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Rewriting the Jew - Assimilation Narratives in the Russian Empire (Hardcover, First)
Loot Price: R1,472
Discovery Miles 14 720
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Rewriting the Jew - Assimilation Narratives in the Russian Empire (Hardcover, First)
Series: Contraversions: Jews and Other Differences
Expected to ship within 12 - 17 working days
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In the Russian Empire of the 1870s and 1880s, while intellectuals
and politicians furiously debated the "Jewish Question," more and
more acculturating Jews, who dressed, spoke, and behaved like
non-Jews, appeared in real life and in literature. This book
examines stories about Jewish assimilation by four authors: Grigory
Bogrov, a Russian Jew; Eliza Orzeszkowa, a Polish Catholic; and
Nikolai Leskov and Anton Chekhov, both Eastern Orthodox Russians.
Safran introduces the English-language reader to works that were
much discussed in their own time, and she situates Jewish and
non-Jewish writers together in the context they shared.
For nineteenth-century writers and readers, successful fictional
characters were "types," literary creations that both mirrored and
influenced the trajectories of real lives. Stories about Jewish
assimilators and converts often juxtaposed two contrasting types:
the sincere reformer or true convert who has experienced a complete
transformation, and the secret recidivist or false convert whose
real loyalties will never change. As Safran shows, writers borrowed
these types from many sources, including the novel of education
produced by the Jewish enlightenment movement (the Haskalah), the
political rhetoric of "Positivist" Polish nationalism, the Bible,
Shakespeare, and Slavic folk beliefs.
"Rewriting the Jew" casts new light on the concept of type itself
and on the question of whether literature can transfigure readers.
The classic story of Jewish assimilation describes readers who
redesign themselves after the model of fictional characters in
secular texts. The writers studied here, though, examine attempts
at Jewish self-transformation while wondering about the
reformability of personality. In looking at their works, Safran
relates the modern Eastern European Jewish experience to a
fundamental question of aesthetics: Can art change us?
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