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Sheldon Cheney's Theatre Arts Magazine - Promoting a Modern American Theatre, 1916-1921 (Hardcover)
Loot Price: R2,475
Discovery Miles 24 750
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Sheldon Cheney's Theatre Arts Magazine - Promoting a Modern American Theatre, 1916-1921 (Hardcover)
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Total price: R2,485
Discovery Miles: 24 850
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In the early decades of the 20th century, Sheldon Cheney was the
American theatre's zealous missionary for modernism. In 1916,
Cheney founded Theatre Arts Magazine in Detroit with the intent to
foster and support a "renaissance" in America. Through this
publication, Cheney gave voice to scores of "little theatres"
groups around the country with artistic aspirations and local
commitment that would become the models for the American regional
theatre movement later in the century. In the first five years of
Theatre Arts Magazine are the keys to understanding the progressive
movement for a modern American theatre: the tension between
commercial and non-commercial theatre, the yearning for more than
realistic scenery, and the call for an "authentic" American voice
in playwriting. Publishing articles, photographs, and drawings by
modernist stage designers, Cheney helped popularize the New
Stagecraft and elevated the identity of the American scenic
designer from a craftsperson to an artist. As progressives around
the country read Theatre Arts Magazine, Cheney's assessment of the
sins of American commercial theatre and the plan for its salvation
eventually became the convictions of a generation. Sheldon Cheney's
Theatre Arts Magazine: Promoting a Modern American Theatre,
1916-1921 enriches understanding of a critical period in American
history and illuminates major issues of 20th century theatre and
drama. Author DeAnna Toten Beard gives a brief history of the
magazine, biographical information about Cheney, and an explanation
of his philosophy of modernist theatre. Each chapter of the book
considers a different topic relevant to Cheney's magazine, and
selected articles are enhanced by full notations. This collection
will help readers understand the dynamic nature of the discourse on
modernism in America in the World War I era and, by extension, may
even encourage fresh considerations about our contemporary stage."
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