As mass media burgeoned in the years between the first and
second world wars, so did another phenomenon--celebrity. Beginning
in Hollywood with the studio-orchestrated transformation of
uncredited actors into brand-name stars, celebrity also spread to
writers, whose personal appearances and private lives came to
fascinate readers as much as their work. Women, Celebrity, and
Literary Culture between the Wars profiles seven American,
Canadian, and British women writers--Dorothy Parker, Anita Loos,
Mae West, L. M. Montgomery, Margaret Kennedy, Stella Gibbons, and
E. M. Delafield--who achieved literary celebrity in the 1920s and
1930s and whose work remains popular even today.
Faye Hammill investigates how the fame and commercial success of
these writers--as well as their gender--affected the literary
reception of their work. She explores how women writers sought to
fashion their own celebrity images through various kinds of public
performance and how the media appropriated these writers for
particular cultural discourses. She also reassesses the
relationship between celebrity culture and literary culture,
demonstrating how the commercial success of these writers caused
literary elites to denigrate their writing as "middlebrow," despite
the fact that their work often challenged middle-class ideals of
marriage, home, and family and complicated class categories and
lines of social discrimination.
The first comparative study of North American and British
literary celebrity, Women, Celebrity, and Literary Culture between
the Wars offers a nuanced appreciation of the middlebrow in
relation to modernism and popular culture.
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