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Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > Art of indigenous peoples

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Transnational Frontiers - The American West in France (Hardcover) Loot Price: R1,362
Discovery Miles 13 620
Transnational Frontiers - The American West in France (Hardcover): Emily C Burns

Transnational Frontiers - The American West in France (Hardcover)

Emily C Burns

Series: The Charles M. Russell Center Series on Art and Photography of the American West

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Loot Price R1,362 Discovery Miles 13 620 | Repayment Terms: R125 pm x 12*

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When Buffalo Bill's Wild West show traveled to Paris in 1889, the New York Times reported that the exhibition would be ""managed to suit French ideas."" But where had those ""French ideas"" of the American West come from? And how had they, in turn, shaped the notions of ""cowboys and Indians"" that captivated the French imagination during the Gilded Age? In Transnational Frontiers, Emily C. Burns maps the complex fin-de-siecle cultural exchanges that revealed, defined, and altered images of the American West. This lavishly illustrated visual history shows how American artists, writers, and tourists traveling to France exported the dominant frontier narrative that presupposed manifest destiny - and how Native American performers with Buffalo Bill's Wild West and other traveling groups challenged that view. Many French artists and illustrators plied this imagery as well. At the 1900 World's Fair in Paris, sculptures of American cowboys conjured a dynamic and adventurous West, while portraits of American Indians on vases evoked an indigenous people frozen in primitivity. At the same time, representations of Lakota performers, as well as the performers themselves, deftly negotiated the politics of American Indian assimilation and sought alternative spaces abroad. For French artists and enthusiasts, the West served as a fulcrum for the construction of an American cultural identity, offering a chance to debate ideas of primitivism and masculinity that bolstered their own colonialist discourses. By examining this process, Burns reveals the interconnections between American western art and Franco-American artistic exchange between 1865 and 1915.

General

Imprint: University of Oklahoma Press
Country of origin: United States
Series: The Charles M. Russell Center Series on Art and Photography of the American West
Release date: May 2018
Authors: Emily C Burns
Dimensions: 279 x 229 x 26mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 248
ISBN-13: 978-0-8061-6003-0
Categories: Books > Arts & Architecture > History of art / art & design styles > Art styles not limited by date > Art of indigenous peoples
Books > Humanities > History > World history > 1750 to 1900
Books > Humanities > History > European history > General
Books > Humanities > History > History of specific subjects > Social & cultural history
Books > Social sciences > Sociology, social studies > Ethnic studies > Indigenous peoples
Books > History > European history > General
Books > History > History of specific subjects > Social & cultural history
Books > History > World history > 1750 to 1900
LSN: 0-8061-6003-9
Barcode: 9780806160030

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