Written in 1929--1930, when Federico Garcia Lorca was visiting
Columbia University, Poet in New York stands as one of the great
Waste Land poems of the 20th century. It expresses, as Betty Jean
Craige writes in this volume,"a sudden radical estrangement of the
poet from his universe" -- an an estrangement graphically
delineated in the dissonant, violent imagery which the poet derives
from the technological world of New York. Craige here describes --
through close analysis of the structure, style, and themes of
individual works in Poet in New York -- the chaos into which this
world plunges the poet, and the process whereby he is able,
gradually, to recover his identity with the regenerative forces of
nature. Her study demonstrates that, though seemingly unique in
form and motifs, Poet in New York is integral with Lorca's overall
poetic achievement.
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