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The Face of Mammon - The Matter of Money in English Renaissance Literature (Paperback)
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The Face of Mammon - The Matter of Money in English Renaissance Literature (Paperback)
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Money talked in sixteenth-century England, as money still does
today. But what the sixteenth century's gold and silver had to say
for itself is strikingly different from the modern discourse of
money. As David Landreth demonstrates in The Face of Mammon, the
material and historical differences between the coins of the
English Renaissance and today's paper and electronic money propel a
distinctive and complex assessment of the relation between material
substance and human value. Although the sixteenth century was
marked by the traumatic emergence of conditions that would prove to
be characteristic of the modern economy, the discipline of
economics had not been invented to assess those conditions. The
Face of Mammon considers how literary texts investigated these
unexplained material transformations through attention to the
materiality of gold and silver money. In new readings of Spenser's
Faerie Queene, Marlowe's Jew of Malta, three plays by
Shakespeare-King John, The Merchant of Venice, and Measure for
Measure-the poetry of John Donne, and the prose of Thomas Nashe,
Landreth argues that these texts situate the act of exchange at the
center of a system of "common wealth" that sought to integrate
political, ethical, and religious values with material ones, and
probe the ways in which market value corrodes that system even as
it depends upon it. Joining the methods of material-culture studies
to those of economic criticism, The Face of Mammon offers a new
account of the historical transformations of the concept of value
to scholars of early modern literature, culture, and art, as well
as to those interested in economic history.
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