Mapping Modernisms brings together scholars working around the
world to address the modern arts produced by indigenous and
colonized artists. Expanding the contours of modernity and its
visual products, the contributors illustrate how these artists
engaged with ideas of Primitivism through visual forms and
philosophical ideas. Although often overlooked in the literature on
global modernisms, artists, artworks, and art patrons moved within
and across national and imperial borders, carrying, appropriating,
or translating objects, images, and ideas. These itineraries made
up the dense networks of modern life, contributing to the crafting
of modern subjectivities and of local, transnationally inflected
modernisms. Addressing the silence on indigeneity in established
narratives of modernism, the contributors decenter art history's
traditional Western orientation and prompt a re-evaluation of
canonical understandings of twentieth-century art history. Mapping
Modernisms is the first book in Modernist Exchanges, a multivolume
project dedicated to rewriting the history of modernism and
modernist art to include artists, theorists, art forms, and
movements from around the world. Contributors. Bill Anthes, Peter
Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather
Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika
Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian
Skinner, Nicholas Thomas, Norman Vorano Â
General
Imprint: |
Duke University Press
|
Country of origin: |
United States |
Series: |
Objects/Histories |
Release date: |
2019 |
First published: |
2018 |
Editors: |
Elizabeth Harney
• Ruth B. Phillips
|
Dimensions: |
239 x 161 x 31mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
456 |
ISBN-13: |
978-0-8223-6859-5 |
Categories: |
Books
|
LSN: |
0-8223-6859-5 |
Barcode: |
9780822368595 |
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