Are dreams merely odd things that happen to us at night,
sometimes pleasant, sometimes terrifying, but not to be taken too
seriously? Is there any reason to think about them at all, other
than in terms of questions such as 'Why should Aunt Sarah turn into
a bird and invite us all to dinner in her sycamore tree?"
In this witty and eminently readable book, Bert O. States
rethinks both the meaning of dreams and the relationship between
dreaming and the telling of stories. Dreams constitute a private
literature of the self, he says, that despite their seeming lack of
order or structure can help us to understand the very nature of
shared literature.
Observers have often pointed out narrative elements that are
common to dreams and stories including "cinematic" visual
techniques and such plot devices as reversals of fortune and paired
villains and antagonists. Drawing on current work in such fields as
neurobiology, cognitive psychology, literary theory, and dream
theory, States asks whether dreaming and storytelling may share
similar psychic processes as well.
He first considers the bizarreness of dreams compared to the
expected intelligibility of stories. He then surveys a wide array
of stories and reported dreams, focusing on them as narratives with
varied beginnings and endings, character functions,
cause-and-effect relationships, archetypal structures, even generic
constraints. Turning to the question of intentionality, States
addresses the perennially intriguing question of whether dreams
actually do have meanings, or whether we thrust meaning upon
them.
Anyone interested in the poetics of imaginative experience
whether approached from the perspective of the literary critic, the
psychologist, or the psychoanalyst will want to read Dreaming and
Storytelling."
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