Interfunktionen, an art journal which published 12 issues between
1968 and 1975 in Cologne, was founded in 1968 as a form of protest
by artists who had no affinity with the critical lines that were
redrawn at Documenta that year. The review was of considerable
importance as a vehicle for propagating pro-European ideas and as a
union between artists in Europe and the United States, irrespective
of the predominating movements of the time. It contained both
theoretical and practical contributions, with the intervention of
creators who defined and illustrated their artistic strategies.
Directly linked to the most prominent figures in the Düsseldorf
Kunstacademie, such as Joseph Beuys, Jorg Immendorf and Sigmar
Polke, it also boasted the involvement of the most spirited and
reflexive artists of the times, from Vito Acconci and Marcel
Broodthaers to Bruce Nauman and Dieter Roth. Interfunktionen, as
its name indicates, was an inter-disciplinary publication, open to
all artistic genres and with no restrictions as to media. This book
is produced in collaboration with Fritz Heubach, the review's first
editor, and depicts the experience of those years by means of
original documents--some of them hitherto unpublished--artworks,
and artists' writings.
General
| Imprint: |
Ediciones Poligrafa
|
| Country of origin: |
Spain |
| Release date: |
February 2017 |
| First published: |
2004 |
| Authors: |
David Chipperfield
|
| Dimensions: |
315 x 300 x 38mm (L x W x T) |
| Format: |
Hardcover
|
| Pages: |
72 |
| ISBN-13: |
978-84-343-1017-9 |
| Categories: |
Books
|
| LSN: |
84-343-1017-1 |
| Barcode: |
9788434310179 |
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