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Thai Art - Currencies of the Contemporary (Hardcover)
Loot Price: R418
Discovery Miles 4 180
You Save: R115
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Thai Art - Currencies of the Contemporary (Hardcover)
Series: The MIT Press
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List price R533
Loot Price R418
Discovery Miles 4 180
You Save R115 (22%)
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The interplay of the local and the global in contemporary Thai art,
as artists strive for international recognition and a new meaning
of the national. Since the 1990s, Thai contemporary art has
achieved international recognition, circulating globally by way of
biennials, museums, and commercial galleries. Many Thai artists
have shed identification with their nation; but "Thainess" remains
an interpretive crutch for understanding their work. In this book,
the curator and critic David Teh examines the tension between the
global and the local in Thai contemporary art. Writing the first
serious study of Thai art since 1992 (and noting that art history
and criticism have lagged behind the market in recognizing it), he
describes the competing claims to contemporaneity, as staked in
Thailand and on behalf of Thai art elsewhere. He shows how the
values of the global art world are exchanged with local ones, how
they do and don't correspond, and how these discrepancies have been
exploited. How can we make sense of globally circulating art
without forgoing the interpretive resources of the local, national,
or regional context? Teh examines the work of artists who straddle
the local and the global, becoming willing agents of assimilation
yet resisting homogenization. He describes the transition from an
artistic subjectivity couched in terms of national community to a
more qualified, postnational one, against the backdrop of the
singular but waning sovereignty of the Thai monarchy and sustained
political and economic turmoil. Among the national currencies of
Thai art that Teh identifies are an agricultural symbology, a
Siamese poetics of distance and itinerancy, and Hindu-Buddhist
conceptions of charismatic power. Each of these currencies has been
converted to a legal tender in global art-signifying
sustainability, utopia, the conceptual, and the relational-but what
is lost, and what may be gained, in such exchanges?
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