Examining nineteenth-century novels and philosophical essays on the
conception of fictional form, Felicia Bonaparte sees the novel in
this period not as the continuation of eighteenth-century "realism"
but as a genre unto itself. Determined to address the crises that
had shattered the age, and drawing on the thought of the early
German Romantics, these novelists created a form that would remake
the world. They spoke of this process as poesis, with the purpose
of embodying "the idealistic in the real" and the requirement of a
"double plot" and a double language to convey it. The novel carried
this double meaning in the language of mythical symbolism.
Bonaparte argues that it is in such language that this fiction must
be read.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!