery
just weeks before opening night. Postponed from fall, 1995, to
spring, 1996, Big was pilloried in Detroit, then substantially
reworked for Broadway. But by the time it arrived, Broadway had
changed even more than it had. From the minimal competition
expected at the start ofits odyssey, Big faced and was shunted
aside by two of the most innovative and critically successful
musicals of recent memory, Rent and Bring in 'de Noise, Bring in
'da Funk. Big became not an instant classic, but in the words of
Julie Andrews about her own show, Victor/Victoria, "egregiously
overlooked". Making It Big illuminates the harsh realities of
musical theater - a much-loved but high-stakes, high-risk art form.
It is a book for everyone who cares about Broadway musicals and
their survival.
General
Imprint: |
Limelight Editions
|
Country of origin: |
United States |
Series: |
Limelight |
Release date: |
December 1996 |
First published: |
August 2004 |
Authors: |
Barbara Isenberg
|
Dimensions: |
229 x 152 x 23mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
238 |
Edition: |
1st Limelight ed |
ISBN-13: |
978-0-87910-088-9 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-87910-088-5 |
Barcode: |
9780879100889 |
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