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Jewish Drama & Theatre - From Rabbinical Intolerance to Secular Liberalism (Hardcover)
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Jewish Drama & Theatre - From Rabbinical Intolerance to Secular Liberalism (Hardcover)
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Jewish drama and theatre has followed a tortuous path from extreme
rabbinical intolerance to eventual secular liberalism, with its
openness to the heritages of both Judaism as a culture and
prominent foreign cultures, to the extent of multicultural
integration. No wonder, therefore, that since biblical times until
the seventeenth century there are only examples of tangential
theatre practices. This initial intolerance, shared by the Church,
was rooted in pagan connotations of theatre rather than in the
neutral nature of the theatre medium, capable of formulating and
communicating contrasting thoughts. Whereas by the tenth century
the Church understood that theatre could be harnessed to its own
ends, Jewish theatre was only created seven centuries later through
spontaneous and amateurish theatrical practices, such as the
Yiddish purim-shpil and the purim-rabbi. Due to their carnivalesque
and cathartic nature these practices were tolerated by the
rabbinical establishment, albeit only during the Purim holiday. But
as a result, Jewish drama and theatre were created and emerged
despite rabbinical antagonism. Under the influence of the Jewish
Enlightenment, Yiddish-speaking theatres were increasingly
established, a trend that became central in the cultural enterprise
of the Jews in Israel. This process involved a renewed use of
Hebrew as a spoken language, and the transition from a profound
religious identity to a secular Jewish one, characterised by a
basic liberalism to the extent of openness to cultures
traditionally perceived as archetypal enemies of Judaism. This book
sets out to analyse play-scripts and performance-texts produced in
the Israeli theatre in order to illustrate these trends, and
concludes that only a liberal society can bring about the full
realisation of theatre's potentialities.
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