Books > Arts & Architecture > The arts: general issues > Theory of art
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Art and Intimacy - How the Arts Began (Paperback)
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Art and Intimacy - How the Arts Began (Paperback)
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To Ellen Dissanayake, the arts are biologically evolved
propensities of human nature: their fundamental features helped
early humans adapt to their environment and reproduce themselves
successfully over generations. In Art and Intimacy she argues for
the joint evolutionary origin of art and intimacy, what we commonly
call love. It all begins with the human trait of birthing immature
and helpless infants. To ensure that mothers find their demanding
babies worth caring for, humans evolved to be lovable and to attune
themselves to others from the moment of birth. The ways in which
mother and infant respond to each other are rhythmically patterned
vocalizations and exaggerated face and body movements that
Dissanayake calls rhythms and sensory modes. Rhythms and modes also
give rise to the arts. Because humans are born predisposed to
respond to and use rhythmic-modal signals, societies everywhere
have elaborated them further as music, mime, dance, and display, in
rituals which instill and reinforce valued cultural beliefs. Just
as rhythms and modes coordinate and unify the mother-infant pair,
in ceremonies they coordinate and unify members of a group. Today
we humans live in environments very different from those of our
ancestors. They used ceremonies (the arts) to address matters of
serious concern, such as health, prosperity, and fecundity, that
affected their survival. Now we tend to dismiss the arts, to see
them as superfluous, only for an elite. But if we are biologically
predisposed to participate in artlike behavior, then we actually
need the arts. Even -- or perhaps especially -- in our fast-paced,
sophisticated modern lives, the arts encourage us to show that we
care about important things.
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