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The First Panoramas - Visions of British Imperialism (Paperback, New)
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The First Panoramas - Visions of British Imperialism (Paperback, New)
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"The First Panoramas" is a cultural history of the first three
decades of the panorama, a three-hundred-sixty-degree visual medium
patented by the artist Robert Barker in Britain in 1787. A towering
two-story architectural construction inside which spectators gazed
on a 10,000-square-foot painting, Barker's new technology was
designed to create an impression of total verisimilitude for the
observer.
In the beautifully illustrated "The First Panoramas," Denise Blake
Oleksijczuk demonstrates the complexity of the panoramas' history
and cultural impact, exploring specific exhibits: "View of
Edinburgh and the Adjacent Country from the Calton Hill" (1788),
"View of London from the Roof of the Albion Mill" (1791), "View of
the Grand Fleet Moored at Spithead" (1793), and the two different
versions of "View of Constantinople" (1801). In addition to the art
itself, she examines the panoramas' intriguing descriptive
keys--single-sheet diagrams that directed spectators to important
sites in the representation, which evolved over time to give the
observer greater perceptual control over the view.
Using the surviving evidence, much of it never published before,
on the early exhibitions of these massive installations,
Oleksijczuk reconstructs the relationships between specific
paintings, their accompanying printed guides, and the collective
experiences of different audiences. She argues that by transporting
its spectators to increasingly distant locations, first in the city
and country and then in the world beyond Britain's borders, the
panorama created a spatial and temporal disjunction between "here"
and "there" that helped to forge new national and social
identities.
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