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Magic Realism, World Cinema, and the Avant-Garde (Paperback)
Loot Price: R1,130
Discovery Miles 11 300
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Magic Realism, World Cinema, and the Avant-Garde (Paperback)
Series: Remapping World Cinema
Expected to ship within 9 - 15 working days
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This book follows the hybrid and contradictory history of magic
realism through the writings of three key figures - art historian
Franz Roh, novelist Alejo Carpentier, and cultural critic Fredric
Jameson - drawing links between their political, aesthetic, and
philosophical ideas on art's relationship to reality. Magic realism
is vast in scope, spanning almost a century, and is often confused
with neighbouring styles of literature or art, most notably
surrealism. The fascinating conditions of modernist Europe are
complex and contradictory, a spirit that magic realism has taken on
as it travels far and wide. The filmmakers and writers in this book
acknowledge the importance of feeling, atmosphere, and mood to
subtly provoke and resist global capitalism. Theirs is the history
of magic-realist cinema. The book explores this history through the
modernist avant-garde in search of a new theory of cinematic magic
realism. It uncovers a resistant, geopolitical form of world cinema
- moving from Europe, through Latin America and the former Soviet
Union, to Thailand - that emerges from these ideas. This book is
invaluable to any reader interested in world modernism(s) in
relation to contemporary cinema and geopolitics. Its sustained
analysis of film as a sensory, intermedial medium is of interest to
scholars working across the visual arts, literature, critical
theory, and film-philosophy.
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