Jean Renoir is widely considered as one of the most important
technical innovators and politically engaged filmmakers in cinema
history. Reassessing the unique qualities of Renoir's influential
visual style by interpreting his films through Gilles Deleuze's
film philosophy, and through previously unpublished production
files, Barry Nevin provides a fresh and accessible
interdisciplinary perspective that illuminates both the consistency
and diversity of Renoir's oeuvre. Exploring canonised landmarks in
Renoir's career, including La Grande Illusion (1937) and La Regle
du jeu (1939), the book also considers neglected films such as Le
Bled (1929) and Diary of a Chambermaid (1946) to present a rounded
analysis of this quintessential French auteur's oeuvre.
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