Although each study emphasizes an aspect of virtuoso piano
technique, the etudes are some of the most effectively moving of
all the concert works in piano literature. This 144-page volume
includes the 24 Etudes, Opp. 10 and 25 as well as the three etudes
without opus numbers composed in 1839 for Moscheles and Fetis's
Method of Methods. Pedaling is taken from the original manuscripts
and first editions, and fingering is editorial.
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