"Out o] Fashion Photography: Embracing Beauty" investigates the
transformative experience of the photograph. In this book Deborah
Willis explores historical perceptions of beauty and desire through
artistic and ethnographic imagery and the role individual
photographers play in constructing ways of seeing. Through the
themes of idealized beauty, the unfashionable body, the gendered
image, and photography as memory, Willis challenges and makes
problematic the "reading" of photographic images in the
twenty-first century.
Working from the significant photographic holdings of the
University of Washington's Henry Art Gallery, and the University of
Washington Libraries, Special Collections, the author examines
shifting gender attitudes that emerged in work by women
photographers such as Gertrude K sebier and Diane Arbus. Willis
discusses ethnographic ideologies underpinning the work of Edward
Sheriff Curtis and Fred E. Miller who worked with Native American
subjects, as well as the framing and reframing of images of black
people in the work of Samuel Montague Fassett and Carrie Mae Weems.
Additionally, the effects of fashion and desire on the imaging of
beauty are examined in the work of such artists as Don Wallen,
Janieta Eyre, and Jan Saudek. The book includes full-page
illustrations of works by more than fifty internationally
recognized photographers including Lisette Model, Imogen
Cunningham, Lewis Wickes Hine, Bruce Davidson, Cecil Beaton, Nan
Goldin, Andr Kert sz, Lee Friedlander, Lorna Simpson, Cindy
Sherman, and Andy Warhol.
Deborah Willis is professor of photography and imaging at New
York University's Tisch School of the Arts."
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