During the Second World War, the British movie industry produced a
number of films concerning the war, all of which were, by
necessity, heavily myth-laden and propagandised. Foremost among
these productions was The First of the Few, which was the biggest
grossing film of 1942. In the immediate post-war period, to start
with there were no British aviation war films. The first to be
released was Angels One Five in 1952. It was well-received,
confirming that the Battle of Britain was a commercial commodity.
Over the next few years, many famous war heroes published their
memoirs, or had books written about them, including the legless
Group Captain Douglas Bader, whose story, Reach for the Sky, told
by Paul Brickhill, became a best-seller in 1956. It was followed a
year later by the film of the same name, which, starring Kenneth
More, dominated that year's box office. The early Battle of Britain
films had tended to focus upon the story of individuals, not the
bigger picture. That changed with the release of the star-studded
epic Battle of Britain in 1969. Using real aircraft, the film,
produced in colour and on a far larger scale than had been seen on
film before, was notable for its spectacular flying sequences.
Between the release of Reach for the Sky and Battle of Britain,
however, much had changed for modern Britain. For a variety of
reasons many felt that the story of the nation's pivotal moment in
the Second World War was something best buried and forgotten.
Indeed, the overall box office reaction to Battle of Britain
reinforced this view - all of which might explain why it was the
last big screen treatment of this topic for many years. It was
during the Battle of Britain's seventieth anniversary year that the
subject returned to the nation's screens when Matthew Wightman's
docudrama First Light was first broadcast. Essentially a
serialisation of Spitfire pilot Geoffrey Wellum's best-selling
memoir of the same title, Wightman cleverly combined clips of
Wellum as an old man talking about the past with his new drama
footage. The series is, in the opinion of the author, the best
portrayal of an individual's Battle of Britain experience to have
been made. In this fascinating exploration of the Battle of Britain
on the big screen, renowned historian and author Dilip Sarkar
examines the popular memory and myths of each of these productions
and delves into the arguments between historians and the
filmmakers. Just how true to the events of the summer of 1940 are
they, and how much have they added to the historical record of The
Finest Hour'?
General
Imprint: |
Air World
|
Country of origin: |
United Kingdom |
Release date: |
December 2022 |
Authors: |
Dilip Sarkar
|
Dimensions: |
234 x 156 x 27mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
272 |
ISBN-13: |
978-1-399-08823-7 |
Categories: |
Books
Promotions
|
LSN: |
1-399-08823-8 |
Barcode: |
9781399088237 |
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