One of the most important movements in cinema history, the
French New Wave of directors such as Jean-Luc Godard and Alain
Resnais not only revitalised French cinema, but permanently shifted
cinema's aesthetic horizons by incorporating the narrative
complexities of emerging modernist literature such as Alain
Robbe-Grillet, Marguerite Duras and Jean Cayrol. This volume is the
first title to comprehensively analyse these links between the New
Wave and the New Novel, exploring intellectual figures such as
Roland Barthes and Jorge Luis Borges, and their relationship with
French cinema and its theorists, including Christian Metz and Noel
Burch, as well as discussing groundbreaking films such as
"Hiroshima mon amour" (1959) and "L'Ann?e derni?re ? Marienbad"
(1962). Examining these connections between the cinematic and the
literary avant gardes, "Reading the French New Wave" locates
France's filmmaking revolution as a part of a wider artistic
reevaluation of the mid-twentieth century.
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