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Archetypal Figures in "The Snows of Kilimanjaro - Hemingway on Flight and Hospitality (Hardcover)
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Archetypal Figures in "The Snows of Kilimanjaro - Hemingway on Flight and Hospitality (Hardcover)
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A new and provocative analysis of "The Snows of Kilimanjaro"
Hemingway's short story, "The Snows of Kilimanjaro," has secured a
place among the greatest works in that genre-the story is widely
considered Hemingway's greatest. To explore the richness of this
work, David L. Anderson returns to a somewhat unusual approach,
that of archetypal criticism, which allows us to examine the story
in more universal, rather than strictly historical, ways. Anderson
emphasizes the story's theme of hospitality, which dramatizes
topics of community and human interdependency, and notes that this
illuminates a fundamental human impulse to shelter or aid those in
need. Borrowing from Jack London, Anderson relates this to the
archetype of the "man on trail": one who is being pursued,
ultimately by death, and is in need of hospitality, a friend. The
motif is older than London, as Anderson notes, guiding us to Jung,
Campbell, and a whole body of archetypal criticism-from ancient
literature to Bob Dylan. Anderson explores the man-on-trail
archetype extensively in the Italicized Memory sections of the
story, in the drama of Harry's last day, and in the unforgettable
ending section as Harry takes his flight to Kilimanjaro. Noteworthy
is this sustained attention to the Italicized Memory sections, all
the stories that Harry might have written but had not. Analysis of
Harry's memories-that is, analysis without due attention to the
recurrent elements of plot, character, and setting and of how those
memories interact with each other and interact with the overall
narrative framework-can no longer purport to be complete,
definitive, or even useful without considering Anderson's astute
analysis.
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