World literature was long defined in North America as an
established canon of European masterpieces, but an emerging global
perspective has challenged both this European focus and the very
category of "the masterpiece." The first book to look broadly at
the contemporary scope and purposes of world literature, What Is
World Literature? probes the uses and abuses of world literature in
a rapidly changing world.
In case studies ranging from the Sumerians to the Aztecs and
from medieval mysticism to postmodern metafiction, David Damrosch
looks at the ways works change as they move from national to global
contexts. Presenting world literature not as a canon of texts but
as a mode of circulation and of reading, Damrosch argues that world
literature is work that gains in translation. When it is
effectively presented, a work of world literature moves into an
elliptical space created between the source and receiving cultures,
shaped by both but circumscribed by neither alone. Established
classics and new discoveries alike participate in this mode of
circulation, but they can be seriously mishandled in the process.
From the rediscovered "Epic of Gilgamesh" in the nineteenth century
to Rigoberta Menchu's writing today, foreign works have often been
distorted by the immediate needs of their own editors and
translators.
Eloquently written, argued largely by example, and replete with
insightful close readings, this book is both an essay in definition
and a series of cautionary tales."
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