In this collection of critical essays, Barry Schwabsky re-examines
the art produced since the 1960s, demonstrating how the
achievements of 'high modernism' remain consequential to it,
through tensions between representation, abstraction, and pictorial
language. Offering close readings of works produced by several
generations of European and American artists, he begins with an
analysis of the late period of two Abstract Expressionists, Philip
Guston and Mark Rothko, who saw their own success as a failure of
reception and who came to question radically their own work. With
the core of the book focused on Michelangelo Pistoletto and Mel
Bochner, major figures of arte povera and conceptual art whose
works in a variety of media demonstrate a continuing critical
engagement with modernism, Schwabsky also studies the work of
artists, such as L. C. Armstrong and Rainer Ganahl, who also
continued to examine modernism's legacies.
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