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Brecht, Turkish Theater, and Turkish-German Literature - Reception, Adaptation, and Innovation after 1960 (Hardcover)
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Brecht, Turkish Theater, and Turkish-German Literature - Reception, Adaptation, and Innovation after 1960 (Hardcover)
Series: Studies in German Literature Linguistics and Culture
Expected to ship within 12 - 17 working days
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Uncovers the central role of Brecht reception in Turkish theater
and Turkish-German literature, examining interactions between
Turkish and German writers, texts, and contexts. Bertolt Brecht
died in 1956, but his theory and practice has continued to shape
debates about the politics of culture - not only in Germany, but in
Turkey as well, where a new generation of intellectuals emerged
during a period ofliberalization in the 1960s and sought to link
culture to politics, art to life, theater to revolutionary
practice. Ever since, Brecht has connected two cultures that have
become ever more intertwined. Drawing upon archival research and
close textual analysis, this study reconstructs how Brecht's
thought was first interpreted by theater practitioners in Turkey
and then by Turkish writers living in Germany. Gezen first focuses
on Turkey in the 1960s, reconstructing theater programming and
critical debates in literary journals in order to explore how
Brechtian stage productions thematized issues in Turkish politics
and cultural affairs. She then traces the significance of
Brechtiantheater practice and aesthetics for Aras OEren (1939-) and
Emine Sevgi OEzdamar (1946-), two important writers, actors, and
dramatists who emigrated to Germany. By shedding light on their
theatrical involvement in Turkey and East and West Germany, this
study not only introduces a new context for comprehending
individual works, but also enhances our understanding of the
intellectual interchanges that shaped the emergence of
Turkish-German literature. Ela E. Gezen is Associate Professor of
German at the University of Massachusetts, Amherst.
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