Books > Arts & Architecture > History of art / art & design styles > 1600 to 1800
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Venice and Drawing 1500-1800 - Theory, Practice and Collecting (Hardcover)
Loot Price: R1,378
Discovery Miles 13 780
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Venice and Drawing 1500-1800 - Theory, Practice and Collecting (Hardcover)
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An impressive overview of drawing in Venice, from the time of
Titian and Tintoretto to that of Canaletto and Tiepolo From the
time of Titian and Tintoretto to that of Canaletto and Tiepolo,
drawing was an important part of artistic practice and was highly
valued in Venice. This exciting new study overturns traditional
views on the significance of drawing in Venice, as an art and an
act, from the Renaissance to the age of the Grand Tour. Gathering
together the separate strands of theory, artistic practice, and
collecting, Catherine Whistler highlights the interactions and
tensions between a developing literary discourse and the practices
of making and collecting graphic art. Her analysis challenges the
conventional definition of Venetian art purely in terms of color,
demonstrating that 16th-century Venetian artists and writers had a
highly developed sense of the role and importance of disegno and
drawing in art. The book's generous illustrations support these
striking arguments, as well as conveying the great variety,
interest, and beauty of the drawings themselves.
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