This book crosses the conventional border between the analysis of
on-screen and off-screen intersections of law and cinema. It not
only addresses the representation of law on screen (for example,
through discussions of how lawyers, police, and prisons are
depicted, or how courtroom sequences function as narratives), but
also focuses on how the state shapes and regulates cinema. The
volume addresses the distinct contexts of China, India, Japan,
Korea, the Philippines, and Vietnam, along with an integrative
introduction that puts the essays and themes into context for
scholars and students alike.
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