After months have passed by without an arrest in her daughter’s murder case, Mildred Hayes makes a bold move: painting three huge billboard signs leading into her town with a controversial message directed at William Willoughby, the town's revered chief of police.
When his second-in-command Officer Dixon, an immature "mama's boy" with a penchant for racism and violence, gets involved, the battle between Mildred and Ebbing's law enforcement is set to ignite the small town and its citizens.
(Academy Award winner for: Best Actress, Best Supporting Actor. Nominated for Best Picture, Best Supporting Actor, Best Original Screenplay, Best Editing, Best Music Score)
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Brilliant, stunning, observant
Sat, 16 Mar 2019 | Review by: Michael S
One of the very best films of the last 5 years, especially when compared with the comic-book rubbish too often foolishly celebrated. Brilliant performances all round, great story, dialogue, editing, cinematography. The outstanding director, who also made In Bruges, is inspired, original, and out-classes most others.
And you know he gets high-class actors of the highest quality. You know you won't see Vin Diesel, or Jack Black, or Seth Rogen, or any of those heart-sink and over-employed tiddlers, in his films. And even though the American Constitution seems to require Morgan Freeman to be in every film made in that country, he' mercifully absent here. McDormand is astounding, Harrlson & Rockwell as excellent as ever. and Dinklage, so capable but so often wasted, is at his best
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