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Opera After the Zero Hour - The Problem of Tradition and the Possibility of Renewal in Postwar West Germany (Hardcover)
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Opera After the Zero Hour - The Problem of Tradition and the Possibility of Renewal in Postwar West Germany (Hardcover)
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Opera After the Zero Hour: The Problem of Tradition and the
Possibility of Renewal in Postwar West Germany presents opera as a
site for the renegotiation of tradition in a politically fraught
era of rebuilding. Though the "Zero Hour" put a rhetorical caesura
between National Socialism and postwar West Germany, the postwar
era was characterized by significant cultural continuity with the
past. With nearly all of the major opera houses destroyed and a
complex relationship to the competing ethics of modernism and
restoration, opera was a richly contested art form, and the genre's
reputed conservatism was remarkably multi-faceted. Author Emily
Richmond Pollock explores how composers developed different
strategies to make new opera "new" while still deferring to
historical conventions, all of which carried cultural resonances of
their own. Diverse approaches to operatic tradition are exemplified
through five case studies in works by Boris Blacher, Hans Werner
Henze, Carl Orff, Bernd Alois Zimmermann, and Werner Egk. Each
opera alludes to a distinct cultural or musical past, from Greek
tragedy to Dada, bel canto to Berg. Pollock's discussions of these
pieces draw on source studies, close readings, unpublished
correspondence, institutional history, and critical commentary to
illuminate the politicized artistic environment that influenced
these operas' creation and reception. The result is new insight
into how the particular opposition between a conservative genre and
the idea of the "Zero Hour" motivated the development of opera's
social, aesthetic, and political value after World War II.
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