This tale of a mother accused and convicted of the deaths of her
two young babies is a horrific yet powerful. By adopting a form
commonly associated with verbatim theatre, the subject is imbued
with a clarity that is at once both unrelenting and utterly
engaging, as it slowly emerges that these events are not truth at
all, but Kelly masquerading theatrical illusion as truth. What
unfolds is a bleak yet tender exploration of grief, exploitation,
and the innate hypocrisies of reportage.
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