An overview of the turbulent 1960s and 1970s through the lens of
fashion, a period when demure silhouettes and pastels exploded into
bold prints and tie-dyed psychedelic chaos and ultimately resolved
into a personal style dubbed by Vogue the New Nonchalance. Mod New
York traces the fashion arc of the 1960s and 1970s, a tumultuous
and innovative era that continues to inspire how we dress today.
During this period, demure silhouettes and pastels favored by First
Lady Jacqueline Kennedy exploded into bold prints and tie-dyed
psychedelic chaos and ultimately resolved into a personal style
dubbed by Vogue the "New Nonchalance." Accompanying a major
exhibition at the Museum of the City of New York, this book is
beautifully illustrated by two hundred groundbreaking and
historically significant designs by Halston, Geoffrey Beene, Rudi
Gernreich, Yves Saint Laurent, Andre Courreges, Norman Norell, and
Bill Blass, among many others, all drawn from the renowned costume
collection at MCNY. By the mid-1960s, clothing assumed
communicative powers, reflecting the momentous societal changes of
the day: the emergence of a counterculture, the women's liberation
movement, the rise of African-American consciousness, and the
radicalism arising from the protests of the Vietnam War. New York
City, as the nation's fashion and creative capital, became the
critical flashpoint for these debates. Authoritative essays by
well-known fashion historians Phyllis Magidson, Hazel Clark, Sarah
Gordon, and Caroline Rennolds Milbank explore the ways in which
these radical movements were expressed in fashion. Of special note
is Kwame S. Brathwaite's presentation of the Grandassa Models and
"Black is Beautiful" movement, which is illustrated with
photographs by his father, Kwame Brathwaite.
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