This stimulating introductory survey traces the origins and
development of these two roughly parallel revolutionary
twentieth-century art movements, exploring the full range of
artistic production, including film, photography, collage,
painting, graphics and object making. Matthew Gale skilfully places
the art within a context of ideas ranging from the disillusionment
and questioning of accepted values that resulted from the senseless
destruction of World War I to the use of the creative forces of the
unconscious to undermine convention.
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